michael claes (35 Ergebnisse)

Paperback. Zustand: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

96 pp.; 28 x 21 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in 1976. Essay by Bernice Rose. Artists include Carl Andre, Art & Language, Joseph Beuys, Mel Bochner, James Lee Byars, John Cage, Christo, Chuck Close, Hanne Darboven, Jim Dine, Mark di Suvero, Oyvind Fahlström, Dan Flavin, Richard Hamilton, Michael Heizer, Eva Hesse, David Hockney, Jasper Johns, Donald Judd, Ellsworth Kelly, Sol LeWitt, Roy Lichtenstein, Robert Mangold, Piero Manzoni, Brice Marden, Agnes Martin, Robert Morris, Bruce Nauman, Claes Oldenburg, Blinky Palermo, Panamarenko, Larry Poons, Robert Rauschenberg, Bridget Riley, Dorothea Rockburne, Robert Ryman, Fred Sandback, Richard Serra, Robert Smithson, Frank Stella, Jean Tinguely, Richard Tuttle, Cy Twombly, Andy Warhol, and Lawrence Weiner. Includes notes to the text. Very Good. Light yellowing and rubbing of cover edges with a 3 cm. area of staining from removed pricing sticker on verso and light bumping of bottom edge of verso. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

8vo. pp xiii, 416, [4]. Colour illustrated dust jacket. Publisher's black buckram lettered in white at spine. Illustrations in black and white.ISBN: 9780300176629 Near fine, only light shelfwear at spine ends. In very good dust jacket, little rubbed at corners.

272 pp.; 25.4 x 21.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph by Tessa Sidey on the graphic works of Editions Alecto produced between 1960 and 1981. Artists include Gillian Ayres, Patrick Caulfield, Robyn Denny, Jim Dine, Richard Hamilton, David Hockney, Allen Jones, Claes Oldenburg, Eduardo Paolozzi, Colin Self, Richard Smith and many others. Includes biographies of "associate of EA who have been interviewed or who have regularly appeared during the course of research and/or conversations," including Brooke Alexander, Douglass Allsop, Eric Ayers, Terence Benton, Don Bessant, Chiron Press, James Collyer, John Crossley, Michael Deakin, Robert Erskine, and others. Also includes a Concordance of Editions Alecto (numbered) publications list. Very Good / Fine. Light bumping of covers and bumping and curl to dust-jacket edge. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Softcover. Zustand: Fine. Magazine. Octavo. 96pp. Fine in perfectbound wrappers. British literary magazine that includes contributions from W.H. Auden, Michael Feld, Philip Larken, Daniel Hoffman, Minos Argyrakis, Douglas Dunn, Claes Oldenburg, Roy Fuller, Julian Symons, John Ginger, Stephen Grant, Lucian Freud, Ian Watson, Lionel Brett, Don Locke, Peter Porter, John Elsom, Edward Thomas, Jonathan Raban, and John Betjeman.

Wrappers. Zustand: Near Fine. 190 pages. Black and white illustrations. Some wear and minor scratches to the paper covers. A Symposium Hosted by The Chinati Foundation, Marfa, Texas, on April 25 and 26, 1998.

335 pp. (catalogue) ; [20] pp. (insert); 27.6 x 21.1 cm. (catalogue) ; 27 x 20.7 cm. (insert); sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph examining the history of alternative German exhibition space Portikus. Edited by Brigitte Kölle. Artists include Anna Blume, Bernhard Blume, Marijke van Warmerdam, Sery C., Wolfgang Tillmans, Richard Artschwager, Claes Oldenburg, Joseph Grigely, On Kawara, Andreas Exner, Dennis Adams, Bernhard Härtter, Lawrence Weiner, Chéri Samba, Boris Michajlov, Roy Villevoye, Ayse Erkmen, Thomas Bayrle, and Marko Lehanka. Essays by Kasper König, Peter Cook, Ulrich Wilmes, Martin Hentschel, Julian Heynen, Verena Kuni, Verena Auffermann, Rudolf Schmitz, Michael Glasmeier, Gottfried Boehm, Jean-Hubert Martin, Boris Groys, Ulrich Loock, Robert Fleck, Lynne Cooke, Rüdiger Carl, Helga Fanderl, Christoph Graf Douglas, and Brigitte Kölle. Includes sections on History and Architecture, exhibitions in Portikus 1987 - 1997, artists in Portikus, Projects put on by Portikus, posters, publications, and authors. Cover by Sol LeWitt. Also includes a [20] page staple bound publication titled "Portikus am Main: Publikationen 1987-1997," featuring a checklist of Portikus publications interspersed with installation images. Parallel texts in English and German. Very Good. Wear to dust jacket including yellowing, moderate dust soiling, light scratching, bumping of corners, light edge wear, and a 5 mm. loss to verso. Light yellowing of pages, minimal handling wear, contents otherwise clean and unmarked. Multiple dents to publications insert, light handling wear, light yellowing of pages, contents otherwise clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

206 pp.; 31.2 x 23.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "Both Art and Life: Gemini G.E.L. at 25," held at the Newport Harbor Art Museum, Newport Beach, California, September 22 - November 29, 1992. Introduction by Michael Botwinick, text by Mark Rosenthal. Photographs of the artists by Sidney B. Felsen. Featuring interviews with the artists, including Jasper Johns, John Baldessari, Jonathan Borofsky, Richard Diebenkorn, Mark di Suvero, Ellsworth Kelly, Edward Kienholz, Nancy Reddin Kienholz, Roy Lichtenstein, Malcolm Morley, Claes Oldenburg, Ken Price, Robert Rauschenberg, Richard Serra, and Saul Steinberg. Includes checklist. Fine. Covers and contents clean and unmarked. Inscribed in pen on title page with note from Sidney and Stanley. Due to large size and weight additional shipping charges may be required.

First Edition. First edition. Softcover. 40 pages. Edited conversations between Walter Netsch, Barbara Rose, Claes Oldenburg, Michael Straight, and others. A near fine copy in stapled wrappers. Uncommon.

Zustand: Very good. Olbrechts, Michaël (illustrator).

SOFTCOVER. Zustand: Very Good. 1st Edition. 4to in stiff card covers, 112pp, plates etc . [CONDITION: VERY GOOD (covers a little tanned and very faintly soiled, otherwise a well preserved clean and tight copy) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.

Soft cover. Zustand: Very Good. 12mo. pp. 288. profusely illus. in b/w. wrs. (crease to front upper outer corner).

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Peter Greenaway Tony Cragg Dieter Roth Lawrence Weiner Le Château de Rivoli Barbara et Michael Leisgen Nils Udo Rob Scholte Jean-Luc Poivret La Villa Arson, interview de C. Bernard Yona Friedman John Fante Edgar Morin Claes Oldenburg, interview par E. Lebovici.

Kartoniert / Broschiert. Zustand: New. How has cultural diversity affected the business climate of the growing European Union? What are European institutions and enterprises doing to manage it? In EuroDiversity, Dr. Simons gathers issue-centered perspectives on how Europe s entwined past, p.

128 pp.; 26.5 x 20.4 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue / critical theory published in conjunction with show held at the Art Gallery of Ontario, Toronto, April 2 - May 15, 1983. Traveled to Musee d'Art Contemporain, Montreal, September 15 - October 30, 1983 and Glenbow Museum, Calgary, November 18, 1983 - January 7, 1984. Texts by AA Bronson, Peggy Gale, Jean-Christophe Ammann, Michael Asher, Anne Rorimer, Harald Szeemann, Ursula Wevers, Marcel Broodthaers, Benjamin H.D. Buchloh, Daniel Buren, James Lee Byars, Marcel Duchamp, Robert Filliou, R. Austen Marshall, General Idea, Walter Grasskamp, Daniel Spoerri, Image Bank, Donald Judd, Hans Haacke, Wulf Herzogenrath, On Kawara, Garry Neill Kennedy, Joseph Kosuth, Les Levine, Glenn Lewis, George Maciunas, Piero Manzoni, N.E. Thing Co. LTD., Claes Oldenburg, Coosje van Bruggen, and Garry Schum. "An anthology of texts and works exploring the relationship of the artist to the museum, from Marcel Duchamp's seminal 'Boite-en-Valise' and Claes Oldenburg's 'Mouse Museum' to the critical work of Hans Haacke and Daniel Buren. Harald Szeemann's proposal for the 'Museum of Obsessions' at a future Documenta is here reproduced in English for the first time. Edited by AA Bronson and Peggy Gale. With texts / works by Jean-Christophe Ammann, Michael Asher, AA Bronson, Marcel Broodthaers, Benjamin Buchloh, Daniel Buren, Marcel Duchamp, Robert Filliou, Vera Frenkel, General Idea, Walter Grasskamp, Hans Haacke, Wulf Herzogenrath, Image Bank, Donald Judd, On Kawara, Gary Neill Kennedy, Joseph Kosuth, Les Levine, Glenn Lewis, George Maciunas, Piero Manzoni, Claes Oldenburg, Museum of Conceptual Art, N.E. Thing Company Limited, Garry Schum, Harald Szeemann." -- publisher's statement. Covers by Daniel Buren, and insert by James Lee Byars. Texts in English and French. Fair / Good. Rubbing, scratching, and discoloration of covers with 2.2 cm. and 1.5 cm. surface tears to spine. Bumping of corners with 1.8 cm. dog-ear to top left corner of recto. 5 mm. and 2 mm. surface tears to bottom edge of verso. Price sticker from MoMA on inside of recto flap. 3 mm. yellow stain to page 288. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca'' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show--"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"--held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

30 pp.; 28 x 17.9 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 9 - December 9, 1973. Catalogue prepared by Louise Sperling and Richard S. Field. Artists include Peter Blake, John Clem Clarke, John Constable, Ron Davis, Bill Davison, Peter Dechar, Jim Dine, Michael English, Richard Estes, Eugene Feldman, Joe Goode, Adolph Gottlieb, Bob Graham, Melissa Gurdus, Richard Hamilton, Robert Indiana, Paul Jenkins, Jasper Johns, Alex Katz, Edward Kienholz, Roy Lichtenstein, Lowell Nesbitt, Georgia O'Keeffe, Claes Oldenburg, Kenneth Price, Robert Rauschenberg, John Salt, Andrew Stasik, Frank Stella and Andy Warhol. Includes glossary of printing techniques, time-lines and exhibition checklist. Front and back covers, printed by offset lithography, by Bill Davison, designed as an artwork specifically for the catalogue. Good. Rubbing and scratching of covers with light edge wear and wear to corners. Contents clean and unmarked.

SOFTCOVER. Zustand: Fine. 1st Edition. 4to in stiff card covers, 112pp, plates etc . [CONDITION: An extremely well preserved FINE very clean and tight unmarked copy in not far from new condition (page-block edges slightly tanned) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Editions S.E.R.G / Revue Phénix n° 6 de 1968. In-4 broché de 100 pages au format 27 x 18,5 cm. Couvertures illustrées par Albert Uderzo et Frank Robbins. Dos carré muet. Plats et intérieur frais. Etudes par Claude Moliterni, Pierre Couperie, Claude Le Gallo, Georges Fronval sur l'Aviation, Edgar Pierre Jacobs, etc. Interviews de Jean-Michel Charlier, Victor Hubinon et Albert Weinberg. Photos, documents, bibliographie et bandes dessinées. Contient la deuxième partie du " Rayon U " par Edgar Pierre Jacobs + un récit complet par Frank Robbins intitulé " Bob l'Aviateur ". Superbe état de fraicheur. Edition originale.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. INDEX4/5 Enrico R. Comi: Mare del Nord / North Sea6 Dmitrij Prigov:Works / Lavori8/9 Maurizio Cucchi:La vetrina del perito / The consultant's shop-window12/13 Gilberto Finzi:Periferia a Milano / Suburbs in Milan16/18 Franco Fortini:L'incontro/ The encounter24/25 Guido Oldani:Polonord / Northpole28/29 Luciano Erba:I guanti viola / The violet gloves33/65 Enrico R. ComiConversazione con Leo Castelli / Conversation with Leo Castelli100/101 Michelle Gershkovich:Friday / Venerdì102 Hamish Fulton:Works / Lavori104 Richard Long:Works / Lavori106 Jonathan Borofsky:Works / Lavori108 Isa Genzken:Works / Lavori110 Michael Jenkins:Works / Lavori112 Matthew McCaslin:Works / Lavori114 Maria Serebrjakova:Works / Lavori116 Anatolij Shuravlev:Works / Lavori118 Tom Otterness:Works / Lavori120 Jon Kessler:Works / Lavori122 Rodney Graham:Works / Lavori124/124/125 Emilio Martinez:Cambio de pagina / Change of paige / Cambio di pagina128/129/130 Serge Gavronsky:Brisure du cercle / Fragmented circle / Rottura del cerchio132 Guillaume Bijl:Works / Lavori134 Marcus Geiger:Works / Lavori136 Jorge Molder:Works / Lavori138 Robert Bordo:Works / Lavori140 Alighiero Boetti:Lavori / Works142 Edward Ruscha:Works / Lavori144/145 Nat Anderson:Aulophobia: Fear of Flutes / Aulophobia: Paura dei Flauti146 Rebecca Horn:Works / Lavori148 Royden Rabinowitch:Works / Lavori150 Susana Solano:Works / Lavori154/156/158 Karl Lubomirski:Zwei Gedichte / Two poems / Due poesie164/165 Ruth Danon: A plot / Una trama.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Passages: Claes Oldenburg, Paul Kaiser, and Robert Whitman on Robert Breer," by Claes Oldenburg, Paul Kaiser, and Robert Whitman; "Books: Malcolm Bull on Jacques Derrida's 'The Beast & The Sovereign,'" by Malcolm Bull; "Film: James Quandt on Steve McQueen's 'Shame,'" by James Quandt; "Film: Amy Taubin on Nuri Bilge Ceylan's 'Once Upon a Time in Anatolia,'" by Amy Taubin; "Film: Tony Pipolo on Jean-Marie Straub," by Tony Pipolo; "Vault: Martin Kemp on Leonardo da Vinci's 'The Virgin of the Rocks,'" by Martin Kemp; "Slant: Nasser Rabbat on the New Islamic Art Galleries at the Metropolitan Museum of Art," by Nasser Rabbat; "Slant: Saskia Sassen and Hans Haacke on the Spaces of Occupation," by Saskia Sassen and Hans Haacke; "Slant: Annie Ochmanek on Christopher D'Arcangelo," by Annie Ochmanek; "Top Ten," by Uri Aran; "Winter 2012 Exhibitions: 45 Shows Worldwide"; "Julia Robinson on 'Claes Oldenburg: The Sixties,'" by Julia Robinson; "Dark Matter: The Art of Liu Wei," by Pauline J. Yao; "Just What Was It.?: The Art of Richard Hamilton,'" by Hal Foster; "Surface Activation: The Amir Building at The Tel Aviv Museum of Art," by Sylvia Lavin; "Close-Up: Movement Research: Michael Ned Holte on Sharon Lockhart's 'Five Dances and Nine Wall Carpets' by Noa Eshkol," by Michael Ned Holte; "Fluid Dynamics: The Art of Adriana Varejão," by Carol Armstrong; "Openings: Christodoulos Panayiotou," by Aram Moshayedi. Reviews by Hal Foster, Sylvia Lavin, Michael Ned Holte, Sharon Lockhart, Carol Armstrong, Aram Moshayedi, Francesco Bonami, Elizabeth Schambelan, Daniel Marcus, Robert Pincus-Witten, Johanna Burton, David Frankel, Donald Kuspit, Suzanne Hudson, Frances Richard, Lauren O'Neill-Butler, Richard Deming, Eva Díaz, Ara H. Merjian, Emily Hall, Barry Schwabsky, Brian Sholis, Colin Lang, Michelle Grabner, John McKinnon, Gwen Allen, Sarah Lehrer-Graiwer, Catherine Taft, Travis Diehl, Anna Lovatt, T.J. Demos, Michael Archer, Steven Cairns, Paul Galvez, Claire Moulène, Jens Asthoff, John Beeson, Jurriaan Benschop, Noemi Smolik, Quinn Latimer, Marco Tagliafierro, Brigitte Huck, Kaelen Wilson-Goldie, Javier Hontoria, Pablo Llorca, Cathryn Drake, Midori Matsui, Angie Baecker, Lee Ambrozy, and María Gainza. Cover: Claes Oldenburg.

248 pp.; 27.5 x 23 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 22, 1989 - February 18, 1990. Preface by Suzanne Pagé. Essays by Claude Gintz, Benjamin H.D. Buchloh, Charles Harrison, Gabriele Guercio, and Seth Siegelaub. Includes bibliography. Illustrated in black-and-white. First edition includes text, in English, by Joseph Kosuth in response to Buchloh's essay printed on sticker and affixed to page 54. Artists include: Art & Language, Michael Asher, John Baldessari, Robert Barry, Mel Bochner, Alighiero e Boetti, Marcel Broodthaers, Stanley Brouwn, Daniel Buren, Victor Burgin, Andre Cadere, Hanne Darboven, Jan Dibbets, Marcel Duchamp, Dan Flavin, Dan Graham, Hans Haacke, Eva Hesse, Douglas Huebler, Jasper Johns, On Kawara, Yves Klein, Joseph Kosuth, Sol LeWitt, Piero Manzoni, Robert Morris, Bruce Nauman, Claes Oldenburg, Roman Opalka, Adrian Piper, Robert Rauschenberg, Edward Ruscha, Robert Smithson, Bernar Venet, Lawrence Weiner, Ian Wilson, and Art & Project. Texts in English and French. Good. Bumping of corners and cover edges with adjacent creasing. Yellowing and dust soiling of covers with additional 4.2 cm. area of soiling to verso. Light bumping of page corners. Contents clean and unmarked. Includes "compliments of" card from the Musée d'Art Moderne de la Ville de Paris, in French. This copy includes the tipped-in text by Joseph Kosuth, "Joseph Kosuth Responds to Benjamin Buchloh" [in English], affixed to page 54. Due to large size and weight additional shipping charges will be required for international orders.

387 pp.; 28.5 x 22.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue and documentation of preparation for exhibition held in 1971. Large-scale book documenting the thrills and chills of when artists and scientists [or corporations] joined together by the Los Angeles County Museum of Art attempted to produce collaborative works. Amazingly self-critical of the failures [and limited success] of the program. Full documentation of each of the invited artists in narrative, blow-by-blow detail. Includes sections on Stephen Antonakos, Avigdor Arikha, Michael Asher, John Baldessari, Iain Baxter, Larry Bell, Max Bill, Ronald Bladen, George Brecht, James Byars, Greg Card, Anthony Caro, John Chamberlain, Christo, Ron Cooper, François Dallegret, Channa Davis, Ron Davis, Walter de Maria, Mark di Suvero, Jean Dubuffet, Jean Dupuy, frederick Eversley, Oyvind Fahlstrom, Dan Flavin, Sam Francis, Hans Haacke, Newton Harrison, Erich Hartmann, Robert Irwin, Donald Judd, Aleksandra Kasuba, Ellsworth Kelly, Philip King, R.B. Kitaj, Piotr Kowalski, Rockne Krebs, Wesley Duke Lee, Les Levine, Roy Lichtenstein, Len Lye, Jackson MacLow, Robert Mallary, Charles Mattox, John McCracken, Glenn McKay, Boyd Mefferd, Michael Moore, Robert Morris, Bruce Nauman, Claes Oldenburg, Jules Olitski, Eduardo Paolozzi, Otto Piene, Pulsa, Jeff Raskin, Robert Rauschenberg, Jess Reichek, Vjencenslav Richter, James Rosenquist, James Seawright, Richard Serra, Tony Smith, Robert Smithson, Karlheinz Stockhausen, Takis, Gerhard Trommer, James Turrell, Victor Vasarely, Stephan Von Huene, Peter Voulkos, Andy Warhol, Robert Watts, Martial Westburg, Robert Whitman, and William T. Wiley. Black-and-white illustrations throughout. Fair / Good. 1.6 cm. tear to top edge of recto. Significant rubbing of cover edges. 18 cm. scratch to recto. 7.5 cm., 17.6 cm., 6.5 cm., 7 cm., and 2.5 cm. creases to verso. Light soiling of text block edge. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Zustand: Sehr gut. Michaël Olbrechts (illustrator). Zustand: Sehr gut | Seiten: 36 | Sprache: Niederländisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: Hervorragend. Olbrechts, Michaël (illustrator). Zustand: Hervorragend | Seiten: 195 | Sprache: Niederländisch | Produktart: Bücher | Keine Beschreibung verfügbar.

[unpaginated]; 23.2 x 15.3 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 6, 1970 - January 6, 1971. Curated by Hans Sohm and Harald Szeemann. A definitive chronology of Fluxus performances and events that occurred between 1959 through 1970. Profusely illustrated with black-and-white reproductions of posters, advertisements, photographs, ephemera and more. Includes contributions by Tadeusz Kantor, Ben Vautier, Ay-o, Nam June Paik, Ken Friedman, Al Hansen, Bici Hendricks, Robert Filliou, George Brecht, Bazon Brock, Tomas Schmit, Red Grooms, Carolee Schneemann, Philip Corner, Joe Jones, Tetsumi Kudo, Claes Oldenburg, Hermann Nitsch, Arthur Koepcke, Otto Muehl, Günter Brus, Geoff Hendricks, Robert Watts, J.J. Lebel, Milan Knizák, Eric Andersen, Robert Whitman, Emmett Williams, and Wolf Vostell. Includes a bibliography and a pre-chronology with parallels between the chronologies of the artists in the exhibition. Text in German. Very Good. Light rubbing of cover edges. 2 mm. of yellow soiling and 1.8 cm. and 7 mm. surface scratching to recto. Contents clean and unmarked. Due to size and weight additional shipping charges may be required for international orders.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.