michaels sidney (30 Ergebnisse)

Paperback. Zustand: Acceptable. Not Pretty But Still Useful Starving Student Script. Slight Perfume Smell. Markings & Highlighting To The Text. This Acting Edition Script Has Shelf Wear And Edge Wear To The Covers. Former Actor Name On The Cover. A Perfect Purchase When You Need An Extra Script For Your Performance Needs. Book.

Paperback. Zustand: Acceptable. Not Pretty But Still Useful Starving Student Script. Slight Perfume Smell. Markings & Highlighting To The Text. This Acting Edition Script Has Shelf Wear And Edge Wear To The Covers. Former Actor Name On The Cover. A Perfect Purchase When You Need An Extra Script For Your Performance Needs. Book.

Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Acceptable. THE SCRIPT! Not so pretty. ACTING EDITION SCRIPT will serve as a useful Starving Student Edition when you need an extra! Some shelf wear and edge wear to the covers.THE FORMER ACTOR HAS MARKED UP THE SCRIPT including name,.highlighting, underlining and sidebar notes. Economically priced ACTING EDITION for your performance needs. Book.

Paperback. Zustand: Acceptable. THE SCRIPT! Reliable ACTING EDITION Script. Some shelf wear and edgewear to the covers. Some scuff marks and stain marks to the covers.Former actor name on the cover. Good binding. The dialogue flows nicely. Enjoy this ACTING SCRIPT useful for your theatrical needs.

Soft cover. Zustand: Acceptable. STARVING STUDENT EDITION! Not so pretty. Some noticeable shelf wear, edge wear and name. Former actor has made some markings to the text. Still worthwhile pages with plenty of clean, clear text. USED but still USEFUL especially when you need an extra. Enjoy this acceptable script for all your dramatic and theatrical needs. Book.

Paperback. Zustand: Acceptable. THE SCRIPT! ACTING EDITION SCRIPT for your dramatic needs. Some shelf wear and a few scuff marks to the covers. Former actor name. Good binding. The dialogue flows nicely. Enjoy this ACTING SCRIPT useful for theater performance.

Paperback. Zustand: Good. THE SCRIPT! Reliable and presentable ACTING EDITION. Some shelf wear to the covers.Former actor name on the cover.Mild tanning to the covers. Inside the text flows clearly. Enjoy this script in useful condition.

Paperback. Zustand: Acceptable. THE SCRIPT! ACTING EDITION SCRIPT for your dramatic needs. Some shelf wear to the covers. Good binding. The dialogue flows nicely. Enjoy this ACTING SCRIPT useful for theater performance.

Paperback. Zustand: Good. THE SCRIPT! Reliable ACTING EDITION SCRIPT. Some shelf wear and edge wear to the covers. Good binding and the dialogue flows clearly. Enjoy this ACTING SCRIPT EDITION presentable for your performance needs.

Paperback. Zustand: Good. Withdrawn from the library collection. THE SCRIPT! Acting edition. Some library marking, stamp and card pocket. A library script is useful because the text flows clearly. Enjoy this reliable Acting Script.

Soft cover. Zustand: Good. THE SCRIPT! Reliable ACTING SCRIPT for your theatrical needs. Some shelf wear and edge wear to the covers. Former actor name. Good binding. The text flows clearly. Enjoy this ACTING EDITION SCRIPT.

Paperback. Zustand: Good. THE SCRIPT! Presentable ACTING EDITION. Some shelf wear to the covers. Tight binding and the text flows clearly. Enjoy this reliable ACTING SCRIPT good for performance.

AUDIO CASSETTE. Zustand: Acceptable. THE SCRIPT! Acting Edition. Some shelf wear and scuff marks to the covers. Some edge wear and fold mark to the covers. The dialogue flows clearly . Enjoy this ACTING SCRIPT useful for performance.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDGood copy with clean pages. Some chipping to spine. 4th printing. Light stains to cover. 8vo. Published in New York, 1966. 116 pages.

Softcover. Zustand: Very Good. First paperback edition. Rubbing and toning on wrappers, very good. A play based on *Dylan Thomas in America*, by John Malcolm Brinnin and *Leftover Life to Kill*, by Caitlin Thomas.

Softcover. Zustand: Near Fine. Playbill program: Volume 1, Number 2 (February 1964). Near fine in stapled wrappers. Printed for the original run at the Plymouth Theatre on Broadway. With Alec Guinness in the lead role.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good+ dj. Fireside BCE. [nice tight copy, minor wear at spine ends; the jacket is lightly browned at the spine and along the edges of the rear panel, and has a tiny puncture-wound mid-spine]. (B&W photographs) Libretto (no music) for the musical play about, well, Benjamin Franklin's visit to Paris in 1776 and 1777. The original Broadway production, which starred Robert Preston as Franklin (Preston with a capital P, and that rhymes with B, and that stands for Ben!), ran for a respectable 215 performances during the 1964/65 season. It was nominated for one Tony Award (Michaels, for Best Author (Musical)), but is mostly notable as the first Broadway musical set during the Revolutionary War, predating "1776" by five years and "Hamilton" by a lot more than that.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

First edition. Samuel French, London. 1962. Paperback. 84 pages. Sl. shelf-wear and discolouration.

Zustand: New.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Fair. Book Club Edition. Some minor tearing to the edges of the DJ, some fading to the spine. Sticker inside front cover with info about the donation of this book to a college collection. Pages are clean and free from markings or creases. Binding is tight. BP.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.

Hardback. Zustand: Very Good. 116p hardback, unclipped red dustjacket a little rubbed and creased to edges, features David Stone Martin's portrait to front panel, from the collection of renowned Theatre historian Terence Rees with his stamp to front pastedown, first edition, based on Brinnin's 'Dylan Thomas in America' and Caitlyn Thomas' 'Leftover Life to Kill', pages clean and fresh, binding firm Language: English.

Softcover/Paperback. Zustand: Very Good. In zeer goede staat. Paperback.

. Random House. New York USA. 1964. 1. Aufl. 116 S. 14, 5*21, 5cm. -3)Bibl. Bibliotheksexemplar/Library copy.

Paperback. Zustand: Good. Nederlandse tekst van Bert Voeten Dutch Dylan Thomas is een gedramatiseerd verslag van de laatste levensjaren van Engelands beroemdste moderne dichter, ten onzent speciaal bekend als de schrijver van het lyrische toneelstuk Onder het melkwoud. De Amerikaan Sidney Michaels heeft in het bijzonder de funeste uitwerking willen ontleden die de vier lezingentournees door de Verenigde Staten op de dichter hebben gehad en baseerde zich daarvoor op verschillende soorten authentieke gegevens: stenografische notities, bandopnamen, eigen memoires en getuigenissen van intieme relaties. De zo verkregen 21 scènes schetsen een ruw maar betrouwbaar portret van het virtuoze poëtische fenomeen Dylan Thomas. (.) Michaels is erin geslaagd aan zijn trieste ondergang in alcoholisme een wezenlijk tragische allure te verlenen door de onontkoombaarheid te accentueren waarmee dit geniale dichterschap zich te gronde richt. (.) De Haagse Comedie heeft onder regie van Paul Steenbergen een overrompelende uitvoering van deze biografische documentaire gegeven. Ko van Dijk kreeg eindelijk weer eens een rol waarin zijn formidabele mogelijkheden volledig tot hun recht kwamen. Vooral de scènes met Myra Ward, die van Dylans hoogst begaafde vrouw Caitlin een bijzonder menselijk, knap op de rand van vulgariteit balancerend portret geeft, werden groots en imponerend toneel. Meester-vertaler Bert Voeten had voor een briljant-dichterlijke Nederlandse tekst gezorgd. Hans van den Bergh, Het Parool. Een persoonlijke triomf van Ko van Dijk, die de tragische ondergang voelbaar maakte van een door zichzelf en de samenleving misbruikt genie. Jan Spierdijk, De Telegraaf. Kleinerend spektakel. (.) De menselijke waardigheid van een uitzonderlijk individu (wordt) binnen de grenzen van kijkgraag burgerlijk fatsoen te grabbel gegooid. B. Stroman, Algemeen Handelsblad. Het is onder de met meesterhand over de emoties disponerende regie van Paul Steenbergen een echte succesvoorstelling geworden. Leo Hanekroot. De Tijd / Maasbode. Ko van Dijk verbeeldt grandioos tover en tragiek van een dichter. P. Ruivenkamp, Haagsche Courant. De vertaling van Bert Voeten was duidelijk een geïnspireerde bewerking van de oorspronkelijke tekst. Zelden is het zo duidelijk geworden van hoe groot belang een toneelvertaling kan zijn. Manuel van Loggem, Algemeen Dagblad.

Paperback. Zustand: Good. 110 p. ; 20 cm. Literaire reuzenpocket Dutch.

Vintage borderless reference photograph for the 1968 film, showing director William Friedkin talking with actress Britt Ekland on the set. From the archive of film historian and author Joel Finler. Based on the 1960 novel by Rowland Barber. A mildly exaggerated history of the creation of the striptease, and the downfall of 1920s-era burlesque clubs, in which an Amish girl performing Bible story dances at a burlesque club is being taken advantage of by the club's owner in order to mock public decency-enforcing police officers, and who accidentally invents the striptease when she tears her costume. Shot in 58 days and edited for 9 months, the film's budget exceeded $3 million, making it the most expensive film shot in New York City at the time. Elliot Gould's film debut, and Bert Lahr's last film, as he died during production. Set and shot on location in New York City. 8 x 10 inches. Near Fine. Olive Films 915.