meyer vivian (28 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Fol., Original-Broschur. Zustand: Sehr gut. 1. Auflage. 193 SS., 2 Bll., mit vielen Abbildungen. Sehr gutes Exemplar. Sprache: Englisch Gewicht in Gramm: 1100.

Paperback. Zustand: Very Good. Female Gazes: Seventy Five Women Artists This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Zustand: Brand New. 280 pages. 8.25x5.50x0.87 inches. In Stock.

Zustand: Sehr gut. Erstauflage / First edition. Bll. + 193 S. inkl. Autoren + Verlagss., u. mit etwas s/w. Abb. sowie kl. "Guckfenstern" auf farbig.-Trennseiten. * was weiß der Schleier ? // Jan van Eyck Academie, Maastricht Institute of Jewish Studies, University of Antwerp // Eva Meyer (gebor. 1950 in Freiburg im Breisgau) ist eine deutsche Schrifstellerin, Philosophin und Filmemacherin. // Vivian Liska (gebor. 30. April 1956 in New York City) ist eine US-amerikanische Schriftstellerin, Germanistin, u.a. Professorin für Neuere Deutsche Literaturwissenschaft und Direktorin des Instituts für Jüdische Studien an der Universität Antwerpen. Sprache: Englisch Gewicht in Gramm: 1005 Mittl.-4°, OIll.-LeichtKarton./Paperback oder Broschur. Sehr gut erhalten.

Zustand: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: Wie neu. 1. Auflage. 193 Seiten; mit zahlreichen Abbildungen versehen. Das Buch ist in exzellentem, sauberen Zustand. -----Inhalt:. In the Assyrian, Greco-Roman and Byzantine empires, as well as in pre-Islamic Iran, veiling and seclusion were marks of prestige and symbols of status. The veil was a sign of respectability but also of a lifestyle that did not require the performance of manual labor. Its absence was a sign of poverty and prostitution but also of the performance of movement, in the streets and on the fields. It is the practice of veiling that makes women's absence omnipresent and turns the veil into cause and symbol of political, social and religious controversy. While the politics of the veil can be divided into two main reactions, against or for the veil, we must refrain from doing the same by instead exploring the differences within these reactions, releasing the veil from any certain meaning, be it religious, sexual, social or political. Writing about the veil involves the necessity of encountering something radically strange. To be sure, each language has its own system of thought which conditions the thinkable. We cannot detach ourselves from the decisions our language has already made for us and which dictate us self-evident assumptions and proscriptions. What we are dealing with here is a radical import of strangeness into our language. ISBN: 9783211992890 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 1001 Broschiert, Größe: 22.9 x 1.9 x 28.6 cm.

Zustand: Wie neu. 1. Auflage. 193 Seiten; mit zahlreichen Abbildungen versehen. Das Buch ist in exzellentem, sauberen Zustand. -----Inhalt:. In the Assyrian, Greco-Roman and Byzantine empires, as well as in pre-Islamic Iran, veiling and seclusion were marks of prestige and symbols of status. The veil was a sign of respectability but also of a lifestyle that did not require the performance of manual labor. Its absence was a sign of poverty and prostitution but also of the performance of movement, in the streets and on the fields. It is the practice of veiling that makes women's absence omnipresent and turns the veil into cause and symbol of political, social and religious controversy. While the politics of the veil can be divided into two main reactions, against or for the veil, we must refrain from doing the same by instead exploring the differences within these reactions, releasing the veil from any certain meaning, be it religious, sexual, social or political. Writing about the veil involves the necessity of encountering something radically strange. To be sure, each language has its own system of thought which conditions the thinkable. We cannot detach ourselves from the decisions our language has already made for us and which dictate us self-evident assumptions and proscriptions. What we are dealing with here is a radical import of strangeness into our language. ISBN: 9783211992890 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 1001 Broschiert, Größe: 22.9 x 1.9 x 28.6 cm.

Soft cover. Zustand: Very Good. 1st Edition. Anthology of female artists across different genres, each represented by a single full page reproduction with facing page text. Faint shelf and edge wear to covers. Otherwise a fine paperback copy without marks, inscriptions or fading. Not ex-library. Not a remainder. Appears unread. s30.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First edition. xv, 141pp. Light toning and wear at the top and bottom edges else just about fine in a toned and edgeworn, about very good dust jacket with some staining, mostly confined to the verso. Contains an introduction by Margaret Mead, "Changing Relationships Between Men and Women" by Pearl S. Buck, and "The Milk of Paradise" by Agnes De Mille.

4to. pp. 176. 75 full-page illus. (mostly colour). biblio. index. wrs.

Zustand: Fine.

Zustand: Gut. 1. Aufl. 180 S.; Illustr.; 28 cm; kart. Gutes Ex. - Englisch u.a. - INHALT : What does the Veil know? ---- Vivian Liska Upon Revisting - the Veil ---- Elfriede Jelinek The Cast-off Gaze ---- Heike Behrend & Gisela Völger ABC of the Veil ---- Hinrich Sachs A Present-Day Veil: The Fiction of Completeness ---- Willem Oorebeek Michael in the Snow ---- Avital Ronell OFF DUTY: The Veils of Servility ---- Laurence A. Rickels Veil of Tears ---- Rike Felka Between Word and Space ---- Us Huygens Kiarostami's Ten: Mobilizing the Viewer's Look ---- Benda Hofmeyr The Future that Death/Other gives ---- Stephanie Benzaquen Harbin Express ---- Johannes Porsch Une seconde: Sample ---- Silvia Henke The Possibility of a Sign ---- Carol Jacobs Reading, Writing, Hatching ---- Eran Schaerf A Matter of Confidence ---- Rembert Hiiser Fichu's Fritz ---- Eva Meyer The Veil's Free Indirect Discourse about Itself ---- Ayse Erkmen Inserts ---- What does the Veil know? ---- Contributors. ISBN 9783211992890 Sprache: Englisch Gewicht in Gramm: 1100.

Zustand: New. pp. 198 Illus.

Zustand: New. &Uumlber den AutorVivian Meyer worked for many years as an educator in a downtown Toronto alternative secondary school, dividing her creative energies between visual arts and the craft of writing. Her first mystery novel, Bottom B.

Paperback. Zustand: Fine. First Edition. Wraps. 4to. Illustrated wraps/paperback. Copiously illustrated in black and white throughout. Some Chinese text. Contributors include Benda Hofmeyer, Carol Jacobs, Silvia Henke, Gisela Vlger. ISBN: 3211992898 Pages: 193 About fine.

Taschenbuch. Zustand: Neu. Neuware - Abby Faria returns from an extended vacation/work holiday in BC to discover that her friend, Maria is having marital problems, problems that are affecting her children as well. As Abby resumes her job as a bike courier, it becomes clear that Maria's troubles are bigger than she first presented and they are soon compounded with the disappearance of her son. She turns to Abby for help. As usual, as Abby tries to piece together the clues, and to help keep Maria's fish shop running, she makes new friends who help out. Alex, the woman who took over the Community Centre Bike work program for youth in Abby's absence, becomes a close friend as they work together. Handsome Dave, a fellow bicycle and coffee enthusiast, and an RCMP officer on loan to the Toronto police Force, becomes an unlikely ally as well, in the hunt for Thomas, Maria's son. As she continues to work on the case, Abby finds time to go for two or three thrilling rides through the city, develop a relationship with Dave, enjoy some excellent meals in Little Italy and Kensington Market, and learn some little known facts about pedophiles. But, the longer time passes, the more desperate the situation becomes. Ultimately Abby ends up trapped in Alex's house in Little Italy, in danger and frustrated at being unable to help Maria. This leads to an unexpected twist, a hidden room, the rescue of young Thomas, and the tragic death of a new friend, all of which bring relief, and grief, to Abby's community.

Dédicace d'une personne (peut-être d'un des auteurs) en page de garde. Envoi rapide et protégé.

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

4°, 193 S., zahlr. Abb., Broschur, Tadell. Im assyrischen, griechisch-römischen und byzantinischen Reich sowie im vorislamischen Iran waren Verschleierung und Abgeschiedenheit Zeichen von Prestige und Statussymbol. Der Schleier war ein Zeichen für Ehrbarkeit, aber auch für einen Lebensstil, der keine manuelle Arbeit erforderte. Seine Abwesenheit war ein Zeichen für Armut und Prostitution, aber auch für Bewegung auf der Straße und auf dem Feld. Es ist die Praxis der Verschleierung, die die Abwesenheit der Frau allgegenwärtig macht und den Schleier zum Anlass und Symbol politischer, sozialer und religiöser Kontroversen werden lässt.Während die Politik des Schleiers in zwei Hauptreaktionen unterteilt werden kann, gegen oder für den Schleier, müssen wir davon absehen, dasselbe zu tun, und stattdessen die Unterschiede innerhalb dieser Reaktionen erforschen, indem wir den Schleier von jeder bestimmten Bedeutung befreien, sei sie religiös, sexuell, sozial oder politisch.Über den Schleier zu schreiben, bedeutet die Notwendigkeit, etwas radikal Fremdem zu begegnen. Gewiss, jede Sprache hat ihr eigenes Denksystem, das das Denkbare bedingt. Wir können uns nicht von den Entscheidungen lösen, die unsere Sprache bereits für uns getroffen hat und die uns selbstverständliche Annahmen und Verbote diktieren. Wir haben es hier mit einem radikalen Import von Fremdheit in unsere Sprache zu tun. Text: engl. Dieses Buch befindet sich in unserem Aussenlager; sollten Sie dieses im Laden abholen wollen, bitten wir Sie um vorgängige Nachricht. 1200 gr. Schlagworte: Kulturgeschichte, Religion - IslamNeueingänge - Varia.

[1] pp.; 55 x 43 cm.; color; edition size unknown; unsigned and unnumbered; offset-printed Single-sided poster / announcement for show [The Night The Palladium Apologized: An Exhibit Of 100 Contemporary Women Artists Curated By Guerrilla Girls / Palladium Will Apologize to Women Artists, The Palladium Dance Club] held October 17, 1985, curated by the Guerrilla Girls. Artists include Alice Adams, Jerri Allyn, Laurie Anderson, Eleanor Antin, Ida Applebroog, Alice Aycock, Jennifer Bartlett, Dara Birnbaum, Lynda Benglis, Louise Bourgeois, Stephanie Brody Lederman, Joan Brown, Vivian Browne, Marina Cappelletto, Cynthia Carlson, Lenora Champagne, Petah Coyne, Donna Dennis, Sandy De Sando, Jane Dickson, Mary Beth Edelson, Lauren Ewing, Jackie Ferrara, Karen Finley, Janet Fish, Ilona Granet, Denise Green, Vanalyne Green, Harmony Hammond, Donna Henes, Julia Heyward, Candace Hill-Montgomery, Kay Hines, Nancy Holt, Jenny Holzer, Valerie Jaudon, Joyce Kozloff, Jill Kroesen, Cheryl Laemmle, Ellen Lanyon, Louise Lawler, Karen Lawrie, Ann Leda, R. T. Livingston, Joan Logue, Bonnie Lucas, Lisa Lyon, Doreen McCarthy, Melissa Meyer, Mary Miss, Elizabeth Murray, Patsy Norvell, Helen Oji, Pat Oleszko, Howardina Pindell, Lady Pink, Judy Pfaff, Barbara Quinn, Marcia Resnick, Faith Ringgold, Iris Rose, Erika Rothenberg, Christy Rupp, Alison Saar, Miriam Schapiro, Joan Semmel, Bonnie Sherk, Cindy Sherman, Hollis Sigler, Sandy Skoglund, Alexis Smith, Kiki Smith, Joan Snyder, Nancy Spero, Pat Steir, May Stevens, Redy Story, Michelle Stuart, Mierle Laderman Ukeles, Mia Westerlund, Hannah Wilke, Nina Yankowitz, Brahna Yassky, Jerilea Zempel, Barbara Zucker, and Rhonda Zwillinger. Features artwork by Jenny Holzer. Good / Very Good. Folded into eight as issued. 3 cm. tear at crease in bottom center. Clean and unmarked.