Mikkel b tin (4 Ergebnisse)

Hardcover. Zustand: Very Good. 1st Edition. Uncommon art book, discusses craft tradition in contemporary Norwegian / Russian artists. Hardcover, with paper slip around boards. Well-bound and internally unmarked. Slip has one tear at rear panel. Light shelfwear to boards.

Soft cover. Zustand: New. 317 pages : illustrations : 24 cm. The everyday is what is closest and most familiar to everyone, and yet it tends to escape our attempts to seize it. The everyday is daily routine, but it may also open for encounters with the extraordinary. It may be perceived as both authentic and inauthentic being. This intriguing ambiguity has made the everyday one of the most vividly discussed philosophical topics. . CONTENTS : Ina Nalivaika and Mikkel B. Tin: General Introduction. Ina Nalivaika: Alternative Subjectivity. Aliona Pazdniakova: Intersubjectivity in Photography: Husserl and the Aesthetics of Oddleiv Apneseth. Anna Shirokanova: New Media in Everyday Life: Reassembling the Mediated Identity. Jan Ove Tangen: Materiality, Meaning and Power: Sport Facilites in the Everyday. Ellen Schrumpf: Working-Class Children and Their Homes. Espen Dahl: Loss and Recovery of the Everyday: Cavell on Film. Darya Hirhel: Theatre as the Overcoming of 'Everydayness': Chekhov's Dramaturgy in the Light of Bakhtin's Philosophy. Mikkel B. Tin: Natural and Insane in Painting: Ludwig Binswanger and the Daseinsanalyse.…

Soft cover. Zustand: New. 231 pages : ill. : 24 cm. What is a photographic portrait? A moment in a life story or the essence of a life? A portrait of the sitter or a portrait of the photographer? Unmistakable truth or staged imposture? And when the portrait in full face is accompanied by a portrait in profile the subject we see in the picture is perhaps more properly an object? A suspect object of public control or an interesting object of scientific research? Often portraits appear in series Are these still photographs of individuals or are they meant to visualize typical features? Features of a period a social group an exotic culture perhaps a race? Are such series descriptive or normative? Does the photographic medium contribute to the canonization of certain groups and stigmatization of others? The photographic portrait conveys presence as well as absence The photographic portrait compels us to ask whether we are still here in our bodies or perhaps rather there in our pictures Whatever the answer the split between me and my picture prompts a reflexivity which is distinctive of Modernity and that Modernity largely owes to photography In the present anthology taking their starting points in various examples of Norwegian photographic portraiture a number of scholars discuss the position of photographic portraits between fact and fiction: Trond Bjorli Marthe T Fjellestad Aliona Pazdniakova Marie Fongaard Seim Thale Sørlie Mikkel B Tin.…

Hardcover. Zustand: gut. 2017. I Craft, I Travel Light In deutscher Sprache. pages.