Michael ben joseph (22 Ergebnisse)

- Softcover
Anbieter: Better World Books, Mishawaka, IN, USABetter World Books
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Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

- Hardcover
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Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

- Softcover
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Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

- Softcover
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Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

- Hardcover
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Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

- Hardcover
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Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

- Hardcover
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hardcover. Zustand: Near Fine. Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

- Hardcover
Anbieter: Robinson Street Books, IOBA, Binghamton, NY, USARobinson Street Books, IOBA
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Hardcover. Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good in Very good dust jacket. First Edition.

- Softcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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Paperback. Zustand: Brand New. 112 pages. 10.25x7.50x0.39 inches. In Stock.

- Softcover
Anbieter: Wonder Book, Frederick, MD, USAWonder Book
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Zustand: Very Good. Very Good condition. 2016 edition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

- Softcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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Paperback. Zustand: Brand New. reprint edition. 197 pages. 9.00x7.50x0.50 inches. In Stock.

- Softcover
Anbieter: moluna, Greven, Deutschlandmoluna
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Zustand: New. Über den AutorAuthored by some of today s Top Names in the Horror Genre, including Ramsey Campbell, Don Webb, Lisa Dabrowski, Toneye Eyenot, Peggy Wheeler, Michael Noe, and Steve Rasnic Tem, this book is a collaborative effort to ra.

Verlag: Immaterial Incorporated Brooklyn, NY, 2004
- Softcover
Anbieter: Specific Object / David Platzker, New York, NY, USASpecific Object / David Platzker
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In den Warenkorb121 pp.; 24.9 x 19.9 cm.; sewn bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; 2004 issue of Cabinet Magazine based around the theme of "Futures." Edited by Sina Najafi, Jeffrey Kastner, Frances Richard, David Serlin. Futures section edited by Daniel Rosenberg. Contents include : "Colors / Khaki," by Ben Marcus; "Inventory / Fallen Figures & Heads : Leon Golub's Lists," by David Levi Strauss; "Ingestion / The Shelf-Life of Liquefying Objects," by James Hunt; "Leftovers / What to Do with a Worn-Out Koran," by Michael Cook; "Edison's Warriors," by Christoph Cox; "Triskelion," by Sasha Archibald; "Border Sound Files: Excerpts from an Audio Essay," by Josh Kun; "Borderline Archeology," by Jesse Lerner; "Data and Metadata : An Interview with Murtha Baca and Erin Coburn," by Eve Meltzer and Julia Meltzer; "100,000 Bottles of Beer in the Wall," by Paul Collins; "Cutaneous : An Interview with Steven Connor," by Brian Dillon; "The Figurative Incaarnation of the Sentence (Notes on the 'Autographic' Skin)," by Georges Didi-Huberman; "The Hand Up Project: Attempting to Meet the New Needs of Natural Life-Forms," by Elizabeth Demaray; "Thinking Futures," by Daniel Rosenberg and Susan Harding; "Very Slow Scan Television," by Gebhard Sengmüller and Jakob Edlbacher; "Desert Modernism," by Joseph Masco; "CD Insert / Fast Forward," with audio by Woodrow Wilson, Janek Schaefer, Achim Wollscheid, Kara Lynch, Luz Maria Sánchez, Manuel Rocha Iturbide, Dwight D. Eisenhower, Harald Bode, Microsound-org, George H. W. Bush, and The Quiet American; "Artist Project / Naturalia," by Aziz + Cucher; "The Use of Drugs to Influence Time Experience;" "The Day Before the Day After;" "The Trouble with Timelines," by Daniel Rosenberg; "A Timeline of Timelines," by Sasha Archibald and Daniel Rosenberg; "Phases of Life 1 : The Artificial Foster-Mother," by Samantha Vicenty; "Phases of Life 2 : The Family Room of Tomorrow," by Joseph Masco; "Phases of Life 3 : Living at Death's Door," by Nicholas Sammond; "Hummingbird Futures," by Daniel Rosenberg; "The Veterans of Future Wars," by Susan Hamson; "The Sexual Archipelago," by Jessica Sewell; "The Eight-Fold Path to Knowing Ra," by Greg Rowland; "The Martian Variations;" "Scent from the Future," by Miryam Sas; "Manifesto of the Japanese Futurist Movement," by Hirato Renkichi; "The Cabinet Time Capsule;" "Postcard / Message to the Future, 1897," by Gallop, Wilkins, Sainsbury, Chester & Pickernell "Bookmark / Alien Timeline," by Joe Nickell. Includes contributor biographies. Very Good. Light yellowing and soiling of covers with light edge-wear. 1.9 cm. dog-ear to first page with light yellowing of pages. Contents clean and unmarked. Includes slipped-in CD.…

- Hardcover
- Erstausgabe
Anbieter: Joseph Valles - Books, Stockbridge, GA, USAJoseph Valles - Books
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Hardcover. Zustand: Very Good. No Jacket. 1st Edition. [1st edition], 1st printing ; xv, 988 p. : ill. ; 29 cm. ; ISBN: 080161838X; 9780801618383; National Library: 8805078 LCCN: 88-12756 ; LC: RM700; Dewey: 617 ; OCLC: 17982763 ; purple cloth ; no dustjacket ; Contents: Patient evaluation -- Brain damage and stroke -- Spinal cord trauma -- Systemic disorders and special services -- Musculoskeletal disorders -- Pain syndromes -- ALlied therapies and technology in rehabilitation -- Psychosocial and economic aspects of rehabilitation. ; Vex-lib, stamps, labels ; ownership stamp on title page ; large, heavy volume ; VG. Book.…
Weitere Bilder- Hardcover
Anbieter: Butterfly Books GmbH & Co. KG, Herzebrock-Clarholz, DeutschlandButterfly Books GmbH & Co. KG
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Hardcover. Zustand: Sehr gut. 123 Seiten Eine umfassende Betrachtung der Weingeschichte und -kultur in Europa. Das Buch behandelt die Kunst und den Genuss des Weines, seine Herstellung und die verschiedenen Weinsorten. Zustand: Einband mit geringfügigen Gebrauchsspuren, insgesamt SEHR GUTER Zustand! HC1-576-8/8-00719930 Sprache: Deutsch Gewicht in Gramm: 3760. …
Weitere BilderSprache: Deutsch
Verlag: Könemann, 2004
- Hardcover
Anbieter: Butterfly Books GmbH & Co. KG, Herzebrock-Clarholz, DeutschlandButterfly Books GmbH & Co. KG
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EUR 28,00
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In den WarenkorbHardcover. Zustand: Sehr gut. 123 Seiten Ein umfassender Guide zu Weinen, deren Geschichte, Herstellung und Verkostung, verfasst von Experten und illustriert mit hochwertigen Fotografien. Zustand: Einband mit geringfügigen Gebrauchsspuren, insgesamt SEHR GUTER Zustand! HC1-738-8/8-00401579 Sprache: Deutsch Gewicht in Gramm: 3761 Aktualisierte und überarbeitete Neuauflage. …
Verlag: Frankfurt, Kunstverein ., 1971
Anbieter: Antiquariat & Verlag Jenior, Kassel, HE, DeutschlandAntiquariat & Verlag Jenior
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SonderangebotAktueller Preis: EUR 54,00
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In den Warenkorb32 Seiten, Abbildungen, Groß-8°. Sauberes Exemplar ohne Stempel oder Anstreichungen. Sehr gut erhalten. Sprache: deu.

Verlag: Rick Vermeulen / Paul Bonger Hague, Netherlands, 1972
- Softcover
Anbieter: Specific Object / David Platzker, New York, NY, USASpecific Object / David Platzker
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EUR 404,32
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In den Warenkorb3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the descri.…

Verlag: Nigel Greenwood Inc. Ltd. London, United Kingdom, 1972
- Softcover
Anbieter: Specific Object / David Platzker, New York, NY, USASpecific Object / David Platzker
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EUR 584,02
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In den Warenkorb48 pp.; 21 x 15.3 cm.; staple bound; black-and-white; edition size 800; unsigned and unnumbered; offset-printed Exhibition catalogue for show of artists' books held September 20 - October 14, 1972. Text by Germano Celant. Exhibition checklist organized chronologically by Celant and Linda Morris. Show included books by Dick Higgins, Claes Oldenburg, Dieter Rot [aka Dieter Roth], Ben, Daniel Spoerri, George Brecht, Yoko Ono, Claus Bremer, John Cage, La Monte Young, Jackson MacLow, Nam June Paik, Emmett Williams, Walter de Maria, Malka Safro, Simone Forti, Richard Maxfield, Christian Wolff, Stanley Brouwn, Piero Manzoni, Edward Ruscha, Robert Filliou, Ray Johnson, Allan Kaprow, Alison Knowles, Joseph Kosuth, Eduardo Paolozzi, Gianfranco Baruchello, Mel Bochner, Terry Atkinson, Michael Baldwin, Ay-o, Oyvind Fahlstrom, John Giorno, Jerome Rothenberg, Wolf Vostell, Robert Watts, Philip Corner, Juan Hidalgo, Mel Ramsden, Carl Andre, Robert Barry, Sol LeWitt, Robert Morris, Lawrence Weiner, Ian Burn, Merce Cunningham, Terry Riley, Ben Vautier, Stephen Kaltenbach, Walter Marchetti, N.E. Thing Co. LTD., Giulio Paolini, Bernard Venet, Franz Erhard Walther, Andy Warhol, Vito Acconci, Stig Brogger, José Luis de Castillejo, Roger Cutforth, Hanne Darboven, Jan Dibbets, Dan Graham, James Lee Byars, Maloney, Bruce Nauman, Michelangelo Pisteletto, Emilio Prini, Allen Ruppersberg, Richard Tuttle, Harold Hurrell, Bernd & Hilla Becher, Christo, Dennis Oppenheim, Mark Boyle, Daniel Buren, Donald Burgy, Gerald Ferguson, Dorothy Iannone, Bejamin Patterson, Gilbert & George, Kathe Gregory, Marilyn Landis, Russell F. Lewis, David Crane, Scott R. Kahn, Lawrence Alloway, Gerard Hemsworth, David Lamelas, Mario Merz, Tom Phillips, Peter Roehr, Klaus Staeck, Art & Language, Derek Boshier, Marcel Broodthaers, Alessandro Carlini, James Collins, Giancarlo Croce, Giorgio Fabbris, Giorgio Spiller, Sandro Greco, Hamish Fulton, Bob Law, Richard Long, Philip Pilkington, David Rushton, Kevin Lole, Peter Smith, Giuseppe Penone, John Stezaker, Athena Tacha, Gérard Titus-Carmel, Vincenzo Agnetti, Giovanni Anselmo, John Baldessari, John Blake, Victor Burgin, Ger van Elk, Richard Hamilton, and Bruce McClean Reference : No. 3 and No. 135 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 15, 74. Very Good. Very light wear to covers. Name of previous owner in ink on first inside page, and small ink dash next to the names of Alison Knowles, Hanne Darboven, and Athena Tacha in the checklist. Otherwise Fine. …

Verlag: [New York], [NY], 1969
Anbieter: Specific Object / David Platzker, New York, NY, USASpecific Object / David Platzker
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EUR 404,32
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In den Warenkorb[1] pp.; 28 x 21.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Flyer / announcement published to promote events held between 13th and 14th Streets and 6th and 5th Avenues, New York City, on April 18, 1969. Participating artists included Vito Hannibal Acconci, Terence Anderson, Arakawa, Gregory Battcock, Matthew Benedict, Michael Brownstein, Scott Burton, James Lee Byars, Rosemarie Castoro, Eduardo Costa, Bill Creston, Larry Fagin, Madeline Gins, John Giorno, Bobbi Gormley, Tom Gormley, Dan Graham, Katherine Greef, Stephen Kaltenbach, Joseph Kosuth, Leandro Katz, Alcides Lanzy, Lucy Lippard, Rosemary Mayer, Ben Patterson, John Perreault, Lil Picard, Adrian Piper, H Alexander Roberts, Marjorie Strider, Mr. T., Bernar Venet, Frank Lincoln Viner, Anne Waldman, Lewis Warsh, Luis Wells, Hannah Weiner and Lawrence Weiner. These organized street works can be understood as extensions of both the Pop art Happenings of the earlier 1960s and the street protests taking place in New York City and throughout the country during the 1968 elections, the Civil Rights Movement, and the Vietnam War. Whereas the Pop happenings usually took place in galleries and performance spaces, the street works were unconfined by physically walled-in spaces. Enacted in open environments, comingled with the natural flow of pedestrians, these performances created unlimited possibilities for happenstance with the sidewalk as the stage and the city as backdrop, the inhabitants of New York became active participants with the artists, willingly or not. Fair / Good. Folded in three and two tape stains. Name of recipient on verso in ink. …

Verlag: Agora 1973 1978, Maastricht, The Netherlands, 1973
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
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EUR 9.008,56
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In den WarenkorbZustand: Very good +. A set of this important and highly sought-after artist periodical edited by the Colombian-born artist Raul Marroquin, Ger van Dijck, Marjo Schumans, Ulises Carrion and others. Published by Agora Studios and the Jan Van Eyck Academy Maastricht. This is a complete set of 8 magazines representing 11 issues; including two copies of issue 3 as each cover has a unique collage element. Some issues are subtitled 'Fandangos - The Most Important European Art Scandalpaper - Fandangos isn't an art paper but an art piece'. Indeed, Fandangos is seen as one of the most important conceptual art magazines from the Netherlands, which shows the importance of South American avant-garde artists to the conceptual art scene of The Netherlands in the 1970s. Issues included are as follows 'Vandangos (aka Fandangos no. 1)', Maastricht, December 1973. 610 x 430 mm. Poster/sheet printed black on white paper stock. Subtitled 'Vandangos is publishing projects, documentations, ideas, commentaries, activities with the aim of an overall communication'. Contributions included: Antonio Caro ('Imperialism is a Paper Tiger'), Ulises Carrion ('Why plagiarisms? because'), Guglielmo Achille Cavellini, Felipe Ehrenberg ('The Informer 1957, 1968, 1972: Short Story in Five Parts, September 1973'), Robert Filliou, Hreinn Fridfinnsson ('The Dream'), Sigurdur Gudmundsson, Raul Marroquin, Pieter Laurens Mol, Marjo Schumans, Rod Summers ('Hands'), Cecilia Vecuna, Anton Verhoeven. Condition: toning as seen, no tears. Very good+;'Fandangos 2', Maastricht, January 1974. 109 x 79.5 cm. Sheet printed green on white paper with red rubber-stamps. Contributors include a glued card by Cavellini, Marjo Schumans, Robert Filliou, Thomas Niggl, Jonathan Ellender, Yoshio Nakajima, David Mayor, Hreinn Fridfinnsson and others. Condition: folded as issued. Very good+/near fine;'Phandangos 3! (aka Fandangos no. 3)', Agora/Jan van Eyck Academy, Maastricht. Undated (c.1972). 520 x 395 mm. Two issues supplied in this set, each with a unique collage element to cover. Printed black on large format newsprint with numerous unique collages and cut-out interventions throughout. On each issue the cover includes a unique collage element (magazine cut-out glued to the page) as well as 'Blue Landscape' by Dick Wessels, a blue acetate square stapled to the cover. Contributors include: Thomas Niggl, Herbert Walker, Dick Wessels, Bernardo Salcedo, Karina Raeck, G. J de Rook, Michael Gibbs, Jacques Lizene, Davi Det Hompson, Jorgos Chronis, Ovum, Cayc, Ad Gerritsen, Marten Hendrix, peter Hutchinson, Marjo Schumans, Peter Adamski Etiquette, Christiane Berndes, Jochen Gerz, Michel Druks, Anton Verhoeven, Geza Perneczsky (with rubberstamp in red), Beverly Parke, Klaus Groh, Guillermo Duarte, Jan Tomaschoff and others. Condition: slight toning, very good+/near fine;'Van Tangos (aka Fandangos no. 4)', Agora, Maastricht. Autumn/Winter 1974. 448 x 294 mm. 12pp. Printed black on white newsprint. Subtitled 'Fandangos The First European Art Newspaper'. Title concept by Klaus Groh. Contributors include: Peter Hutchinson, Nikolaus Urban, Janos Urban, E. Buchwalder, John M. Armleder, Yoshia Nakajima, Carlo Giovanni Cicatelli, Anna Banana, H. B Reeskamp, F. Pezolo, Michael Gibbs, Marjo Schumans, Rod Summers, Raul Marroquin, Filip Francis, Michael Druks, Ruedi Schill, W. Vazan, Robin Crozier, Anton Verhoeven, H. Dekker, K. Benning, H. B Walker, W. Cuvelier, Groupe Cap, L Coppers, John Liggins, L. Walz, Michel Cardena, Johan Van Geluwe, Maurizio Nanucci, Hans Werneg Kalkmann, Maurizio Nannucci, Allen Fisher and others. Condition: Near fine;'Fun-Dangos 5 (aka Fandangos no. 5)', Maastricht. Undated (1975). 445 x 290 mm. Printed black on blue large format newsprint paper. Subtitled 'The Most Important European Art Scandalpaper - Fandangos isn't an art paper but an art piece'. 'Title concept' is attributed to Michael Gibbs. Includes contribution by Ulises Carrion 'From Fandangos to you'; interview with Tony Pegotty; double-page spread of the 'The Contract' by Marroquin. Contributors include: Anna Banana, Michael Druk, Jacques Lizene, Giovanni Cicatelli, Michel Cardena, Ger Van Dijk, Bertil Petersson, Jean Claude Schauenberg, Gerald Minkoff, Achille Cavellini, Mad Enterprises Inc, Tony Pegotty, Nicolas Uriburu, Ana Kamien, Antonio Trotta, Jorge Natalio Silberman, Chiquito Gomez, Raul Marroquin, Jorge Caraballo, COUM, The Bay Area Daddaists, Theodoros, Ulises Carrion, Carlos Ginzburg, E. Buchwalder, Grupo Teatro del Encuentro. Condition: Near fine;'Fandadangos, (aka Fandangos no. 6)', Jan Van Eyck Academy, Maastricht, Netherlands. 1975. 445 x 300 mm. Subtitled 'Fandangos - The Most Important European Art Scandalpaper - Fandangos isn't an art paper but an art piece'. Large format newsprint issue, with hand coloured (watercolour or gouache) front page (yellow, red, blue and peach). Contributions from Joseph Beuys, Anna Banana, Bill Gaglione, Carlo G. Cicatelli , M.Druks, Thomas Niggl, Marjo Schumans, Michel Cardena, Anton Verhoeven, Jean Paul Trillot, Lizzy Dizzle, Jean Clarebout, J.C.Kocman, John Liggins, Philip K. Perkman, Nebrada, Banana Productions, H.B.Walker, Chuck Stake, Danielle Crivelli, Zbigniew Warpechowski, Filip Francis, Yves de Smet, Bertil Petersson, Iannis Xenakis, Anna Banana, M.Druks, Thomas Niggl, Marjo Schumans, Michel Cardena, Anton Verhoeven, Jean Paul Trillot, Lizzy Dizzle, Jean Clarebout, J.C.Kocman, John Liggins, Philip K. Perkman, Nebrada, Banana Productions, H.B.Walker, Chuck Stake, Danielle Crivelli, Zbigniew Warpechowski, Filip Francis, Yves de Smet, Bertil Petersson et al. Together with 'Fandangos 6' insert, Bill Gaglione, Carlo G. Cicatelli and Tim Mancusi, with stamped colophon laid in "Fandangos - Nr.6". Condition: Near fine;'Fandangos 7', Maastricht, 1976, 280 x 205 mm. Printed black and white, stapled in printed wraps. Cover includes a photograph of Joseph Beuys by Klaus Staeck 'courtesy of Nam June Paik' with a 'fandangos' rubberstamp in red. Includes in.…
Weitere BilderVerlag: Provinciaal Museum, Hasselt, 1981
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
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EUR 900,86
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In den WarenkorbZustand: Near Fine. Hardback book bound in textile wraps with gold foil text. 303x216mm. 60pp. Edition 143/500. Comes with loose leaf inventory. Contributors include: Robert Jacks, Woody van Amen, Carl Andre, Joseph Beuys, Marinus Boezem, Christian Boltanski, Daniel Buren, Michael Cardena (Miguel Angel Cardenas), Christo, Robin Crozier, Guert van Dijk, Pieter Engels, Hans Eijkelboom, Ken Friedman, Ad Gerritsen, Klaas Gubbels, Wim Gijzen, Richard Hamilton, Dick Higgins, Tommy Mew, Mauricio Nannucci, Richard Nonas, Arnulf Rainer, Dieter Roth, Yves de Smet, Al Souza, Endre Tot, Timm Ulrichs, Ben Vautier and Wolf Vostell. Signed by Van Beveren (an initialled inside the front cover), van Amen, Beuys, Crozier, van Dijk, and Gubbels (Rot, Hamilton, Vautier signatures are printed).The Cardenas work includes a hand painted card and rubber stamp. Other works include rubber stamp elements, collage, tipped in photographs and postcard works, paintings, and metal sculptural works. Transparency before page 16. The colophon page reads 'During the preparation for my exhibition The Archives, the idea originated to publish an artist book instead of a catalogue. Thirty artists were invited to design one page, specially for this book. Some sent five-hundred works, others sent an idea which has been executed in every book. I do appreciate the participation of all the artists. They made this book a unique document and work of art. It is fixing an era that is subject to rapid changes. It is making the aura of a unique work of art relative; it is representing the character of my archives. The artists participating in this book have been important for the development of my archives during the latest ten years and they have been chosen because of the personal affinity to their work.' (text by Van Beveren). Condition: some surface wear to covers, overall: Near Fine.…