michael pressman director (4 Ergebnisse)

Vintage studio still photograph from the 1977 film. Paper snipe affixed to the verso and folded around the front of the image. Chris Barnes reprises his role as the foul-mouthed Tanner Boyle in this 1977 sequel to the sports-drama "The Bad News Bears." Shot on location in California and Texas. 8 x 10 inches. Near Fine with a red manuscript pencil notation to the verso.

Revised Second Draft script for the 1985 television film, which originally aired on NBC on March 18, 1985. Copy belonging to a crew member, with their name in manuscript ink on the title page and on several printed labels throughout the script. With a few small manuscript pencil annotations throughout, most editorial in nature. A dedicated therapist treats a woman who feels she can't control her sexual urges, and a taxi driver experiencing auditory hallucinations. Self wrappers. Title page integral with front wrapper, dated October 22, 1984, noted as SECOND REVISION, with credits for screenwriters David Seltzer and Thom Thomas. 127 leaves, with last page of text numbered 112. Xerographic duplication, rectos only, with rainbow revision pages throughout, dated variously between 10/31/84 and 11/28/84. Pages Very Good plus, bound with three gold brads. Full provenance available.

First Draft script for the 1982 film, written for the screen by James Kirkwood, based on his 1975 novel. Credited solely to Kirkwood, and with a paper spine label indicating the script dates to December 1976, over five years prior to the film's production. With brief but substantive corrections in manuscript pencil on four pages. A key Vietnam film and an underrated performance by Richard Pryor serving in both dramatic and comedic capacities. A Vietnam vet returns home from a prisoner of war camp and is greeted as a hero, but is quickly forgotten and soon discovers how tough survival is in his own country. Dark blue titled wrappers. Title page present, noted as First Draft, with credits for screenwriter novelist Kirkwood. 166 leaves, mimeograph duplication. Pages about Fine, wrapper Near Fine bound internally with three gold brads. Parish and Hill 188.

Archive of three original scripts and a collection of green revision scripts for the 1996 film. From the archive of crew member Chris Scher. Archive includes: A Fourth Draft script on pink and yellow leaves, copy belonging to Construction Foreman Ramsey Smith, with the manuscript ink annotations of "Ramsey S." and copy number "98" on the title page. A Third Draft script on blue leaves, copy belonging to Scher with the manuscript ink annotations of "Chris Scher" and copy number "88" on the title page. A Second Draft script on white leaves with a manuscript marker annotation of "1/" on the title page. And a collection of 53 green revision pages for the Fourth Draft script, copy belonging to Scher with the manuscript ink annotations of "Chris" and copy number "94" on the title page. Based on the 1984 play by Michael Brady. On the second anniversary of his wife Gillian's (Michelle Pfeiffer) death (and birthday), David (Peter Gallagher), who spends his evenings walking the beach talking with his wife's ghost, has his in-laws come to stay for the weekend with him, his daughter and her friend, hoping to snap him back into the present. Chris Scher has worked in American films from 1994 to the present. She was a propmaker, construction accountant/estimator/buyer, and carpenter on over 20 movies, including "The Last Seduction" (1994), "Pulp Fiction" (1994), "From Dusk Till Dawn" (1994), "The Horse Whisperer (1998), "Joy Ride" (2001), and others. She also performed the same work for prestige television dramas, including "The Bridge" (2014), "Ozark" (2017), and "Yellowstone" (2018). Set in Nantucket, Massachusetts, shot on location in Massachusetts, North Carolina, and California. Fourth Draft Script: Front wrapper integral with title page, dated September 28, 1995, noted as Fourth Draft, with credits for screenwriter David E. Kelley and playwright Michael Brady. 106 leaves, with last page of text numbered 101. Xerographic duplication, rectos only, on pink and yellow revision pages, dated September 27, 1995 and September 28, 1995. Pages Near Fine, bound with two gold brads. Third Draft Script: Front wrapper integral with title page, dated September 11, 1995, noted as Third Draft, with credits for screenwriter David E. Kelley and playwright Michael Brady. 100 leaves, with last page of text numbered 97. Xerographic duplication, rectos only. Pages Near Fine, bound with two gold brads. Second Draft Script: Front wrapper integral with title page, dated July 25, 1995, noted as Second Draft, with credits for screenwriter David E. Kelley and playwright Michael Brady. 99 leaves, with last page of text numbered 96. Xerographic duplication, rectos only. Pages Near Fine, wrapper CONDITIONWRAPPER, bound with two gold brads. Green Revision Pages: Front wrapper integral with title page, dated October 4, 1995, noted as Fourth Draft, with credits for screenwriter David E. Kelley and playwright Michael Brady. 53 leaves, with last page of text numbered 101. Xerographic duplication, rectos only. Pages Near Fine, bound with two gold brads.