Michael mauk (8 Ergebnisse)

Zustand: New. Application of electron transfer theories to biological systems.- Electronic tunneling paths in proteins.- Long-range electron transfer within metal-substituted protein complexes.- Long-range electron transfer in metalloproteins.- Electron transfer in genet.

Paperback. Zustand: Brand New. 244 pages. 9.25x6.10x0.55 inches. In Stock.

gebundene Ausgabe. Zustand: Gut. 441 Seiten Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber und kann entsprechende Merkmale aufweisen (Rückenschild, Instituts-Stempel.). In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 1055.

Gebunden. Zustand: New. Currently, some 60% of the multi-billion dollar optoelectronics industry is based on liquid phase epitaxially (LPE) grown material. LPE is a mature technology and has been used in the production of III-V compound semiconductor optoelectronic devices for som.

Zustand: New. Liquid-Phase Epitaxy is a technique used in the bulk growth of crystals, typically in semiconductor manufacturing, whereby the crystal is grown from a rich solution of the semiconductor onto a substrate in layers, each of which is formed by supersaturation or cooling. At least 50 of growth in the optoelectronics area is currently focussed on LPE. Editor(s): Capper, Peter; Mauk, Michael. Series: Wiley Series in Materials for Electronic & Optoelectronic Applications. Num Pages: 464 pages, Illustrations. BIC Classification: PHK; TG. Category: (P) Professional & Vocational. Dimension: 251 x 174 x 32. Weight in Grams: 1032. . 2007. . . . . Books ship from the US and Ireland.…

Buch. Zustand: Neu. Neuware - Currently, some 60% of the multi-billion dollar optoelectronics industry is based on liquid phase epitaxially (LPE) grown material. LPE is a mature technology and has been used in the production of III-V compound semiconductor optoelectronic devices for some forty years. LPE has been applied to silicon, germanium, SiC, and II-VI and IV-VI compound semiconductors, as well as magnetic garnets, superconductors, ferroelectrics, and other optical materials. Many semiconductor devices including LEDs, laser diodes, infrared detectors, heterojunction bipolar transistors and heterointerface solar cells were pioneered with LPE. This is mainly due to the low costs that have been achieved with this technology, but also due to the very high quality of material produced, which often exceeds that possible by vapor phase epitaxies.As the chapters in this book describe in detail, on-going efforts and new developments in LPE continue to widen its scope of applications and circumvent its customary limitations. The contents cover some introductory chapters, including an historical one on work in Russia prior to 1990, one on phase diagrams and modeling and one on equipment issues, before discussing the most important materials from silicon/silicon carbide, through the III-V and II-IV compounds to garnets, nitrides and a chapter on novel developments and one on LEDs. The contributors come from a wide variety of countries and include both academics and industrialists to give a balanced treatment.This book is mainly intended for postgraduate students to enable them to gain an insight into this extremely important area and specialist in the field both in academia and industry who will benefit from its wide-ranging and topical coverage of the subject.…

Zustand: gut. 2007. Liquid Phase Epitaxy of Electronic, Optical and Optoelectronic Materials Wiley Series in Materials for Electronic and Optoelectronic Applications In englischer Sprache. pages.

Wraps. Zustand: Good. No. 1 [Stated] [PREMIER ISSUE}. The format is approximately 8.5 inches by 10.75 inches. 72 pages, plus covers. Illustrated front and back covers. Illustrations. RARE SURVIVING COPY! This was intended to be a quarterly publication. Its date of publication is not stated in the document, but is believed to be about 1970. The latest publication date of books reviewed is 1969. Its purpose was ".to clarify relationships, establish appropriate contexts, and, in short, to suggest some of the attitudes and techniques that film directors have used in communicating their themes." Mise-en-scene, is a term used in the legitimate theater and the cinema that refers to the arrangement of volumes (objects, actors, sets, etc.) in space within a given area. In the theater, this arrangement is three-dimensional and is usually confined by the proscenium arch. In movies, the mise-en-scene is photographed onto a two-dimensional screen, and is confined by the film frame, the metteur-en-scene, and in both cases the director, but because the theater is essentially a verbal medium, the stage director acts largely as an illustrator and interpreter of the playwright's ideas. film is essentially a visual medium, and thus the movie director's mise-en-scene is the basic technique of artistic expression, for that e are far more individual shots in a film than there are scenes in plays. In 1979, Case Western Reserve University Film Society started publishing a magazine called Mise-en-Scéne, a 70-plus-page cinephilic treasure chest with a series of high-quality articles on some of the most important filmmakers of all time and their work that had left a deep mark on film both in terms of the industry and the art. The articles were accompanied by wonderful high-definition photographs, and even a quick look at the table of contents shows you what kind of an apprehensive and knowledgeable handbook these issues really were. Unfortunately for us, there were only two issues published, most likely due to the inevitably high budget needed to keep a gem like this running. The staff of Mise-en-Scene hoped to achieve critically what the metteur-en-scene achieves artistically: to clarify relationships, establish appropriate contexts, and, in short, to suggest some of the attitudes and techniques that film directors have used in communication their themes. The Table of Contents of this premier issue includes The Audience as Protagonist in Three Hitchcock Films by John Tumlin; Ernst Lubitsch and the Comedy of the Thirties by John K. Barry; Fritz Lang and the Film Noir by Barry Lyons; My Name is Don Robertson by Barbara Paskay and Barbara Driscol; The Sounds of Silence by Carol Evans; The Sad State of Film Preservation by W. Scott Eyman; John Ford's The Grapes of Wrath by Richard W. Evans; John Ford and the Western by Amy Kotkin; Rock Music and Film by Anastasia J. Pantsios; Film Censorship: The Evolution of Self-Regulation by Christine W. Unger; Nathanael West's Hollywood by Erik R. Hazel; Arthur Penn: Directing Films and Plays by Wendy Bell; and Huston and Bogart by Joseph F. Bressi.…