michael heizer (38 Ergebnisse)

Hardcover. Zustand: Fair. No Jacket. Well-illustrated (illustrator). Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

96 pp.; 28 x 21 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in 1976. Essay by Bernice Rose. Artists include Carl Andre, Art & Language, Joseph Beuys, Mel Bochner, James Lee Byars, John Cage, Christo, Chuck Close, Hanne Darboven, Jim Dine, Mark di Suvero, Oyvind Fahlström, Dan Flavin, Richard Hamilton, Michael Heizer, Eva Hesse, David Hockney, Jasper Johns, Donald Judd, Ellsworth Kelly, Sol LeWitt, Roy Lichtenstein, Robert Mangold, Piero Manzoni, Brice Marden, Agnes Martin, Robert Morris, Bruce Nauman, Claes Oldenburg, Blinky Palermo, Panamarenko, Larry Poons, Robert Rauschenberg, Bridget Riley, Dorothea Rockburne, Robert Ryman, Fred Sandback, Richard Serra, Robert Smithson, Frank Stella, Jean Tinguely, Richard Tuttle, Cy Twombly, Andy Warhol, and Lawrence Weiner. Includes notes to the text. Very Good. Light yellowing and rubbing of cover edges with a 3 cm. area of staining from removed pricing sticker on verso and light bumping of bottom edge of verso. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

No Binding. Zustand: Fine Condition. Announcement invitation for the exhibition. Printed stiff illustrated paper, folded once. Mild scuffing, but still essentially fine condition. Image of Heizer's studio on the cover. Printed for the exhibition held from March 3-31, 1979 in New York. Book.

No Binding. Zustand: Fine Condition. Announcement invitation for the exhibition. Printed stiff illustrated paper, folded once. Mild scuffing, but still essentially fine condition. Image of Adjacent, Against, Upon (1976) on cover. Printed for the exhibition held from May 10-June 11, 1977 in New York. Book.

[6] pp. (folder) ; [5] pp. (illustrations); 28 x 21.5 cm.; loose leaves; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed 1970 issue of Art Now : New York. Edited by Paul Katz and Ward Jackson. Artists in the issue include Ilya Bolotowsky, Gene Davis, Cleve Gray, Michael Heizer, and Robert Andrew Parker. Off-white folder containing 5 loose-leaf color plates. Includes statements about the artists and statements by the artists. Very Good. Yellowing of cover edges and light rubbing of covers with slight curl to right side edge of recto. Fingerprint staining to verso. Light yellowing of illustrations. Contents clean and unmarked.

Hardcover with dustjacket. Zustand: Sehr gut. Well-illustrated (illustrator). ISBN: 9780810911666 Sprache: Englisch Gewicht in Gramm: 1035.

128 pp.; 25 x 19 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Numero 1 issue of VH 101, edited by Otto Hahn,and Françoise Essellier. Essays by Otto Hahn, Peter Handke, Andy Warhol, Martial Raysse, György Ligeti, David Lamelas, Daniel Buren, Carl Andre, Michael Heizer, Piero Manzoni. Texts in French. Reference : No. A.45 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 308. Very Good. Mild bumping of corners and rubbing of covers. Slight creasing on verso. Contents clean and unmarked.

Fine, Ruth. MICHAEL HEIZER: Altars. 272 pages with 218 color and b&w plates. 4to, boards. New York, Gagosian Gallery in association with Rizzoli, 2016.

[1] pp.; 29.2 x 21.6 cm.; duotone; edition size unknown; unsigned and unnumbered; offset-printed Single sided press release published in conjunction with show held at ACE Gallery, Los Angeles, May 20 - July, 1989. Artists included Carl Andre, Dan Flavin, Michael Heizer, Jene Highstein, Robert Irwin, Donald Judd, Robert Long, Gordon Matta Clark, Bruce Nauman, Richard Nonas, David Rabinowitch, Richard Serra, Robert Smithson, and James Turrell. Includes six point list of the sculptural principles which drive the the sculptors work and brings them together in this exhibition. Good. Folded in three as issued. Moderate handling wear including 10.6 cm. gentle dog-ear to upper left corner of page and bumping of other corners. Clean and unmarked.

Encuadernación de tapa blanda. Zustand: Casi nuevo. 1979. Catálogo de la exposición itinerante: Museum Folkwang (Essen, Alemania) en Junio - Julio de 1979, y Rijksmuseum Kröller-Müller (Otterlo, Países Bajos) en Agosto - Octubre de 1979. Buenas reproducciones en b/n y color de las obras. 116 pp. Idiomas:Inglés, alemán y neerlandés, LIB 10J.

Softcover. Zustand: VG. Very Good minus in thick wraps. Some rubbing to extremities so one corner a little soft; abrasion & rippling from after-effects of damp to part of cover; also a bit musty, this copy having survived the 2019 fire at the Saint Mark's Place flat of the late art critic Peter Schjeldahl. Contents unmarred. 112 pages. This catalogue is an awesome document, now quite rare.

80 pp.; 28.5 x 28.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph on Michael Heizer's monumental land art project "Double Negative." Foreword by Richard Koshalek and Kerry Brougher. Essay by Mark C. Taylor. Includes selected bibliography. "Created with bulldozer and dynamite in 1969 in the vast expanse of the Nevada desert, Michael Heizer's Double Negative was one of the first and remains among the most influential of the monumental 'earthworks' sculptures in and of the land. Double Negative, a 1,500-foot incision on the edge of a mesa 80 miles from Las Vegas still exists: its site is now officially part of the collection of The Museum of Contemporary Art in Los Angeles. The experience of the magnificent, expansive gesture is captured in this book with 25 oversized plates that document the sculpture's creation and impart a sense of its scale." -- from book's end flap text. Very Good / Fine. Very gentle bumping of dust jacket edges. Otherwise Fine. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Zustand: Very Good. Very Good in a Very Good dust jacket; Hardcover; Dust jacket is clean and intact with no scuffs or tears, and has not been price-clipped (Now fitted with a new, Brodart jacket protector); Light wear to the boards; Unblemished textblock edges; The endpapers and text pages are all clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (Quatro, 10.75" - 11.75" tall); 2.0 lbs; Light greenish-brown dust jacket with title in black lettering; 1992, Rizzoli/Los Angeles Museum of Contemporary Art; 80 pages; "Michael Heizer: Double Negative," by Michael Heizer.

Softcover. Zustand: g. Reports of the University of California Archaeological Survey No. 20. 8vo. 38pp. Paper wrappers, stapled. With the signature of Bruce Bryan, the noted author and long time curator of the Southwest Museum of The American Indians in Pasadena, California, on cover. Penciling to front cover. Illustrated with b/w plates, maps and sketches. In good condition.

Hard cover. Sewn binding. Cloth over boards. 80 p. Audience: General/trade. Very good in very good dust jacket. Near fine in a near fine dust jacket in mylar.

597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca'' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show--"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"--held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: Fine Condition. 232 pages. Illustrations throughout. [INSCRIBED BY THE ARTIST] Inscribed by the artist Michael Heizer and the author Kara Vander Weg on the title page "For John". Exhibition History and Bibliography. Published on the occasion of the exhibition from the Gagosian Gallery, New York NY May 9-July 2, 2015. List of Works. Book.

Zustand: Good. 4to. 131pp. Hard ccover with dust jacket. Color plates. Very Good. From the collection of Peter Selz, Art History Professor at UC Includes insert page titled "After/Image". Signed by Peter Selz.

16 Seiten, mit vielen Abbildungen. - Beidseitig bedrucktes Deckblatt auf Mattglanz-Karton; 4to.(ca. 29,5 x 20,5 cm). *** [FRÜHLINGSVERKAUF-Endspurt, noch bis Montag den 25.05.2026 / Ultimate SPRING-SALE, only until Monday May 25th 2026: um über 25% REDUZIERTER PREIS / PRICE-REDUCTION of over 25%; ehemaliger Preis / previously EUR 36,50] --- 1. AUFLAGE, GROSSFORMATIGE BROSCHIERTE ORIGINALAUSGABE; mit gedruckter Signatur des Künstlers auf dem Titelblatt. - TADELLOSES EXEMPLAR. --- Viele weitere Monographien einzelner Künstler-innen des renommierten Lieferungswerkes im Bestand. . .

[unpaginated]; 24 x 22.5 cm.; sewn bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show of privately held works and works from the New Realism exhibition, held at the Neue Galerie der Stadt Aachen, Germany, July 1972. Book features thick-board covers with lenticular / holographic image of works by Duane Hanson bolted onto front. Parallel texts in German and English, including interview between Peter Ludwig and Wolfgang Becker. Includes biographies and exhibition chronologies. Artists include Eva Aeppli, Hans Peter Alvermann, John de Andrea, Arakawa, Allan D'Arcangelo, Richard Artschwager, Dieter Asmus, Jo Baer, William Bailey, Robert Bechtle, Saskia de Boer, Christian Boltanski, K.P. Brehmer, Peter Brüning, Rafael Canogar, Mario Ceroli, Dan Christensen, Christo, John Clem Clarke, Chuck Close, Ron Cooper, Alan Cote, George Deem, , Rolf-Gunter Dienst, Donald Eddy, Erro, Wojciech Fangor, Robert Filliou, Gérard Gasiorowski, Juan Genoves, Franz Gertsch, Piero Gilardi, Domenico Gnoli, Ralph Goings, Robert Graham, Gotthard Graubner, Sante Graziani, Nancy Stevenson Graves, Renato Guttuso, Ira Joel Haber, Duane Hanson, Jann Haworth, Paul Harris, Michael Heizer, Alex Hay, David Hockney, Robert Indiana, Alfred Jensen, Allan Jones, Howard Kanovitz, Alex Katz, Ellsworth Kelly, Konrad Klapheck, Alfred Leslie, Barry Le Va, Roy Lichtenstein, Richard Long, Lee Lozano, Walter De Maria, Richard McLean, Rune Mields, Jacques Monory, Nicholas Monro, Malcolm Morley, Robert Morris, Peter Nagel, Bruce Nauman, Lowell Nesbitt, Siegfried Neuenhausen, Ansgar Nierhoff, Pino Pascali, Pavlos, Philip Pearlstein, Walter Pichler, Michelangelo Pistoletto, Tom Phillips, Mel Ramos, Robert Rauschenberg, Gerhard Richter, Klaus Rinke, Dieter Rot [aka Dieter Roth], Dieter Rot [aka Dieter Roth], George Segal, Richard Serra, Leon Polk Smith, Robert Smithson, Keith Sonnier, Bernard Schultze, Lawrence Stafford, Lewis Stein, Curt Stenvert, Nikolaus Störtenbecker, Sidney Tillim, Joe Tilson, Cy Twombly, Dietmar Ullrich, Bernar Venet, Jan Voss, Wolf Vostell, John Walker, Andy Warhol, Robert Watts, Tom Wesselmann, Stefan Wewerka, Doug Wheeler, Lambert Maria Wintersberger, Peter Young, Jim Dine, Alain Jacquet, Jasper Johns, Kenneth Noland, Martial Raysse, James Rosenquist, Dieter Rot [aka Dieter Roth], and John Salt. Fair / Good. Tearing of spine edges measuring 4 cm. and 6.3 cm. with additional rubbing. Light rubbing and scuffing of lenticular covers. Yellowing and dusting of text block edge.1.8 cm. dog-ear to endpaper and light bumping of top right corner of pages. Contents otherwise clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

[2] pp.; 17.7 x 22.2 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Single sided postcard / announcement published in conjunction with show held February 5 - March 16, [1974]. Fair / Good. Mailed copy with mailing marks and wear. 1 cm. blue pen marking over a 5 mm. tear to recto. Overall yellow spotting to recto and verso.

116 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. 1979/1451, L0171 Sprache: Niederländisch Gewicht in Gramm: 1050.

2 vol. : 315 pp. (vol. 1) ; unpaginated (vol. 2); 27.5 x 21.3 cm.; glue bound; black-and-white; edition size unknown; unsigned and numbered; photocopy / xeroxed Two volume dissertation by Patricia A. Fairchild, Ph.D. on the art of Michael Heizer, 1967 - 1987 presented at the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Volume 1 consists of the text of the dissertation including a bibliography and appendices. Volume 2 consists of images referenced in Volume 1. Very Good / Fine. Light bumping of corners and a 9 mm. area of staining to the recto label on volume 1, otherwise Fine.

84 pp.; 23.5 x 23.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Inaugural issue of the quarterly periodical Avalanche. Edited by Liza Bear, published by Willoughby Sharp, and designed by Boris Wall Gruphy [a pseudonym for Willoughby Sharp]. Contents include: "Rumbles," featuring James Turrell, Keith Arnatt, Douglas Davis, Luis Fernanda Benedit, Paolo Soleri, Isaac Witkin, and William Wegman; "Interview: Carl Andre;" "Interview: Jan Dibbets;" "Retrospective: Richard Long;" "Pace and Process," by Robert Morris; "Portrait: Joseph Beuys," by Skunk-Kender; "Body Works," by Willoughby Sharp; "Museums: MOCA, San Francisco;" "Galleries: Reese Palley, San Francisco" "Discussions with Heizer, Oppenheim, Smithson," by Michael Heizer, Dennis Oppenheim and Robert Smithson. Featuring Joseph Beuys on cover. References : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 200. No. 4.6 and 4.9 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 102, 112, 242. Good. Rubbing and light creasing of covers with edgewar and yellowing. 2.8 cm., 3 mm., and 1.4 cm. blue ink marks on recto and 10 cm. area of silver ink/paint on verso. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.

84 pp.; 23.5 x 23.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Inaugural issue of the quarterly periodical Avalanche. Edited by Liza Bear, published by Willoughby Sharp, and designed by Boris Wall Gruphy [a pseudonym for Willoughby Sharp]. Contents include: "Rumbles," featuring James Turrell, Keith Arnatt, Douglas Davis, Luis Fernanda Benedit, Paolo Soleri, Isaac Witkin, and William Wegman; "Interview: Carl Andre;" "Interview: Jan Dibbets;" "Retrospective: Richard Long;" "Pace and Process," by Robert Morris; "Portrait: Joseph Beuys," by Skunk-Kender; "Body Works," by Willoughby Sharp; "Museums: MOCA, San Francisco;" "Galleries: Reese Palley, San Francisco" "Discussions with Heizer, Oppenheim, Smithson," by Michael Heizer, Dennis Oppenheim and Robert Smithson. Featuring Joseph Beuys on cover. References : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 200. No. 4.6 and 4.9 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 102, 112, 242. Very Good. Rubbing of covers and edgewear. Contents clean and unmarked.

84 pp.; 23.5 x 23.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Inaugural issue of the quarterly periodical Avalanche. Edited by Liza Bear, published by Willoughby Sharp, and designed by Boris Wall Gruphy [a pseudonym for Willoughby Sharp]. Contents include: "Rumbles," featuring James Turrell, Keith Arnatt, Douglas Davis, Luis Fernanda Benedit, Paolo Soleri, Isaac Witkin, and William Wegman; "Interview: Carl Andre;" "Interview: Jan Dibbets;" "Retrospective: Richard Long;" "Pace and Process," by Robert Morris; "Portrait: Joseph Beuys," by Skunk-Kender; "Body Works," by Willoughby Sharp; "Museums: MOCA, San Francisco;" "Galleries: Reese Palley, San Francisco" "Discussions with Heizer, Oppenheim, Smithson," by Michael Heizer, Dennis Oppenheim and Robert Smithson. Featuring Joseph Beuys on cover. References : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 200. No. 4.6 and 4.9 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 102, 112, 242. Very Good. 1.8 cm. crease and bumping to top right corner of recto carrying through to pages. Light edgewear and yellowing of cover edges. Light yellow speckling on verso and a 6.5 cm. light crease. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.

84 pp.; 23.5 x 23.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Inaugural issue of the quarterly periodical Avalanche. Edited by Liza Bear, published by Willoughby Sharp, and designed by Boris Wall Gruphy [a pseudonym for Willoughby Sharp]. Contents include: "Rumbles," featuring James Turrell, Keith Arnatt, Douglas Davis, Luis Fernanda Benedit, Paolo Soleri, Isaac Witkin, and William Wegman; "Interview: Carl Andre;" "Interview: Jan Dibbets;" "Retrospective: Richard Long;" "Pace and Process," by Robert Morris; "Portrait: Joseph Beuys," by Skunk-Kender; "Body Works," by Willoughby Sharp; "Museums: MOCA, San Francisco;" "Galleries: Reese Palley, San Francisco" "Discussions with Heizer, Oppenheim, Smithson," by Michael Heizer, Dennis Oppenheim and Robert Smithson. Featuring Joseph Beuys on cover. References : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 200. No. 4.6 and 4.9 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 102, 112, 242. Very Good. 17.3 cm. crease to recto with additional edgewear, yellowing along spine edge, and yellow spotting across verso. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.

55 pp.; 35.5 x 25 cm.; loose leaves; duotone; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with Prospect 69 held September 30 - October 12, 1969. Conceived of and organized by Konrad Fischer and Hans Strelow. Edited section by Seth Siegelaub incorporates interviews with Robert Barry, Douglas Huebler, Joseph Kosuth, and Lawrence Weiner conducted individually by themselves. rovides an overview of participating galleries and their artists. Additionally includes "in unabhängiger Präsentation, da von Auswahlkomitee eingeladen, aber nicht von den PROSPECT 69 vertretenen Galerien in der Kunstalle gezeight" [in an independent presentation, as invited by the selection committee, but not shown by the galleries represented by PROSPECT 69 in the Kunsthalle]. Artists include Bernd & Hilla Becher, Hanne Darboven, Jan Dibbets, Bruno Gronen, Michael Heizer, Sol LeWitt, Richard Long, Reiner Ruthenbeck, and Niele Toroni. Additionally includes full-page images or projects by Robert Smithson (Mirror Displacement, Portland Isle, England, 1969), Charles Ross, Markus Raetz, Jean-Frédéric Schnyder, Jannis Kounellis, Eliseo Mattiacci, Stanley Brouwn, Alighero Bottti (1/2 page), Emilio Prini (1/2 page), Giuseppe Penone (1/2 page), Pier Paolo, Calzolari (1/2 page), E.P. Butler (1/2 page), Eric Orr (1/2 page), James Lee Byars (1/2 page), Paul Cotton (1/2 page), Hans Haacke, Lynda Benglis, Ron Cooper, Doug Wheeler, Giorgio Griffa, David Prentice, a double-page centerfold of blue stripes by Daniel Buren, Dennis Oppenheim, ZAJ-Gruppe, Dick Higgins, Joseph Beuys (photo by Ute Klophaus), David Lamelas, and 13 "Information" pages with advertising.Exhibition catalogue published in conjunction with Prospect 69 held September 30 - October 12, 1969. Conceived of and organized by Konrad Fischer and Hans Strelow. Edited by Seth Siegelaub. Provides an overview of participating galleries and their artists and includes interviews with Robert Barry, Douglas Huebler, Joseph Kosuth, and Lawrence Weiner. References : "Seth Siegelaub : Beyond Conceptual Art" by Leontine Coelewij, Sara Martinetti, Marja Bloem, Julia Bryan-Wilson, Jo Melvin, Götz Langkau, Matilda McQuaid, Alan Kennedy, Seth Siegelaub. Köln and Amsterdam, Germany / Netherlands : Verlag der Buchandlung Walther König / Stedelijk Museum, 2016, pp. 176-179. "Six Years, The Dematerialization of the Art Object from 1966 to 1972 : A Cross-Reference Book of Information on Some Esthetic Boundaries . / edited and annotated by Lucy R. Lippard." by Lucy R. Lippard. Praeger Publishers Inc., NY / DC : Praeger Publishers Inc., 1973, pp. 113 - 115. Very Good. Light overall aging to paper, few very small chips to lower edge of recto cover, pale time staining to verso cover. Contents clean and unmarked. An outstandingly well preserved copy of a otherwise typically fragile publication.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.

240 pp.; 22.5 x 20.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed "This book does not aim at being an objective and general analysis of the phenomenon of art or life, but is rather an attempt to flank (both art and life) as accomplices of the changes and attitudes in the development of their daily becoming. This book does not attempt to be objective since the awareness of objectivity is false consciousness. The book, made up of photographs and written documents, bases its critical and editorial assumptions on the knowledge that criticism and iconographic documents give limited vision and partial perception of artistic work. The book, when it reproduces the documents of artistic work, refutes the linguistic mediation of photography. The book, even though it wants to avoid the logic of consumption, is a consumer's item. . This book produces a collection of already old material. . In this book there is no need to reflect in order to seek a unitary and reassuring value, immediately refuted by the the authors themselves, rather there is the necessity to look into it for the changes, limits, precariousness and instability of artistic work." -- text from Celant's introduction "Stating That." Includes artists Walter de Maria, Michelangelo Pisteletto, Stephen Kaltenbach, Richard Long, Mario Merz, Douglas Huebler, Joseph Beuys, Eva Hesse, Michael Heizer, Ger van Elk, Lawrence Weiner, Luciano Fabro, Bruce Nauman, Joseph Kosuth, Jan Dibbets, Giovanni Anselmo, Robert Barry, Pier Paolo Calzolari, Dennis Oppenheim, Barry Flanagan, Robert Smithson, Giulio Paolini, Reiner Ruthenbeck, Alighiero Boetti, Giuseppe Penone, Franz Erhard Walther, Hans Haacke, Gilberto Zorio, Robert Morris, Marinus Boezem, Carl Andre, Emilio Prini, Richard Serra. Text in Italian. Fair / Good. Two 3 cm. tears to upper spine edge. Moderate rubbing and light yellowing of covers. Moderate Foxing on inside front and back covers and scattered throughout the interior. Name of previous owner in ink on first free inside page. 1 cm. dog ear to corner of folded interior of back cover.