Michael martin michael asher (10 Ergebnisse)

Hardcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Hardcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2004. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2004. Ammareal gives back up to 15% of this item's net price to charity organizations.…

hardcover. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

83 pp.; 17.9 x 10.7 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Pocket exhibition guide published in conjunction with show held June 17 - September 30, 2007. Texts by Frank Frangenberg. Artists include Pawel Althamer, Michael Asher, Nairy Bagramian, Guy Ben-Ner, Guillaume Bijl, Martin Boyce, Jeremy Deller, Elmgreen & Dragset, Hans-Peter Feldmann, Dora García, Isa Genzken, Dominique Gonzalez-Foerster, Tue Greenfort, Valérie Jouve, Mike Kelley, Suchan Kinoshita, Marko Lehanka, Gustav Metzger, Eva Meyer, Eran Schaerf, Deimantas Narkevicius, Bruce Nauman, Maria Pask, Manfred Pask, Manfred Pernice, Susan Philipsz, Martha Rosler, Thomas Schütte, Andreas Siekmann, Rosemarie Trockel, Silke Wagner, Mark Wallinger, Clemens von Wedemeyer, Annette Wehrmann and Pae White. Texts in English and German. Good / Very Good. 3.5 cm. of bumping to publication edge. Contents clean and unmarked.…

Sq 4to, pp. 371; blue heavy card bds, spine lettered in gilt, publisher's device in blind to front board; photos; VG- (light to moderate scuffing & soiling to bds; light bruising to spine & board edges & extrems; light tanning & soiling to pg edges; moderate to heavy tanning & foxing to eps, prelims & terminals; tp & ht stuck together, paper peeled peeled in spots); in d/w, VG- (moderate scuffing & soiling; moderate bruising & creasing to edges & extrems with light to moderate chipping; moderate tanning & foxing).…

556 pp.; 25.5 x 18 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 17 - September 30, 2007. Edited by Kasper König, Brigitte Franzen and Carina Plath. Artists include Pawel Althamer, Michael Asher, Nairy Bagramian, Guy Ben-Ner, Guillaume Bijl, Martin Boyce, Jeremy Deller, Elmgreen & Dragset, Hans-Peter Feldmann, Dora García, Isa Genzken, Dominique Gonzalez-Foerster, Tue Greenfort, Valérie Jouve, Mike Kelley, Suchan Kinoshita, Marko Lehanka, Gustav Metzger, Eva Meyer, Eran Schaerf, Deimantas Narkevicius, Bruce Nauman, Maria Pask, Manfred Pask, Manfred Pernice, Susan Philipsz, Martha Rosler, Thomas Schütte, Andreas Siekmann, Rosemarie Trockel, Silke Wagner, Mark Wallinger, Clemens von Wedemeyer, Annette Wehrmann and Pae White. Texts in English and German. Fine. In publisher's issued shrink-wrap.…

Two vintage black-and-white borderless still photographs from the 1966 UK film. Press photos, with layout annotations in the British style (millimeters) on the verso of one still, and a stamp on the verso of the other still. Based on Bill Naughton's 1966 play, set in sexy, swinging 1960s London, about a young, working class chauffeur who decides to change his womanizing behavior after a tuberculosis diagnosis and the birth of his son. Director Lewis Gilbert breaks the fourth wall in this film, with Caine directly addressing the camera in attempt to gain sympathy from the audience (a technique used again by Gilbert in "Shirley Valentine," 1989). Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. Set in London, shot on location there and in Middlesex, England. 8 x 10 inches, borderless. About Near Fine. …

Vintage borderless photograph from the set of the 1966 UK film, showing a very relaxed Michael Caine, laying across the laps of his four costars (Vivien Merchant, Jane Asher, Julia Foster, and Shelley Winters) between takes. Mimeo snipe affixed to the verso. Based on Bill Naughton's 1966 play, set in sexy, swinging 1960s London, about a young, working class chauffeur who decides to change his womanizing behavior after a tuberculosis diagnosis and the birth of his son. Director Lewis Gilbert breaks the fourth wall in this film, with Caine directly addressing the camera in attempt to gain sympathy from the audience (a technique used again by Gilbert in "Shirley Valentine," 1989). Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. Shot on location in London and Middlesex, England. 7 x 9 inches. About Fine.…

Vintage borderless photograph from the set of the 1966 UK film, showing actor Michael Caine in conversation with director Lewis Gilbert. Printed mimeo snipe affixed to the verso. From the archive of film historian and author Joel Finler. Based on Bill Naughton's 1966 play, set in sexy, swinging 1960s London, about a young, working class chauffeur who decides to change his womanizing behavior after a tuberculosis diagnosis and the birth of his son. Director Lewis Gilbert breaks the fourth wall in this film, with Caine directly addressing the camera in attempt to gain sympathy from the audience (a technique used again by Gilbert in "Shirley Valentine," 1989). Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. Set and shot on location in London. 10 x 8 inches. Near Fine, lightly age toned.…

[1] pp.; 82.5 x 5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Long and narrow poster by Michael Asher published in conjunction with two-man exhibition of posters by Michael Asher and Martin Kippenberger, "Together Again Like Never Before: The Complete Poster Works of Martin Kippenberger," held September 24 - October 30, 1999. Asher designed the poster based on the width of the stairs ascending to 1301PE's upstairs gallery space, with the height based on the dimensions of the space between the door. The poster is additionally perforated as Asher's way of breaking up the poster so that it could be presented as either one long line or its elements separated to be composed as a collage. Fine. Unfolded, flat, clean and unmarked. Additional shipping charges may be required for international orders as poster will be shipped rolled.…