michael simonow (13 Ergebnisse)

Hardcover. Zustand: Very Good. From the Library of John Russell Taylor.

Hardcover. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Softcover. 22,5 x 14,5 cm. Weiße originale Broschur, leicht berieben. 80 Seiten. In gutem Zustand. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! K17598-430171.

hardcover. Zustand: Very Good. Signed. First Edition. Ken Paine: His Life and Work.SIMONOW, Michael.ISBN: 9780950800333.Mechanick Exercises, London, 1996, SIGNED BY ARTIST, 1st Edition, large format hardback with dust wrapper, VG/vg, boards red/gilt, orange end papers, blue and white end bands, colour frontispiece in addition to 16 b/w photographs and 50 colour plates, 136 pp.Boards clean and firm, artist dedication on title page (see scan), no annotations, sound square binding, pages clean and bright, edges of pages lightly tanned Wrapper clean and crisp, gentle rubs to edges and corners, price not clipped Lovely edition.ART, ARTIST MONOGRAPH, KEN PAINE, LIFE, EXHIBITIONS, PASTELS.46814 ART/ART MONO/P £3650. 136 pp pp.

Hardcover. Zustand: Very Good. Giant Celestial Man by Paul Storey explores celestial themes through detailed illustrations, showcasing the artist's mastery in capturing cosmic phenomena. This volume highlights Storey's innovative approach to depicting celestial figures with precise artistry. From the library of John Russell Taylor.

First Edition. 31 x 21 cm 320 pp with over 700 mainly colour illustrations. Cloth, fine copysigned by te artist, lacks dustwrapper.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good+. First Edition. 136pp With a personal dedication by the artist.

26 x 22 cm 249 pp with numerous colour illustrations throughout. Cloth, fine in dustwrapper. With a dedication from the author.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. 1st ed. 259pp. Signed by both the author Michael Simonow and artist Felix Anaut on prelim. Exhibition invitation and artist postcard laid in. Triple language: French/Spanish/English. VG/VG copy, now preserved in mylar jacket protector. Acquired from the library of Italian artist and designer Enzo Apicella (1922-2018), although no provenance is present in the book. Signed by Author(s).

Hardcover. Zustand: Fine. 4to.pp. 254. Signed by the author on the half-title page. Afterword by Tad Williams. Loosely inserted publisher's order form and a folding card invitation to the Private View on Wednesday 19th of March 2003. ISBN:0950800341. Original publisher's cloth binding in steel grey, with self-embossed lettering at spine. Dust jacket in satin green, lettered white with an enlarged detail from a painting across front and back covers. Paintings reproduced in colour illustrate the text. Fine in fine dust jacket. Signedes.

. . . 1 Vol. . 258 pp. Folio. Tela Editorial con cubiertas. . Buen estado de conservación. Texto en inglés, castellano y francés. Conversaciones con artista acompañados de ilustraciones de sus obras en todo color. Tapa dura.

The collection is in very good condition, containing four items of autograph correspondence from Ruszkowski to Shaw, all signed 'Zdzis'. One: Autograph Letter Signed. Undated. 8vo, 3 pp. Expressing his extreme disappointment with 'the proposed arrangement of the double-page and the suggested treatment of the illustrations. 'Nearly one third of the drawing [sic] is left out and alters the sense of the theme. Each illustration is composed to stress the situation and can't be mutilated at the will to suit the arrangement at the page. The illustrations are the main pretext of the book and they must be presented as they were intended.' The third page carries Ruszkowski's 'suggested relation for the illustration if the book will be of this shape'. Two: Autograph Letter Signed. 25 September 1984. 8vo, 2 pp. Correcting mistakes and making last-minute changes. 'I would be very grateful, if it is not to [sic] late, that at the end of the text when it is written that I remained in Scotland till 1944 if it could be altered to the end of 1943 which is in accordance with the truth. To me it is very important because in 1944 The D. Day started and it looks that I was left as obsolete in Scotland.' Postscript reads 'It is getting cooler but I am still with Cretan sunshine. I don't know how long I will be able to such cheating'. Three. Autograph Letter Signed. Undated. On back of an A3 photocopy of a map, corrected by Ruszkowski, showing his journey across Europe. Begins: 'It is with a great relief I found the proofs of the text readable and unpretentious.' He makes a number of corrections, before listing 'in continuity' the names of all the towns he passed through on a journey from Camp Coetquidan to Lisbon. 'All names of the places with exception of Camp Coetquidan can be found in the big atlas which you have.' Four: Autograph Card Signed. Postmarked 15 September 1984. Apologising for 'misjudging [Shaw's] artistic sense'. The collection also includes: Two prints, both 19.5 x 25 cm, of photographs Ruszkowski and Simonow sitting together, one of them selected for the back of the book's jacket; together with twelve photographs on two contact sheets, from which the two large images were selected. Black and white prints, on photographic paper, of two of the book's illustrations. Photocopy of Ruszkowski's Polish passport, 1940, and of a Portuguese visa from the same year. Copy of Shaw's estimate ('Mechanick Exercises, Design & Print Consultants') for printing 2000 copies of 'Unofficial War Artist', with copy of covering letter (29 October 1984) explaining the figures, and a piece of type carrying the phrase 'Unofficial War Artist Michael Simonow'. Two Autograph Letters Signed (1985 and 1988) to Shaw from Simonow. Copy of letter (30 March 1987; A3, 1 p) from Shaw to Simonow, explaining 'the costing for the production' of the catalogue. Seven items of correspondence regarding UWA from the printers Balding & Mansell, 1983 to 1985, including quotations and accounts, and a long letter (8vo, 2 pp) from the firm's sales director A. Dickinson, apologising for having 'somewhat embarrassed you with the quantity delivered on the above title'. Three letters to Shaw from the book's distributors Element Books Ltd. Photocopies of invoices from the binders Norton Bridge, and a number of order forms for UWA. An invoice for work on the UWA from Photo-graphics, Honiton.