Michael hutcheon (30 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Clean, unmarked, firm hinges, sharp corners. DJ in VG condition. TM/Music.

Hardcover. Zustand: Used-Very Good. dj. 1st Edition. Cloth, dj. Some shelf-wear. Else clean copy.

Original cloth with dustjacket, a very good copy. Text in English. Please see description or ask for photos.

Hardcover. Zustand: Like New. First Edition. First Edition Thus, First Printing. Not price-clipped. Published by University of Nebraska Press, 1996. Octavo. Hardcover. Book is like new. Dust jacket is like new with light shelf wear.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Zustand: Good. Good condition. Very Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Very Good. : Opera: Desire, Disease, Death es un análisis profundo de la relación entre la ópera y temas como el deseo, la enfermedad y la muerte. Los autores exploran cómo la ópera aborda la tuberculosis y la sexualidad femenina, las enfermedades venéreas y el fracaso moral de los héroes masculinos, y la conexión entre el cólera y el deseo homosexual. También se examina la representación del tabaquismo como símbolo de sexualidad y rebelión. EAN: 9780803223677 Tipo: Libros Categoría: Arte y Cultura Título: Opera Autor: Linda Hutcheon| Michael Hutcheon Editorial: University of Nebraska Press Idioma: en Páginas: 296 Formato: tapa dura.…

Zustand: New. pp. 176.

Zustand: New. In English.

Zustand: New. Opera is quin-tessentially an art of love and desire, of loss and suffering, of disease and death. This title offers an understanding of both content and context. Editor(s): Gilman, Sander L. Series: Texts and Contexts. Num Pages: 296 pages, 1, black & white illustrations. BIC Classification: AVGC5; AVGC6; AVGC9. Category: (P) Professional & Vocational. Dimension: 217 x 141 x 17. Weight in Grams: 404. . 1999. Paperback. . . . . Books ship from the US and Ireland.…

Zustand: Very Good. Shelf wear to the jacket. Content is in very good, clean condition.

Paperback. Zustand: Brand New. 294 pages. 8.75x5.00x0.75 inches. In Stock.

Paperback. Zustand: Brand New. reprint edition. 176 pages. 9.00x6.00x0.90 inches. In Stock.

x+240pp. 8vo. Original boards in dustwrapper. Black and white illustrations. A near fine copy. First edition.

Hardcover. Zustand: Brand New. 1st edition. 256 pages. 8.25x5.75x1.00 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - 'A fascinating interdisciplinary study of the interconnected subtexts of erotic attraction, illness, and death in several 19th- and 20th-century operatic texts. . . . This is an extraordinary examination of how opera uses the singing body--gendered and sexual--to give voice to the suffering person. Highly recommended.'--Library Journal 'The authors' argument is rich and complex; it draws on source, text and music; it is also medically sound. Opera is quintessentially an art of love and desire, of loss and suffering, of disease and death. Hutcheon and Hutcheon enrich our understanding of both content and context.'--Opera News 'Linda and Michael Hutcheon have done a fine job of pulling together medical and literary sources to make sense of the changing depiction of disease in opera. . . . For opera lovers and for anyone interested in seeing good, synthetic reasoning at work, this is a fine study.'--Publishers Weekly Linda Hutcheon is a professor of English and comparative literature at the University of Toronto. She is the author of, most recently, Irony's Edge: The Theory and Politics of Irony. Michael Hutcheon, M.D., is a professor of medicine at the University of Toronto. His many articles have appeared in American Review of Respiratory Disease and other journals.…

Oktav. Org.-Halbleinen mit illustr. Org.-SU. ix (+iii), 239 (+1) S., mit 10 Abbildungen im Text. Sehr wohlerhaltenes Exemplar. Erste Ausgabe. - ISBN 0674013263. - ENGLISH: Octavo. Publisher's half cloth with publisher's illustr. dustjacket. ix (+iii), 239 (+1) pp., with 10 text illustrations. A fine copy. First edition. Erste Ausgabe. - ISBN 0674013263. - ENGLISH: Octavo. Publisher's half cloth with publisher's illustr. dustjacket. ix (+iii), 239 (+1) pp., with 10 text illustrations. A fine copy. First edition. 500 g.…

Buch. Zustand: Neu. Neuware - Aging and creativity can seem a particularly fraught relationship for artists, who often face age-related difficulties as their audience's expectations are at a peak. InFour Last Songs, Linda and Michael Hutcheon explore this issue via the late works of some of the world's greatest composers. Giuseppe Verdi (1813-1901), Richard Strauss (1864-1949), Olivier Messiaen (1908-92), and Benjamin Britten (1913-76) all wrote operas late in life, pieces that reveal unique responses to the challenges of growing older. Verdi'sFalstaff, his only comedic success, combated Richard Wagner's influence by introducing young Italian composers to a new model of national music. Strauss, on the other hand, struggling with personal and political problems in Nazi Germany, composed the self-reflexiveCapriccio, a 'life review' of opera and his own legacy. Though it exhausted him physically and emotionally, Messiaen at the age of seventy-five finishedhis only opera,Saint François d'Assise, which marked the pinnacle of his career. Britten, meanwhile, suffering from heart problems, refused surgery until he had completed his masterpiece,Death in Venice. For all four composers, age, far from sapping their creative power, provided impetus for some of their best accomplishments. With its deft treatment of these composers' final years and works, Four Last Songs provides a valuable look at the challenges--and opportunities--that present themselves as artists grow older.…

Kartoniert / Broschiert. Zustand: New. Opera is quin-tessentially an art of love and desire, of loss and suffering, of disease and death. This title offers an understanding of both content and context.&Uumlber den AutorLinda Hutcheon is a professor of English and co.

Zustand: New.

Zustand: New. In English.

Hardcover. Zustand: Brand New. 151 pages. 9.00x6.25x0.75 inches. In Stock.

Zustand: New. Aging and creativity can have a particularly difficult relationship for artists, who often face age-related problems at a time when their audience s expectations of their talents are at a peak. The authors explore this issue through close looks at those who.