michael schmelling (21 Ergebnisse)

Hardcover. Zustand: Very good. Hardcover. First Edition. Very good hardback bound in publisher's photo illustrated orange cloth and issued without a jacket. Signed by Schmelling on the copyright page.

Zustand: New. 2010. hardcover. . Not a first edition copy. . . . Books ship from the US and Ireland.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Brand New. 224 pages. 10.25x8.00x1.00 inches. In Stock.

Hardcover. Zustand: Very Good.

Hardcover. Zustand: Brand New. 01 edition. 132 pages. French language. 8.50x9.50x0.75 inches. In Stock.

paperback. Zustand: As New. Prima edizione di 800 es. . Testo di Tim Kinsella. Fotografie a colori e in bianco e nero . 8vo (cm 27,7x20,3). pp. 168. . Perfetto (Mint). . Prima edizione di 800 es. . . In 2013, the Museum of Contemporary Photography commissioned American photographer Michael Schmelling to make a new series of photographs about music in his hometown of Chicago. First shown as the solo exhibition Your Blues in 2014 (curated by Karen Irvine), this ambitious body of work now takes form of an artist book, co-published by The Ice Plant and Skinnerboox. Schmelling spent eighteen months immersed in the project, crisscrossing Chicago alone at night, making his way into basement shows, crowded clubs, parties, and recording studios (?waiting in the dark for a communal experience with strangers,? as he describes it), documenting both the communal culture at large ? musicians and fans alike ? and the DIY individualism of the characters involved. Focussing on niche and local acts in unconventional venues, Schmelling's work reflects a vibrant, fluid crossover between the region's music genres, a diffuse legacy that encompasses the blues, punk, psychedelic jazz, rap, emo, hardcore, and house music. In Chicago ?there's no dominant cultural tradition,? writes musician Tim Kinsella in an essay included in the book. ?The dominant form is hybridity.? Teeming with enthralled bodies and ecstatic faces, Your Blues is an energetic and intimate document of a time and place, featuring over 200 meticulously sequenced photographs, puzzled together through subtle rhythms and recurring visual riffs, infusing Schmelling's own personal photo-cryptology into the evolving musical history of the city.Nel 2013, il Museum of Contemporary Photography ha incaricato il fotografo americano Michael Schmelling di realizzare una nuova serie di fotografie sulla musica nella sua città natale, Chicago. Schmelling ha trascorso diciotto mesi immerso nel progetto, attraversando di notte Chicago da solo, facendosi strada negli spettacoli nei seminterrati, nei club affollati, nelle feste e negli studi di registrazione. Il lavoro di Schmelling riflette un vibrante e fluido crossover tra i generi musicali della città, un'eredità diffusa che comprende il blues, il punk, il jazz psichedelico, il rap, l'emo, l'hardcore e la musica house. A Chicago "non esiste una tradizione culturale dominante", scrive il musicista Tim Kinsella in un saggio incluso nel libro. Brulicante di corpi affascinati e volti estatici, Your Blues è un documento energico e intimo di un tempo e di un luogo, con oltre 200 fotografie meticolosamente sequenziate, confuse insieme attraverso ritmi sottili e riff visivi ricorrenti. Book.

Zustand: New. In.

Hardcover. Zustand: Fine. A fine copy in fine dust jacket. No noticeable signs of use. No marks or fading to covers or pages. Binding is square and firm. 144 pages. s131.

Buch. Zustand: Neu. Neuware -In Dreams. Scenes from the Archive adds to our understanding of Dennis Hopper's personal vision as an artist by tracing the threads of Hopper's life through photography, and connecting his roles as an actor, husband, father, and photographer. In Dreams eschews Hopper's iconic stand-alone images and instead looks to distill the archive into a connected set of photographs that offer new impressions and stories. Themes emerge, visual rhymes are made, and characters come and go while the reader is invited along for the journey. Hopper's photographic output was especially concentrated in the '60s, a period in which his film career had cooled off. During these years Hopper's primary creative outlet was his photography. The Nikon camera his wife Brooke Hayward gifted him hung so prominently around his neck that friends jokingly called him 'the tourist.' While In Dreams, which references Roy Orbison's song by the same name made famous in Blue Velvet, includes appearances by famous faces, they are intimately intertwined with Hopper's peripatetic life and his everyday use of the camera. Hopper was very much an insider - at ease with celebrities and artists of his day - but this new conversation with his archive shows that, like many photographers, Hopper was also distinctly an outsider. Famous himself, but also an observer: it's this unique duality that allowed Hopper to view the world in his unique way.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 132 pp. Englisch.

Buch. Zustand: Neu. Neuware - In Dreams. Scenes from the Archive adds to our understanding of Dennis Hopper's personal vision as an artist by tracing the threads of Hopper's life through photography, and connecting his roles as an actor, husband, father, and photographer. In Dreams eschews Hopper's iconic stand-alone images and instead looks to distill the archive into a connected set of photographs that offer new impressions and stories. Themes emerge, visual rhymes are made, and characters come and go while the reader is invited along for the journey. Hopper's photographic output was especially concentrated in the '60s, a period in which his film career had cooled off. During these years Hopper's primary creative outlet was his photography. The Nikon camera his wife Brooke Hayward gifted him hung so prominently around his neck that friends jokingly called him 'the tourist.' While In Dreams, which references Roy Orbison's song by the same name made famous in Blue Velvet, includes appearances by famous faces, they are intimately intertwined with Hopper's peripatetic life and his everyday use of the camera. Hopper was very much an insider - at ease with celebrities and artists of his day - but this new conversation with his archive shows that, like many photographers, Hopper was also distinctly an outsider. Famous himself, but also an observer: it's this unique duality that allowed Hopper to view the world in his unique way.

Buch. Zustand: Neu. Dennis Hopper: In Dreams | Scenes from the Archive | Michael Schmelling | Buch | Gebunden | Englisch | 2019 | Damiani Ltd | EAN 9788862086431 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

paperback. Zustand: Very Good. No Jacket. Condition: Very Good +; Softcover. First Edition. The book is in Very Good+ condition with clean covers, square corners and a tight binding. Page edges a little toned. Photos upon request.

Trade paperback. Zustand: Very good. Trade paperback (US). 576 p. Contains: Illustrations, black & white. Audience: General/trade.

Buch. Zustand: Neu. Neuware 132 pp. Englisch.

Zustand: New. In.

Softcover. First Edition. Quarto, unpaginated. In Very Good minus condition. Paperback binding. Spine white with black lettering. Covers have slight plus wear including slight soiling and slight edge wear. French flaps. Text block has slight wear including sparse finger marks to the edges. Profusely illustrated. First edition. NOTE: Shelved in Netdesk Office, Case #5. Oversized book(s). Additional postage necessary for international/expedited orders. Economy International shipping necessary due to size/weight restrictions. For international/expedited customers, please inquire for rates. 1410111. FP New Rockville Stock.

Zustand: New. With a primary focus on experiments, the authors include an extensive theoretical introduction to the field, as well as many exercises with solutions explained in detail. Series: International Series of Monographs on Physics. Num Pages: 556 pages, numerous figures and 2pp full colour plates. BIC Classification: PHN; PHP; PHQ. Category: (P) Professional & Vocational. Dimension: 242 x 154 x 32. Weight in Grams: 909. . 2003. Hardback. . . . . Books ship from the US and Ireland.

paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Zustand: Good. Color print with verso text. 42 x 57.5cm.Folded in 4. Hilton Als;After Dark;Volume One, Issue Two;Edit: Hilton Als;Design: Michael Schmelling;Front: Diane Keaton by James Hamilton. New York, 1977.In a statement about the origins of 'After Dark' Als' said:"many years ago i wanted to publish a broad sheet called AFTER DARK after the wonderful old tacky show biz seventies rag that would feature one photo a month with text on the back. life intruded. it didn't happen. in the last couple of years i began seeing posters around nyc that grabbed my attention. they were for richard maxwell performances, and i loved image and text. i asked RM who did the work, and he told me a friend of his named michael. i contacted michael and within weeks we were working together. (we've never met, he lives in LA.) i had loved and coveted this saul leiter picture ever since i saw it at his gallery shortly before he died. i didn't think we could get it, but contacted leiter's estate anyway. they were great, gave us permission right away. the text i had written some time ago. and we were off. we will be printing soon, and i hope that friends with galleries and other spaces can carry the paper (it's printed on newsprint and folds up) and maybe a few bookstores. i'm not charging money for it, it's just my little gallery on wheels every month featuring photographers and artists (drawings look beautiful on this kind of paper, too) and with a little text by me or someone else (poetry, three sentences, a thousand words, a song lyric) on the other side of the image. that's the basic idea/thing. a little gallery on wheels with its own catalogue. you can send suggestions or people to me or Michael - who also is an excellent copy editor, i'm not - here for future issues. love, hilton."The first five issues of 'After Dark' were originally presented at White Columns as a part of 'Looking Back: The 11th White Columns Annual' curated by Anne Doran. (January 14 - March 4, 2017.).

Pictorial Boards. Zustand: Fine. First Edition. 164pp, profusely illustrated in color and b&w. Designed by PictureBox. In a protective clear acetate dustwrapper. "Published in 2004, "The Wilco Book" is an exploration of the artistic statement presented by the band Wilco. Artwork created by the band, photographer Michael Schmelling, and artist Fred Tomaselli is interspersed with comments excerpted from interviews conducted by PictureBox with the band's members, technicians, and managers, essays by Henry Miller and Rick Moody, and excerpts from Bern Porter's collection "Found Poetry". Packaged with the book is an audio CD containing twelve previously unreleased tracks, which is discussed in the first appendix by Mikael Jorgensen, who produced and played on the sessions before he formally joined Wilco". A brand new, most handsome example of the first PictureBox Inc. edition additionally BOLDLY SIGNED for us by all six current band members - Jeff Tweedy, Nels Cline, Mikael Jorgensen, Glenn Kotche, Pat Sansone, and John Stirratt as well as the book's photographer Michael Schmelling in black ink with the publisher's unplayed CD mounted to the inside rear board. 448pp, profusely illustrated in color. "The History of Los Angeles Graffiti Art" is a series of four books that will cover the years 1983 to 2005. Volume 1 is based on the years 1983 to 1988, and is the starting point to the real story behind the movement that began in the early 1980s. It documents all aspects of Los Angeles Graffiti Art, providing an unbiased look into this world through the eyes of the people that have lived it. Within the book, you will discover the truth behind the photos and stories - all interviews and DVD slideshows are uncut and real. It's exciting and fresh to the point of understanding our culture, without cutting it up". This unprecedented, gigantic, full color encyclopedic document is divided into the following chapters: "Spotlights" - a special tribute to all writers who made significant contributions and influences to the L.A. Graffiti scene; "Pieces / Burners" - showcasing familiar works as well as numerous lost and legendary Pieces / Burners; "Battles" - a special section dedicated to L.A.'s first battles between some of its most prolific crews and writers of the first era; "Blackbooks" - historical detailed drawings done within writers' sketchbooks; "Articles" - reproductions of newspaper and magazine pieces related to historical L.A. Graff subject matter; and "R.I.P." - memorials for all respected deceased Los Angeles Graffiti writers. Perhaps most significantly, a DVD is included with each book that contains over thirty slide shows by various L.A. writers. Shot by the authors (who are respected members of the L.A. Graff scene themselves) for this project, it contains exclusive commentaries by the graffiti writers that allow them to breathe life into their own work - uncut, raw and true - and the reader to be able to place a voice on the parade of images. A brand new, most handsome example of the deluxe edition of this uncommon historical document - only twelve copies of the trade edition are currently cited in OCLC WorldCat - housed in the publisher's elaborate printed cardboard box limited to three hundred NUMBERED (108/300) copies whose book and the interior of the box have additionally been BOLDLY TAGGED "RELAX" by artist and author Robert "Relax" Reiling in thick silver marker. Signed by the Photographer and Musicians. Music Photography Monograph.