Michael lorenzini (27 Ergebnisse)

Paperback. Zustand: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 40 pages. 11.00x8.50x0.32 inches. In Stock.

Zustand: New.

Zustand: New. In English.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 40 pages. 11.00x8.50x0.32 inches. In Stock.

Hardcover. Zustand: Brand New. 208 pages. 8.50x5.50x0.60 inches. In Stock.

Hardcover. Zustand: Very good. Hardcover. 143pp. Very good hardback in a very good dustjacket.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. First Edition. Jacket has light general wear, minor bumping to top edge and a tiny nick to head of spine. Book very clean. Binding tight. 143pp Size: 250mm x 285mm. Book.

Zustand: New. 2022. paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. 2024. First Edition. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 208 pages. 8.50x5.50x0.60 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - In our pill-happy society there is a pill for everything. Corporate legal drug dealers, aka Big Pharma, have for decades put design thought into clever pill presses and multicolored gel-caps to distinguish their products and attract buyers. So too, in the 1990s and 2000s when ecstasy swept the club and rave scenes, the branding of pills was essential to the marketing, a way for the user to identify a good high from cold medicine or a batch of poison. Ecstasy branding was often based on well-known corporate logos. Easily identified, pill makers latched onto the brand recognition of our corporate society subverting the brands at the same time. A process the cultural critic Carlo McCormick says "collapses the ever-convergent space between subversive youth culture and acquiescent mainstream passive consumption."While working as a nightlife photographer, New York-based Michael Lorenzini became fascinated by the design details in ecstasy tablets and wanted to document this underground art form. He proceeded to photograph every pill he took from 2000-2001. Although jewel-like in their tiny colorful forms, the macro photographs, shot on slide film with an extreme macro lens, reveal hidden imperfections and textured landscapes.Every Pill I Took: 2000-2001 is part of Blurring Books' new series of publications,Limited Slim Publications.…

Zustand: NEW.

dj. First Edition. Quarto. Paper-covered boards in dust jacket; 143pp. Bottom edge of spine mildly bumped, else a tight, clean, unmarked copy. Trivial toning to top edge and spine of jacket, minor shelf wear showing to jacket. Near Fine.

Zustand: New. &Uumlber den AutorrnrnMichael Lorenzini is a photographer, curator and writer based in New York City. He is a former book editor at Aperture and he is the author of New York Rises (Aperture, 2007), winner of the New York Society Library s annua.

Zustand: NEW.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware -In our pill-happy society there is a pill for everything. Corporate legal drug dealers, aka Big Pharma, have for decades put design thought into clever pill presses and multicolored gel-caps to distinguish their products and attract buyers. So too, in the 1990s and 2000s when ecstasy swept the club and rave scenes, the branding of pills was essential to the marketing, a way for the user to identify a good high from cold medicine or a batch of poison. Ecstasy branding was often based on well-known corporate logos. Easily identified, pill makers latched onto the brand recognition of our corporate society subverting the brands at the same time. A process the cultural critic Carlo McCormick says "collapses the ever-convergent space between subversive youth culture and acquiescent mainstream passive consumption."While working as a nightlife photographer, New York-based Michael Lorenzini became fascinated by the design details in ecstasy tablets and wanted to document this underground art form. He proceeded to photograph every pill he took from 2000-2001. Although jewel-like in their tiny colorful forms, the macro photographs, shot on slide film with an extreme macro lens, reveal hidden imperfections and textured landscapes.Every Pill I Took: 2000-2001 is part of Blurring Books' new series of publications,Limited Slim Publications.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 40 pp. Englisch.…

Taschenbuch. Zustand: Neu. Every Pill I Took: 2000-2001 | Michael Lorenzini | Taschenbuch | Kartoniert / Broschiert | Englisch | 2022 | Blurring Books | EAN 9781736156254 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Zustand: Gut. 01. 80 S. Gebrauchtes Exemplar in gutem Zustand. KEINE Markierungen oder Eintragungen. - Wir versenden aus unserem deutschen Lager heraus in plastikfreien oder wiederverwendeten Polstertaschen. Sprache: Englisch Gewicht in Gramm: 476 Taschenbuch, Maße: 24.77 cm x 1.27 cm x 28.58 cm.

Taschenbuch. Zustand: Neu. Neuware -In our pill-happy society there is a pill for everything. Corporate legal drug dealers, aka Big Pharma, have for decades put design thought into clever pill presses and multicolored gel-caps to distinguish their products and attract buyers. So too, in the 1990s and 2000s when ecstasy swept the club and rave scenes, the branding of pills was essential to the marketing, a way for the user to identify a good high from cold medicine or a batch of poison. Ecstasy branding was often based on well-known corporate logos. Easily identified, pill makers latched onto the brand recognition of our corporate society subverting the brands at the same time. A process the cultural critic Carlo McCormick says "collapses the ever-convergent space between subversive youth culture and acquiescent mainstream passive consumption."While working as a nightlife photographer, New York-based Michael Lorenzini became fascinated by the design details in ecstasy tablets and wanted to document this underground art form. He proceeded to photograph every pill he took from 2000-2001. Although jewel-like in their tiny colorful forms, the macro photographs, shot on slide film with an extreme macro lens, reveal hidden imperfections and textured landscapes.Every Pill I Took: 2000-2001 is part of Blurring Books' new series of publications,Limited Slim Publications. 40 pp. Englisch.…