michael h picard (10 Ergebnisse)

1st ed. 22 x 29 cm. 200 pages. Paperback. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen, daher Mängelexemplar gestempelt, sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover, apart from this in very good condition. Stamped. Sprache: Englisch.

Zustand: New. pp. 300.

Taschenbuch. Zustand: Neu. Intraprocedural Imaging of Cardiovascular Interventions | Michael H. Picard (u. a.) | Taschenbuch | x | Englisch | 2018 | Springer | EAN 9783319805696 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - T his book teaches the key knowledge required for the use of ultrasound to guide many catheter based cardiac therapies.While live CME courses are now covering this material there are very few textbooks on this topic.A unique aspect ofthis book is that it has many images to illustrate the teaching points.The use of minimally invasive treatments ofmany cardiac diseases especially by catheter based therapies and devices is arapidly expanding discipline in cardiology and radiology. Cardiac ultrasound particularlyechocardiography is utilized extensively to guide these therapies.Many echocardiographers are being called uponto guide these therapies but they have not been trained in this unique use ofechocardiography.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - T his book teaches the key knowledge required for the use of ultrasound to guide many catheter based cardiac therapies.While live CME courses are now covering this material there are very few textbooks on this topic.A unique aspect ofthis book is that it has many images to illustrate the teaching points.The use of minimally invasive treatments ofmany cardiac diseases especially by catheter based therapies and devices is arapidly expanding discipline in cardiology and radiology. Cardiac ultrasound particularlyechocardiography is utilized extensively to guide these therapies.Many echocardiographers are being called uponto guide these therapies but they have not been trained in this unique use ofechocardiography.

104 pp.; 29.7 x 21 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed The first issue of "NYB : An Arts Magazine" published in 1985. Contributors include Mimi Gross, Peter Werner, Gerhard Ullmann, Peter Hoffmann, Bernd Weyergraf, Michael Glassmeier, Timothy F. Rub, Georg C. Bertsch, Thomas Hoffmann, Thomas Wulffen, Henry Ries, B.H. Friedman, Bernhard Schulz, Barry Neuman, John Ashbery, John Yau, Tony Towle, Jean Holabird, Taylor Mead, Tama Janowitz, Doris Nadja Wiewiorra, Peter Schneider, Lutze, Klaus Stiller, Karis Kiwus, Anne Jud, Joan Jonas, Lil Picard, Anne Wehrer, Renate Ponsold, Jackie Curtis, Peter Feinauer, William Hellermann and Julius, and an interview with John Cage by Thomas Wulffen. Fine. Covers and contents clean and unmarked.

Orig.kartoniert. 303,(3) Seiten. Herausgegeben von Erhard R. Wiehn. 1. Auflage. 8°. Einband leicht berieben. Leichte Gebrauchsspuren. ISBN 3891912722.

[1] pp.; 28 x 21.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Flyer / announcement published to promote events held between 13th and 14th Streets and 6th and 5th Avenues, New York City, on April 18, 1969. Participating artists included Vito Hannibal Acconci, Terence Anderson, Arakawa, Gregory Battcock, Matthew Benedict, Michael Brownstein, Scott Burton, James Lee Byars, Rosemarie Castoro, Eduardo Costa, Bill Creston, Larry Fagin, Madeline Gins, John Giorno, Bobbi Gormley, Tom Gormley, Dan Graham, Katherine Greef, Stephen Kaltenbach, Joseph Kosuth, Leandro Katz, Alcides Lanzy, Lucy Lippard, Rosemary Mayer, Ben Patterson, John Perreault, Lil Picard, Adrian Piper, H Alexander Roberts, Marjorie Strider, Mr. T., Bernar Venet, Frank Lincoln Viner, Anne Waldman, Lewis Warsh, Luis Wells, Hannah Weiner and Lawrence Weiner. These organized street works can be understood as extensions of both the Pop art Happenings of the earlier 1960s and the street protests taking place in New York City and throughout the country during the 1968 elections, the Civil Rights Movement, and the Vietnam War. Whereas the Pop happenings usually took place in galleries and performance spaces, the street works were unconfined by physically walled-in spaces. Enacted in open environments, comingled with the natural flow of pedestrians, these performances created unlimited possibilities for happenstance with the sidewalk as the stage and the city as backdrop, the inhabitants of New York became active participants with the artists, willingly or not. Fair / Good. Folded in three and two tape stains. Name of recipient on verso in ink.

[1] pp.; 35.4 x 21.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for 24 hour performances held during the 5th Annual New York Avant Garde Festival presented by Charlotte Moorman in cooperation with the New York City Department of Marine and Aviation, September 29 - 30, 1967. Performers included Charlotte Moorman, Ay-o, Robert Breer, Robert Burridge, Christo, Ellen Chuse, Philip Corner, Ken Dewey, Bill Dixon, Judith Dunn, Charles Frazier, Jimmy Giuffre, Malcolm Goldstein, Don Heckman, Al Hansen, Gary Harris, Geoffrey Hendricks, Bici Hendricks, Dick Hogle, Takehiko Iimura, Ken Jacobs, Ray Johnson, Sheila Jordan, Allan Kaprow, Robin Kenyatta, Takehisa Kosugi, Jackson MacLow, Carol Marcy, Max V. Mathews, James H. McWilliams, Marta Minujin, Max Neuhaus, Ralph Ortiz, Nam June Paik, Lil Picard, Sun Ra, Ely Raman, Steve Rettew, Carolee Schneemann, Michael Snow, Ed Summerlin, Cecil Taylor, James Tenney, Jean Toche, Uni-Trio, USCO, John Van Saun, Frank Lincoln Viner, Bob Watts, and Jud Yalkut performing works by dozens of artists including John Cage, Chieko Shiomi, Joseph Beuys, La Monte Young and many others. Fair. Folded in eight. Extensive handling wear with overall creasing and crinkling of the page. 6 mm. dog-ear to upper right corner and 12.7 cm. dog-ear to upper left corner. 2 cm. rip at bottom edge of sheet along fold.

[1] pp.; 35.4 x 21.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for 24 hour performances held during the 5th Annual New York Avant Garde Festival presented by Charlotte Moorman in cooperation with the New York City Department of Marine and Aviation, September 29 - 30, 1967. Performers included Charlotte Moorman, Ay-o, Robert Breer, Robert Burridge, Christo, Ellen Chuse, Philip Corner, Ken Dewey, Bill Dixon, Judith Dunn, Charles Frazier, Jimmy Giuffre, Malcolm Goldstein, Don Heckman, Al Hansen, Gary Harris, Geoffrey Hendricks, Bici Hendricks, Dick Hogle, Takehiko Iimura, Ken Jacobs, Ray Johnson, Sheila Jordan, Allan Kaprow, Robin Kenyatta, Takehisa Kosugi, Jackson MacLow, Carol Marcy, Max V. Mathews, James H. McWilliams, Marta Minujin, Max Neuhaus, Ralph Ortiz, Nam June Paik, Lil Picard, Sun Ra, Ely Raman, Steve Rettew, Carolee Schneemann, Michael Snow, Ed Summerlin, Cecil Taylor, James Tenney, Jean Toche, Uni-Trio, USCO, John Van Saun, Frank Lincoln Viner, Bob Watts, and Jud Yalkut performing works by dozens of artists including John Cage, Chieko Shiomi, Joseph Beuys, La Monte Young and many others. Good. Folded in eight with light edge-wear, a 6 mm. ink mark on recto and 2 cm. area of light yellow soiling.