meyer russ (56 Ergebnisse)

hardcover. Zustand: Fine.

hardcover. Zustand: Very Good.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: Good. Two color prints. 8 x 10".

Zustand: Good. Two black & white photo prints. 8 x 10". Movie stills featuring Debbie Watson, Frank McGrath. Printed in U.S.A. Very good.

Zustand: Very Good. Bom estado. Sans date. L'ouvrage 'Echo Savannes Septembre 1983' de Russ Meyer édité par Albin Michel fait partie de la collection L'Écho des Savanes. Il s'agit d'une bande dessinée humoristique et satirique publiée en 1983 typique du style de cette collection. Very Good.

Zustand: Good. Three black & white photo prints. 8 x 10". Movie stills featuring Stanley Baker, Mai Zetterling, Peter Cushing. Printed in U.S.A. Very good.

Zustand: Good. Four black & white photo prints. 8 x 10". Movie stills featuring Miriam Hopkins, Walter Giller, Alex D'Arcy. Printed in U.S.A. Very good.

Zustand: New.

Zustand: New. &Uumlber den AutorRuss Meyer has had a varied career working in the post office, farm, foundry, delivery. He has owned and managed repair and retail businesses. He is one of Minnesota s first NASCAR stock car season championship drivers.

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | AFTER THE FEDORA is a noir suspense thriller with comedic overtones. The sequel to THE FAT LADY SINGS is set in the present day with a tip of the missing fedora to the classic lone wolf detective. Sports betting private investigator Byroan Dexter is knocked out by a home run ball. He wakes in the hospital to find that the street musician that sang over him there has disappeared with Byroan's fedora. Persuaded by a stack of cash and a choke hold that nearly renders him unconscious again, Byroan sets out to find the street musician and get back the fedora.

Hard cover. 1213 p. Good. 3 Volumes. Light wear from handling. Some small spots on cloth covers. Texts are unmarked.

1st Ed. Tall Slim 8vo. 144pp. Illus. throughout in b/w. Marginal age toning, Lightly soiled and rubbed coloured pictorial limp card wrapps. A Whitestone Book No. 24. US$37.

Vintage black-and-white double weight British still photograph from the 1968 US film. Rubber stamp on the verso of COLTMAN DISPLAYS LTD, a distributor in Middlesex, England. "Vixen!" was one of Meyer's best, sleaziest, and most commercially successful films, made at the peak of his independent productions (after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970). What is less well known is that this film, by way of Ms. Gavin, marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression, using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. Gavin's titular character is a married woman whose sexual boundaries are none, but instead of being a typical sex romp, the film heads off into areas that can be reasonably described as unexplored by sexploitation films, including communism, race relations, political debate, and terrorist activity. But also present in the film are many of the genre's more familiar themes (breast size, incest, nonstop sexual activity) and a generous dose of humor. 8 x 10 inches. Very Good plus, with edge creasing and a single short tear.

Paperback. Zustand: Very Good. First Edition. Wraps. 8vo. pp 16. Printed paperback. Miscellaneous Porlockian WRITINGS, A CROSSWORD AND a humorous menu for a lavish Alexandrine Feat Rare-- no copies found at WorldCat (OCLC) the worldÕs largest library catalogue. Slight creasing otherwise about very good.

Vintage borderless black-and-white press photograph of the sexploitation auteur Russ Meyer, as he talks poses for the camera before the release of his film, "Black Snake" (1973). One article affixed to the verso, authored by Bob Green for the Chicago Sun-Times, exclaiming "Russ Meyer: King of the Pop Porn Circuit." Also visible on the verso is a rubber stamp of the Detroit Free Press, dated Feb. 18, 1973, where photographer John Collier was employed, and a rubber stamp for Collier himself. Faint layout annotations to the recto. "Black Snake" was one of Meyer's only Blaxploitation films (one could argue "Vixen" was too), produced and financed solely by Meyer. Shot on location in Barbados, the film starred Anouska Hempel as "Lady Susan," a cruel plantation owner who dominates both black and white men with the aid of a black leather whip. Her dictatorship is tolerated only so long, and the slaves revolt. Of the film itself, Meyer begrudgingly cast Hempel as the lead, after his original lead had fallen ill from an apparent overdose. While Hempel was popular in England, having appeared in "On Her Majesty's Secret Service" (1969), "Scars of Dracula" (1970), and "The Magnificent Seven Deadly Sins" (1971), the actress was not the typical voluptuous figure Meyer so often portrayed. The director even brought in a "bust" double for close-ups involving Lady Susan's torso. Ultimately, Meyer wrote off his own film as "a weak Mandingo." One positive note: actor David Prowse stars as Jonathan Walker, Lady Susan's husband, and he would go on to star as Darth Vader in "Star Wars: Episode IV - A New Hope" (1977). 8 x 10 inches. Faint creasing and tiny staple holes, else Near Fine.

Softcover. Zustand: Wie neu. 1. Auflage. Paperback, ungelesen, 358 Seiten, 1.Aufl., Mit Notenbeispielen und einem Brieffaksimile; Papier gebräunt, Ebd. fest, innen sauber, keine Einträge, keine Markierungen o.ä., sofort lieferbar.

In-4 ( 300 X 215 mm ) de 108 pages, sous cartonnage illustré en couleurs de l'éditeur. Trés nombreuses photographies dans et hors-texte. Exemplaire en bel état de cet ouvrage épuisé et toujours difficile à trouver. cinema erotisme.

Vintage studio still photograph from the 1963 film. Famed director Russ Meyer's documentary about the underground world of sex work in Europe. According to film critic Roger Ebert's article "Russ Meyer: King of the Nudies," published in the Jan/Feb 1973 issue of "Film Comment," Meyer "concealed a 16-mm camera in a suitcase and got footage in the red-light districts of Paris, Amsterdam, and elsewhere." 8 x 10 inches. Near Fine.

116 (3) pages on stronger paper, mostly colour- partly erotic-photographically illustrated throughout. - Colour-illustr. publisher's hardcover binding; oblong-Folio (ca. 27 x 31,5 cm; ca. 1,3 kg.). *** [Ausklingender FRÜHLINGS-VERKAUF bis Donnerstag, den 14.05.2026 / Expiring SPRING-SALE until Thursday, May 14, 2026: um über 35% REDUZIERTER PREIS / PRICE-REDUCTION of over 35%; ehemaliger Preis / previously EUR 265,-] --- FIRST EDITION, LARGESIZE HARDCOVER ORIGINAL. - Corners of spine slightly-, sharp-corners minimally bumped; A VERY GOOD COPY. --- ALSO IN STOCK: VOL. 2 NO. 6, 2009. . .

Soft cover. Zustand: Near Fine. No Jacket. 1st Edition. This press kit includes a 2 page synopsis, 26 black and white 8 x 10 Lobby Cards, 17 x 12 color poster in German, 4 pages of "Teasers" and a couple sheets in German. The contents are all Near Fine to Fine and are housed in a Near Fine yellow folder with red titles. IB.

Vintage pressbook for the 1961 film. With his fourth feature, a 68-minute quickie, Russ Meyer continued to market the "nudie" film genre he basically invented in 1959 with his first film, "The Immoral Mr. Teas." He also continues to advertise the "French" sensibility ("bon vivant") of his films-once described as "a narrated Playboy magazine," with no real plot per se, just lots of buxom women shedding their clothing at every opportunity. One leaf, bifold. 8.5 x 11 inches. Near Fine.

Revised Final script for the 1971 film. Based on the 1969 novel by Irving Wallace, about an unassuming bookstore clerk who is pulled into a highly publicized pornography trial. Red titled Twentieth Century-Fox wrappers, dated August 19, 1970, noted as copy No. 179 and REVISED FINAL on the front wrapper. Title page present, dated August 19, 1970, noted as REVISED FINAL, with credits for screenwriters Richard Warren Lewis and Manny Diez, director Russ Meyer, and novelist Irving Wallace. 195 leaves, with last page of text numbered 190. Xerographic duplication on eye-rest green stock, rectos only, with blue revision pages throughout, dated 8/31/70 and 9/14/70. Pages Near Fine, wrapper Very Good plus, slightly yapped, bound internally with three gold brads.

1st Ed. 3 vols. 4to. 1213pp. + [i]. Profusely illus. throughout in b/w. Light marginal browning to e.ps., upper hinges in vols. 1 and 2 cracked but firm, original gilt lettered pale blue cloth, some very minor soiling and rubbing, sl. wear at tail of spine to vol. 1. Volume 1 Signed by the Author 'Russ Meyer' to front free endpaper.Meyer worked obsessively for over a decade on his massive three-volume autobiography. Finally printed in 2000, it features numerous excerpts of reviews, clever details of each of his films and countless photos and erotic musings. Additional postage may be necessary US$748.

Softcover. Zustand: Near Fine. Movie screenplay. Quarto. 145pp. Brad-bound, under textured green covers. Front cover with faint sunning, just a bit of wear, brads lightly oxidized, a very near fine copy. Title page states "Seventh Draft Revisions by Russ Meyer, October 8, 1977." The screenplay outlines a film about British punk rock band the Sex Pistols. Manager Malcolm McLaren's hope was to use the film to propel the band into the American music scene. The film, to be directed by Russ Meyer, saw just three days of production before 20th Century Fox withdrew and shooting was abandoned.

Archive of thirteen vintage oversize photographs by director Russ Meyer, including twelve in color and one in black-and-white. Five photographs signed by Meyer on the verso. All of the photographs are from an edition of 20 and are numbered on the verso, with all twelve color photographs numbered "1/20," and the black and white photograph numbered "2/20." Struck circa 2001, from Meyer's personal collection. Meyer is best known for his distinctive films in the sexploitation genre of the 1960s and 1970s, but also worked as a still photographer throughout his career, shooting for Playboy in the magazine's early years, including three centerfolds, one of which starred his then-wife, Eve Meyer. The earliest photographs in the collection, consistent with the "nudist" aesthetic of the period, are "Model Playing Ping Pong" (circa 1962), and "Blonde in the Grass" (circa 1964). Notable in the archive are images of Meyer regulars Lorna Maitland and Haji. Three of the photographs show the titular (sorry, we couldn't resist) star of Meyer's final film, "Pandora Peaks" (2001). All photographs 11 x 14 inches. Fine. Two matted with 8 ply archival mats, with mats measuring 16 x 20 inches. Four with remnants of archival tape in the top margins. All as originally preserved by Meyer. Signed.

Two vintage black-and-white still photographs from the 1968 film. Seen in the stills is Erica Gavin (Vixen) and Jon Evans (Judd), and a split image with Erica Gavin and Harrison Page (Niles), the duo responsible for the film's thick racial tensions. "Vixen!" was one of Meyer's best, sleaziest, and most commercially successful films, made at the peak of his independent productions (after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970). What is less well known is that this film, by way of Ms. Gavin, marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression, using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. Gavin's titular character is a married woman whose sexual boundaries are none, but instead of being a typical sex romp, the film heads off into areas that can be reasonably described as unexplored by sexploitation films, including communism, race relations, political debate, and terrorist activity. But also present in the film are many of the genre's more familiar themes (breast size, incest, nonstop sexual activity) and a generous dose of humor. 8 x 10 inches. One still with a faint tape ghost and two short tears, else Near Fine overall.