michel brule (29 Ergebnisse)

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

181 S., brosch., guter Zustand.

Format Poche. Zustand: Bonne Condition. (Note pour le vendeur, code 30 838). Couverture légèrement usée. Intérieur propre. Envoi soigné.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Edition 2005. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2005. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2005. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2005. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Zustand: Bon. Ancien livre de bibliothèque. Petite(s) trace(s) de pliure sur la couverture. Légères traces d'usure sur la couverture. Pages cornées. Edition 2017. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Slightly creased cover. Slight signs of wear on the cover. Dog-eared pages. Edition 2017. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Zustand: Très bon. Ancien livre de bibliothèque. Légères traces d'usure sur la couverture. Edition 2017. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Slight signs of wear on the cover. Edition 2017. Ammareal gives back up to 15% of this item's net price to charity organizations.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Couverture souple. Zustand: Bonne Condition. Rares traces d'usure sur la couverture. Intérieur frais. 174 p.Envoi soigné.

Rustica. Zustand: Nuevo.

Kartoniert, 8°, 181 S., 1. Auflage, »Der Frankokanadier Brule nimmt uns mit auf den Weg des Englischen von den Anfängen auf der britischen Insel bis zur verherrlichten oder verhassten Weltsprache von heute. Schonungslos zerpflückt er die Veheißungen, diese Sprache sei einfach zu erlernen, anderen überlegen und neutral.« Guter Zustand.

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 308 Seiten, 250 Abbildungen, Leineneinband, 22.5 x 31 cm - This book is a visual biography of the legendary Swiss aviation pioneer Alfred Comte (18951965). Combining historical photos and documents with texts by Comte's son (also Alfred) and grandson the photographer Michel Comte, the book is the first to comprehensively explore the aviator's extraordinary life and achievements.

Hardcover. Zustand: Brand New. 01 edition. 308 pages. French language. 12.25x9.00x1.50 inches. In Stock.

Hardcover. Zustand: Brand New. 01 edition. 308 pages. French language. 12.25x9.00x1.50 inches. In Stock.

Hardcover. Zustand: Brand New. 01 edition. 308 pages. French language. 12.25x9.00x1.50 inches. In Stock.

Zustand: Bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Zustand: Assez bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Zustand: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Couverture souple. Zustand: bon. R100068515: 1988. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 303 pages. . . . Classification Dewey : 300-SCIENCES SOCIALES.

Couverture souple. Zustand: bon. R160177885: 1988. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 303 Pages - Quelques fac-similès en noir et blanc. . . . Classification Dewey : 320-Science politique.

Original press kit for the 1962 French-Italian film. Includes seven- and four-page pamphlets detailing film production, sequences, and synopses, with a press note and two accompanying film credit sheets from R. Chabert to Monsiuer Gay-Lussac, indicating the supplied press kit, and a note from Christiane Fournier, a film critic, discussing her plans to include the film in an essay for the magazine, Les Dessous Élegants, dated Ocotber 17, 1961, in manuscript ink. Any ephemera relating to this film is scarce. Little known French anthology film composed of sequences, not unlike the De Sica-Fellini-Monicelli-Visconti collaboration, "Boccaccio '70" (1962), released the same year. Of note is the last sequence, involving Johnny Hallyday who sings the Aznavour song "Hold Back the Night" to Catherine Deneuve. Pamphlets 8.25 x 13 inches, side-stapled, printed on rectos. Press note 5.25 x 8 inches, film credit sheets 8 x 10 inches. Slight uniform toning, else Near Fine.

Collection of 370 original black-and-white keybook still photographs from the 1959 French film, consisting of two unique and complimentary pieces, one being a studio film still keybook with 97 contact prints of small format transparencies, most with 12 images per print, amounting to over 1,000 images captured, nearly all images with series number etched in the original film negative before development, and credits at the top for photo laboratory (Tele-Photo), film studio (Ulysse), film title, and photographer Apoteker, housed in an oblong 2-ring paper binder with printed French titles on the front. Laid in is a small piece of graph paper addressed "Cher Christian", presumably filmmaker Christian-Jaque, with brief slightly illegible note in French in manuscript ink. The remaining 273 photographs are single photos with similar etched series numbers, mounted with cello tape on thick stock in two quarto "Lavis aquarelle" brand spiral bound notebooks with maroon faux leather front wrapper, printed French titles affixed on the front wrapper of one. Small "x" annotations in manuscript ink on several pages. All three keybooks capture the film and photographer Apoteker's sense of desperation in composed and candid moments. Michele Morgan and Gil Vidal dominate the imagery, hamming for the camera and in action scenes, with Vidal emerging from a car crash and rarely without a glass in-hand, and stunning images of Morgan hula-hooping off-set and in several placid studio portraits. Catherine (Morgan) is an alcoholic lawyer who enlists the help of reporter Walter (Vidal) to spy on a nefarious wine supplier who may have contributed to the killing of a young man's father. Morgan dominated French cinema for decades and even won the Best Actress Award at the first Cannes festival (1946). Photographer Apoteker's debut film, followed by successful crime noirs, notably "Classe Tous Risques" (1960), and later worked on "Love and Death" (1975) and the futuristic "cinema du look" film, "Le prix du danger" (1983). Fourth film of noted costume designer Autré, whose other credits include "Love on a Pillow" (1962), "Contempt" (1963), "Lost Command" (1966), and "The Game is Over" (1966). Notebook photos 3.75 x 5 inches, most pages with four mounted photos, keybook photos to 8.25 x 10.5 inches. Very Good plus overall, with light foxing, and curling and rubbing to the studio keybook, a few photos with small edge tears.

Collection of 11 original black-and-white photographs from the 1959 French film. Most feature starring actress Morgan, and a few show other actors, including Vidal. Three on-the-set photographs of Morgan being fitted by a female crew member, possibly costume designer Tanine Autré, and eleven still photographs, with Morgan and Blanche at a bar, even an image of kids gathered in a junkyard. On the versos of the three on-the-set are French film title and "M. Morgan" in manuscript ink and rubber stamps for photographer Paul Apoteker, numerical annotations in manuscript pencil on the versos of the still photographs. Housed in a French Kodak photo box with French film title label on the lid. Catherine (Morgan) is an alcoholic lawyer who enlists the help of reporter Walter (Vidal) to spy on a nefarious wine supplier who may have contributed to the killing of a young man's father. Morgan dominated French cinema for decades and even won the Best Actress Award at the first Cannes festival (1946). Photographer Apoteker's debut film, followed by successful crime noirs, notably "Classe Tous Risques" (1960), and later worked on "Love and Death" (1975) and the futuristic "cinema du look" film, "Le prix du danger" (1983). Fourth film of noted costume designer Autré, whose other credits include "Love on a Pillow" (1962), "Contempt" (1963), "Lost Command" (1966), and "The Game is Over" (1966). Photos range from 3.75 x 5.25 inches to 7 x 9.25 inches, most stills with a 2-inch border at the bottom. Slight curling, else Near Fine. Box Very Good overall. Complete collation upon request.

Vintage borderless reference photograph of Brigitte Bardot and director Roger Vadim on the set of the 1961 film. "Photo Walter Carone" stamp, two "La Bride sur le cou" stamps, and faint recurring "Paris Match Marie Claire" stamps, on verso. Sophie learns her boyfriend is thinking of leaving her for another woman and her first thought is to win him back or kill the woman, but with the help of her friend Alain, she resolves on the former. Shot on location in Alps, Haute-Savoie, France. 7.75 x 10.25 inches. Very Good plus.