Miklos jancso (24 Ergebnisse)

Zustand: Very good. - Quarto [approximately 11 inches high by 8 inches wide], softcover bound in pictorial wraps. The wraps are rubbed & bumped with some light soiling & foxing. The head & tail of the spine are chipped. [80] pages, including wraps. Profusely illustrated in color and black & white. Some page corners are lightly bumped, else the contents are very good. Film magazine with an emphasis on eroticism and nudity. The illustrations include a nude cover illustration and centerfold and there is an article on Marilyn Chambers. This issue also includes articles on Jancso's "Electra", Robert Altman's "Nashville", Warren Beatty and "Shampoo", Romy Schneider, Jane Birkin and Jodorowsky's "El Topo". The text is in French. …

Zustand: MOLTO BUONO. Torino, Einaudi cm.11,5x19,5, pp.136, alcune ill.bn.nt. brossura con cop.fig.a col. Collana Nuovi Coralli,149. A cura di Anna Maria Tatò.

Zustand: BUONO. Bologna, Cappelli cm.13x21, pp.154, 80 ill.ft.bn.e col., brossura con cop.fig.a col. Collana Cinematografica. A cura di Carlo Di Carlo.

Zustand: Buone. italiano Condizioni dell'esterno: Leggermente macchiata Condizioni dell'interno: Buone.

Zustand: BUONO USATO. Nuovi Coralli ITALIANO Brossura tascabile in buonissimo stato, copertina figurata al piatto anteriore, toni lievemente scuriti, n. 149 di collana, cura di Anna Maria Tatà , interno molto ben preservato, minimo pulviscolo ai tagli. N. pag. 139.

paperback. Zustand: Good. A cura di Carlo Di Carlo. Con 80 foto in bianco e nero e a colori . 8vo. pp. 156. . Buono (Good). . . . Book.

Zustand: Fine. PRIMA EDIZIONE. Condizioni dettagliate: Ottime, piccoli strappi sul dorso, copertina flessibile.

First Edition. Good copy bound in quarter buckram over gilt-blocked decorated boards with gilt-blocked title to the spine, edges very slightly toned. Some wear and tear as with age. Corners sharp with an overall tight, bright and clean impression. Physical description; 413 p: ill., maps ; 25 cm. Notes; Includes bibliographical references. Subjects; Jancsó, Benedek (1854-1930). Festschriften. Hungary History. Genres; Abstract or summary. Illustrated. 1 Kg. …

In Original red cloth. Zustand: Fine conditon. Mimeographed. Only on recto. Mimeographed. Only on recto. In Original red cloth. 39 p.

In original cloth. In original cloth. 127 p. Extremely rare original screenplay for Cantata. This is the favorite Jancso film of the Foldvaribooks's staff. Provenience: Ferenc Lohr's copy who was the film's sound engineer. The spine is missing and the rear panel damaged. Inside fine.

Dialogue script for the 1979 Hungarian film "Allegro Barbaro." The second of Jancso's two-part dramatized history of Hungary, from the turn of the century to World War II, as told by the conflicted son of a wealthy landowner. Shot on location in Hungary. Gray titled wrappers, dated 1977. Title page not present, presumably as issued. 122 leaves, with last page of text numbered 122. Mimeograph duplication. Pages Fine, wrapper Near Fine side stapled.…

Studio Dialogue script for the 1979 Hungarian film, seen here under the Hungarian title "Magyar rapszodia." Text in Hungarian. The first of Jancso's two-part dramatized history of Hungary, from the turn of the century to World War II, as told by the conflicted son of a wealthy landowner. Nominated for the 1979 Palme d'Or at Cannes. Shot on location in Hungary. Gray titled wrappers, dated 1977. Title page not present, presumably as issued. 112 leaves, with last page of text numbered 112. Mimeograph duplication. Pages Fine, wrapper Very Good plus, side stapled.…

Vintage Hungarian program for the 1967 film. Photo-illustrated with scenes from the film, including one large image on the entirety of the verso. Text in Hungarian. One of the masterpieces of Hungarian cinema. A Russian-Hungarian co-production, "The Red and the White" was originally commissioned to celebrate the 50th anniversary of the October Revolution in Russia in which the Bolsheviks seized power. However, Jancso chose to set the action two years later in 1919 and showed Hungarian irregulars supporting the Communist "Reds" in fighting the Tsarist "Whites" as the two sides battled for control in the hills overlooking the Volga river. As well as deviating on the required setting, Jancso also chose to use a radically different approach to the film than that expected. Rather than shooting a hagiographic account of the birth of Soviet communism, Jancso produced a profoundly anti-heroic film that depicts the senseless brutality of the Russian Civil War specifically and all armed combat in general. 7.75 x 3.5 folded, 15.25 x 10.75 unfolded. Near Fine. Rosebaum 1000. Vogel, Film as a Subversive Art.…

Two vintage oversize borderless matte-finish color photographs from the 1976 Italian-Yugoslavian film. Stamps of Les Films Jacques Leitienne on the versos. A young, wealthy, and bored prince flits from affair to affair at his family's sprawling country estate, culminating in a wild orgy that ends in death. Shot on location in Croatia. 12 x 9.5 inches. Very Good plus, with light creasing at the corners.…

In original paper. In original paper. 134 p. Title page not present, presumably as issued. Very rare. In very good condition, the cover is dirty.

Collection of 3 vintage borderless photographs from the 1976 film. Grazia Neri stamps on the verso. Jancso's "Private Vices, Public Pleasures" is loosely based on the death of Crown Prince Rudolf of Austria, believed having killed himself after shooting his lover in a suicide pact in 1882. Jancso's film presents Rudolf (Lajos Balazsovits) as a pan-sexual, bored by his wife, cavorting with beautiful aristocratic lovers of both sexes on his sprawling rural estate. Ordered by his father, Emperor Franz Josef to leave the estate, Rudolf refuses and organizes a celebration which becomes a tragic orgy. Nominated for the 1976 Palme d'Or. Shot on location in Croatia. 9.5 x 7 inches. Near Fine, some light creasing.…

Collection of 23 vintage borderless reference photographs from the 1967 film, including one showing director Miklós Jancsó on the set. Annotations in manuscript ink and pencil, along with provenance labels, on the versos. A Russian-Hungarian co-production, the film was originally commissioned to celebrate the 50th anniversary of the 1917 October Revolution, led by Lenin's Bolsheviks. However, Jancsó chose to set the action two years later in 1919, focusing on the Hungarian soldiers supporting the Red Army in fighting the Whites. Instead of an idealized depiction of the revolution, the resultant release was bleak and profoundly antiheroic, and is today considered one of the masterpieces of Hungarian cinema. Generally 7 x 5 inches, some with wide bottom margins. Very Good plus to Near Fine. Rosebaum 1000. Vogel, Film as a Subversive Art.…

Original Hungarian poster for the 1968 film. Jancso's followup to "The Red and the White." In 1919, soldiers of the short-lived Hungarian Red Army are now on the run from relentless secret policemen and patrol units of the nationalist Royal Gendarme. If caught, they are executed without mercy or proper trial. Ex-soldier Istvan Cserzi has fled to the Great Hungarian Plains and has taken refuge on a farm run by two sympathetic women. With the help of the women and a former childhood friend, now a commandant of the local Royal Gendarme outfit, Istvan is safely hidden from the prying eyes of the secret police. However, upon discovering that the women helping him are secretly poisoning the mother-in-law and the husband, the legal owners of the farm, Istvan must make the most difficult decision of his life. 22.5 x 16.5 inches. On archival linen, rolled. Fine.…

One page, typed letter. Signed by Jancsó and Hernádi. With manuscript supplement by Jancsó, signed twice. 205 × 290 mm. Signed letter by Miklós Jancsó and Gyula Hernádi sent to the Artist's Copyright Office, with handwritten supplement by Jancsó. Jancsó and Hernádi urges the Hungarian Copyright Office to conclude the contract with Lorrimer Publishing. They request the royalty to be divided equally between them. Jancsó added in hand that the net price of the deposit should be included into the contract. Presumably it refers to the contract for distribution of the 1967 film "The Red and the White" (Csillagosok, katonák) in the UK, whose screenplay was written by Jancsó and Gyula Hernádi. . Folded twice. Creased at upper left corner. In fine condition. One page, typed letter. Signed by Jancsó and Hernádi. With manuscript supplement by Jancsó, signed twice.…

Zustand: In good condition. Original, vintage, black and white photo of the staff of Jancsó's movie. Title and date on verso in pencil. 143 × 90 mm. "A harangok Rómába mentek" was Jancsó's first feature film, a classical realistic story about children pressured to join the army during WWII, but they refuse to fight on German side againt the Russians on the eastern front, and try to rescue bells that are being taken to be used as metal for guns. Jancsó later dismissed his film, considered it too romantic thus false. . Original, vintage, black and white photo of the staff of Jancsó's movie. Title and date on verso in pencil. (illustrator).…

Zustand: Fine condition. In original paper. Mimeographed. Only on recto. 58 p. Electra, My Love (Hungarian: Szerelmem, Elektra) is a 1974 Hungarian drama film directed by Miklós Jancsó. It was included in the official selection for the 1975 Cannes Film Festival. In original paper. Mimeographed. Only on recto.…

Six vintage photographs from the 1972 film, including four studio still photographs and two borderless reference photographs. A dramatization of an 1890 Hungarian peasants' strike. As with many of director Miklos Janczo's films, a slow, enigmatic meditation on morality and violence, composed of only 26 shots over 87 minutes. Set and shot on location in Hungary. Approximately 7 x 5.25 inches. Near Fine. Rosenbaum 1000. Vogel, Film as a Subversive Art.…

Original poster design maquette for the classic 1967 Hungarian film. Original artwork executed in tempera paint, with applied lettering. Designed by Antal Révész. One of the masterpieces of Hungarian cinema. Although the film was originally commissioned to commemorate the 50th anniversary of the October Revolution in Russia, director Miklos Jancso chose to set the action two years later in 1919, showing Hungarian irregulars supporting the Communist "Reds" in fighting the Tsarist "Whites." Instead of the expected celebratory account of the birth of Soviet communism, the resulting film was profoundly anti-heroic, revealing the meaninglessness and senseless brutality of the Russian Civil War (and all armed combat in general). 32 x 46.5 inches. Very Good, with a few closed tears at the extremities but no loss.…

Original Hungarian poster for the 1965 film. In the final days of WWII, a 17-year-old boy wanders the countryside. He is captured by Soviet troops, then released, then captured once more. He has donned a German uniform for warmth and is imprisoned at a remote barracks, where he strikes up an unlikely friendship with a young Russian soldier. His attempts to return home form the film's landscape, with Jancso's signature themes on display, including the psychological presence of landscape, the randomness of violence, and the arbitrary nature of power. 22.5 x 16.5 inches. On archival linen, rolled. Fine. Second Run 24.…