henri decoin (37 Ergebnisse)

Zustand: Neuf.

Reference still photograph of Jean Marais and Francoise Arnould from the 1953 film, struck circa 1970s. "Gala Film Distributors" stamp on verso. Based on the 1952 French novel "18 Fantomes" by Stanislas-Andre Steeman. Detective Marco (Marais) investigates the murder of girl found bound in her bed at a respectable boarding school. 8 x 10.25 inches. Very Good plus, with light edgewear and small crease in top right corner margin.

Vintage black-and-white still photograph from the 1958 UK release of the 1958 French film. Mimeograph snipe affixed to the verso. Set during the French resistance of WWII, a Parisian widow assists in the cause but ultimately falls in love with a German soldier. 8 x 10 inches. A tiny closed tear, and brief creases, else Near Fine.

Encuadernación de tapa dura. Zustand: Muy Bien. OCHO COMBATES DE BOXEO Publicado por Eds. Pal.las, Barcelona, 1943, r. PRIMERA EDICIÓN. Pág: 198 18x11 O Tela editorial impresa sin sobrecubierta.

Zustand: NEW.

Vintage borderless oversize reference photograph from the 1959 French film, showing actress Michèle Morgan. A small-town reporter helps a lawyer incriminate a wine-selling company, revealing how the merchants target poor people and youth in their advertising campaigns. Shot on location in Paris and Yvelines, France. 9.25 x 12.25 inches. Very Good, moderately foxed, with a small closed tear at the bottom right corner.

État de NEUF / New condition 000-221119 '9782379411267 12/10/2021 Hors-collection Broché.

Zustand: OTTIMO USATO. Simenon al cinema ITALIANO A cura di Claudio G. Fava. Piccola brossura editoriale in cartonato flessibile, copertina stampata con titoli su piatto e dorso, impercettibili segni di usura. Tagli come nuovi, legatura ben salda, pagine avorio, conservate come mai sfogliate, pulite e prive di segni particolari, interamente fruibili con due riproduzioni in nero del cartellone pubblicitario dell'omonimo film, nel testo con didascalia. Numero di pagine 55.

Revue hebdomadaire MON FILM - Numéro 347 - Photographie de Alida VALLI en couverture - Une signature sur le premier plat 15 pages, 31 cm, brochage agrafé. Bon état.

Zustand: new.

Zustand: As New. Neuf. 13 6x17 2x1 2cm. Sans date. blu_ray. As New.

Couverture souple. Zustand: bon. R200119912: Non daté. In-12. Broché. Etat d'usage, Couv. légèrement passée, Agrafes rouillées, Quelques rousseurs. 17 + environ 14 (dessins/figures en noir et blanc) pages. Tampons, annotation et etiquette sur la page de titre. Dos partiellement fendu. . . . Classification Dewey : 796.1-Sports divers.

Zustand: Good. B&W photo. 17.5 x 23 cm. Very Good.

Zustand: Good. B&W photo. 17.5 x 23 cm. Very Good.

Zustand: Good. B&W photo. 17.5 x 23 cm. Very Good.

Zustand: Good. B&W photo. 17.5 x 23 cm. Very Good.

Zustand: Good. B&W photo. 17.5 x 23 cm. Very Good.

Zustand: Good. B&W photo. 17.5 x 23 cm. Very Good.

Zustand: Good. B&W photo. 17.5 x 23 cm. Very Good.

Zustand: Good. B&W photo. 17.5 x 23 cm. Very Good.

Zustand: Good. B&W photo. 17.5 x 23 cm. Very Good.

Zustand: Good. B&W photo. 17.5 x 23 cm. Very Good.

30,5x23 cm, brossura di 6 facciate con foto in b/n, trama del film e frasi di lancio pubblicitario. Tra gli altri nel cast: Michele Morgan e Henri Vidal Molto buono.

Faltblatt, gelocht. Zustand: Gut. 4 S., 18*26 cm. Papierbedingt gebräunt, sonst sauber. - Regie: Henri Decoin, Darsteller: Juliette Gréco, Jean-Marc Bory, Liselotte Pulver, Mathé Mansoura, Jacques Dacqmine, Georges Chamarat. Sprache: Deutsch Gewicht in Gramm: 550.

Zustand: Good. Set of promotional photographs. 20 cm. x 25 cm.

Couverture souple. Zustand: bon. R300322112: Non daté. In-8. Broché. Etat d'usage, Couv. légèrement passée, Coiffe en pied abîmée, Papier jauni. 190 pages. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française.

Zustand: Good. Letter-sized stapled pages (14 pp.) inside portfolio (31 x 21.5 cm.). Opened envelope within. Good with minor tears. En Francais.

Collection of 370 original black-and-white keybook still photographs from the 1959 French film, consisting of two unique and complimentary pieces, one being a studio film still keybook with 97 contact prints of small format transparencies, most with 12 images per print, amounting to over 1,000 images captured, nearly all images with series number etched in the original film negative before development, and credits at the top for photo laboratory (Tele-Photo), film studio (Ulysse), film title, and photographer Apoteker, housed in an oblong 2-ring paper binder with printed French titles on the front. Laid in is a small piece of graph paper addressed "Cher Christian", presumably filmmaker Christian-Jaque, with brief slightly illegible note in French in manuscript ink. The remaining 273 photographs are single photos with similar etched series numbers, mounted with cello tape on thick stock in two quarto "Lavis aquarelle" brand spiral bound notebooks with maroon faux leather front wrapper, printed French titles affixed on the front wrapper of one. Small "x" annotations in manuscript ink on several pages. All three keybooks capture the film and photographer Apoteker's sense of desperation in composed and candid moments. Michele Morgan and Gil Vidal dominate the imagery, hamming for the camera and in action scenes, with Vidal emerging from a car crash and rarely without a glass in-hand, and stunning images of Morgan hula-hooping off-set and in several placid studio portraits. Catherine (Morgan) is an alcoholic lawyer who enlists the help of reporter Walter (Vidal) to spy on a nefarious wine supplier who may have contributed to the killing of a young man's father. Morgan dominated French cinema for decades and even won the Best Actress Award at the first Cannes festival (1946). Photographer Apoteker's debut film, followed by successful crime noirs, notably "Classe Tous Risques" (1960), and later worked on "Love and Death" (1975) and the futuristic "cinema du look" film, "Le prix du danger" (1983). Fourth film of noted costume designer Autré, whose other credits include "Love on a Pillow" (1962), "Contempt" (1963), "Lost Command" (1966), and "The Game is Over" (1966). Notebook photos 3.75 x 5 inches, most pages with four mounted photos, keybook photos to 8.25 x 10.5 inches. Very Good plus overall, with light foxing, and curling and rubbing to the studio keybook, a few photos with small edge tears.

Collection of 11 original black-and-white photographs from the 1959 French film. Most feature starring actress Morgan, and a few show other actors, including Vidal. Three on-the-set photographs of Morgan being fitted by a female crew member, possibly costume designer Tanine Autré, and eleven still photographs, with Morgan and Blanche at a bar, even an image of kids gathered in a junkyard. On the versos of the three on-the-set are French film title and "M. Morgan" in manuscript ink and rubber stamps for photographer Paul Apoteker, numerical annotations in manuscript pencil on the versos of the still photographs. Housed in a French Kodak photo box with French film title label on the lid. Catherine (Morgan) is an alcoholic lawyer who enlists the help of reporter Walter (Vidal) to spy on a nefarious wine supplier who may have contributed to the killing of a young man's father. Morgan dominated French cinema for decades and even won the Best Actress Award at the first Cannes festival (1946). Photographer Apoteker's debut film, followed by successful crime noirs, notably "Classe Tous Risques" (1960), and later worked on "Love and Death" (1975) and the futuristic "cinema du look" film, "Le prix du danger" (1983). Fourth film of noted costume designer Autré, whose other credits include "Love on a Pillow" (1962), "Contempt" (1963), "Lost Command" (1966), and "The Game is Over" (1966). Photos range from 3.75 x 5.25 inches to 7 x 9.25 inches, most stills with a 2-inch border at the bottom. Slight curling, else Near Fine. Box Very Good overall. Complete collation upon request.

Zustand: Good. 14 page flyer with decorative board cover by Rojan. One of 250 numbered copies bound with ribbon ties. . 31 x 19cm. Very rare.Provenance: Archive Jean ROBIN. Jean Robin : impressario of the dance, administrator and Director of tours of the ballets of the Champs-Elysées from 1945 to 1951, creator and director of the Festival International de Danse de Paris from 1963 to 1989, artistic director of the theater of the Champs-Elysées from 1954 to 1967, creator and director of the festival "Mai de Versailles" from 1961 to 1977, general secretary of the Orchestra of Paris from 1967 to 1976, director of the theater of the Gaité Lyrique from 1967 to 1973, vice-president of the International Center of the dance . Jean Robin is considered a pioneer for having established an annual event of truly international scope, dedicated to dance in all its forms. He collaborated with many artists (Cocteau, Boris Kochno, Sauguet, Auric, Roland Petit, Jean Babilée, Maurice Béjart, Rudolf Noureev.).