meyer marilyn (31 Ergebnisse)

Hardcover. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Acceptable. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Zustand: Used.

Zustand: Used. pp. 512.

Zustand: Used.

Zustand: Used. pp. 512.

Zustand: Used. Various Pagings Illus.

Zustand: Usado.

Zustand: Used. Various Pagings.

Zustand: Used. pp. 220.

Zustand: Used. pp. 220.

Zustand: Used.

Zustand: Used.

No Binding. Zustand: Fine. No Jacket. loose-leaf publication ; OCLC: 857088726 ; a six-year run of Old-House Journal, as well as The Old-house journal catalog, with the indexes ; lists over 5,873 products and services, with 525 companies for the renovation of old houses; many articles on various aspects of repair; laid the groundwork for the Public Television series This Old House ; V.1.no.1: An old house is a way of life -- Protecting the aging house from winter storms -- Old-house living: a brownstone in Brooklyn -- Sealing leaky windows -- Quieting a steam heating system -- Flat-roof repairs -- Chimney check up -- The care and cleaning of brass -- v.1 no.2 : Refinishing secrets of the Boston Museum -- The bare-brick mistake -- A schoolhouse in Kentucky -- Restoring shutters to working order -- Surgery on a staircase -- Coping with frayed electrical wiring -- How to apply French polish -- Recipes for reviving and refinishing - v.1 no.3: Teaching a fireplace not to smoke -- Antique wallpaper preservation -- Victorian gingerbread -- The art of getting plastered -- Tricks an old farmhouse plays -- Matching bricks & mortar -- How to paint a cathedral -- v.2 no1: Catalog your house's secret passages -- An Italian villa in New Haven -- Major repairs to plaster surfaces -- Tips on mixing plaster -- Mansard roof -- A tale of two houses -- V.2 no 2: How to stiffen sagging floors -- Let's do away with incentives that destroy old houses -- Wallpaper in old houses -- Where to buy 18th & 19th century wallpaper -- Duplicating plaster cornices -- v.2 no.3: Duplicate plaster castings -- A townhouse in Trenton -- Parts of a staircase -- One way to insulate an attic -- V.2, no4: Drapes & curtains -- A family plantation in Virginia -- Don't get stuck with the wrong glue -- Restoration of sandstone -- V.2 no.5: Repairing old floors -- Octagon house on the Hudson -- Re-creating period window hangings -- v.2 no 6: A restorationist view of windows -- Queen Anne revival in Little Rock -- Repairing & restoring marble mantels -- Windows and parts -- V.2 no 7: Sawn wood ornament -- Pre-Civil War manse on the Mississippi -- Mix your own wood stain -- Running electrical wire -- Restoring and re-creating sawn wood ornament -- V.2 no 8: Eastlake -- Preserving woodworkers' art in St. Paul -- Restoring rotted window sills -- Improved process for stripping paint -- v.2 no 9: Tips on stripping shutters -- in Covington, a riverboat captain's Italianate berth -- restoring a frame house exterior -- Early American roof types -- Victorian fancywork -- v.2 no 10: The domestic architecture of Downing -- Caustic approach to exterior paint removal -- A restored federal enclave in Charlestown -- Detecting & defeating rot in old houses -- Downing on color -- v.2 no2 : Preventing rot in old houses -- How to make an electrical survey -- Greek revival on the immigrant road -- Classical orders -- v.2 no12: Refinishing old wood floors -- Insuring townhouse living -- Tips on sanding -- Painted floors -- Cast iron fences -- Care & repair of ornamental iron -- v.3 no 1: Early American wall stenciling -- Restored, a hopeless 1865 Greek revival ruin -- Selecting the best floor finish -- v.3 no2: Victorian stenciling -- Romanesque revival in the inner city -- The case against removing paint from brick masonry -- Replacing a clapboard -- Glenview, Victorian stencilling restored -- v.3 no.3 Restoring old brickwork -- Dual personality saves 1836 Greek revival -- The peril in Portland cement -- Marbelizing -- v.3 no 4: Late Victorian art movement -- Reviving a 1745 stone manor -- Selecting & using chemical paint removers -- v.3 no5: Greek revival decoration -- Self-supporting shingle-style seaside cottage -- v.3 no6: How to grain like a professional -- Moving story of a Swiss chalet in Vermont -- Locating buried artifacts -- v.3, no.7 : Lighting for the old house -- Victorian charm re-created in San Francisco -- Rebuiling fireplaces -- Adapting old fixtures -- Fancy butt shingles; etc ; a mark or two; else FINE. Book.

Madrid, Editorial Bélenguer, 1999, 17x24, 288 páginas, ilustraciones en color. Marca de adhesivo en portada pero muy buen estado general. Encuadernación editorial en tapa blanda. OBRA EN EL ALMACEN LLAMAR ANTES DE PASAR A RECOGER. (68171).

Two vintage studio still photographs from the 1959 film, one photograph under the original release title "Steam Heat." Director Russ Meyer's first commercially successful film. Shot without sound, with a voice-over narration and a musical theme added, and noted for extensive female nudity. Mr. Teas is a door to door salesman selling dentists' appliances who seems to encounter buxom nude women everywhere he goes. Set in and shot on location in Los Angeles and Malibu, California. 8 x 10 inches. Very Good plus, one with faint creasing, light edgewear, and four pinholes, and one with light edgewear, a half inch closed tear to the upper right side, and a small chip in the bottom margin.

A Eight vintage still photographs from the 1959 film. Included are 4 stills from the US release, and 4 stills from the UK release under the title "Mr. Teas and His Playthings." From a cursory glance, one can immediately see the differences with regard to nudity paid by both US and UK publicists, the UK stills decidedly more liberal with regard to the "forbidden flesh." The US stills were taken directly from scenes of the film, and the UK stills appear to be from either a deleted scene or a mock setup designed for foreign publicity, with Mr. Teas seen in a bathhouse with the "Buxom Bath House Beauties" (Baby Dahl, Chicky Fricase, Frenchie Tost, Teri Clawthe) that were not seen in the final cut. The UK stills purport "Monstrous Murder!" and "Sizzling Suspense!" taglines, however the final cut features neither murder nor suspense. The story finds the shy Mr. Teas, played by William Ellis Teas, a door-to-door dental appliance salesman who has a chemical reaction with an anesthetic that allows him to have X-ray vision, as in "seeing through women's clothes." He also overcomes all of his inhibitions, leading to ribald encounters with his dental nurse, his therapist, his secretary, a girl in a bar, etc. Russ Meyer's first feature, produced by Pad-Ram Enterprises (a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie), and the film that basically launched the lighthearted "nudie" pictures of the early 1960s. The film was immediately touted as "ribald" and "Frenchy," with regard to the "genuinely sexy sequences with generous expanses of attractive flesh" that used to be seen strictly in foreign films. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television, Meyer and DeCenzie (who spent years on the burlesque and night club circuits) released an independent, naturally sexy endeavor in the tradition of the great Chaplin films. The bigger productions companies would never have made a film as far overboard on sex. For his debut, Russ Meyer did even more of the crew work than usual, shooting in four days during the spring of 1958 with a budget of $24,000, ultimately making over $1.5 million worldwide. The film was marketed as a "nudist" film, with a "French" sensibility, but exhibited all the distinctive traits for which Meyer would soon become known, including large bosoms, insane plots, a somewhat feminist perspective, campy dialogue, and guerilla cinematography. Shot on location in various California destinations, including Malibu Lagoon State Beach. Meyer even shot various scenes at his beach-front home in Los Angeles. All stills 8 x 10 inches, some differ slightly in size. Two US stills Very Good plus, others Near Fine. UK stills Near Fine.

Original pressbooks (two variants) for 1961 re-releases of the 1959 film. Featured are the two most commonly seen layouts used for publicity: the full-color illustrated "hat" variant, and the other with Mr. Teas surrounded by a bevy of well-developed women, the female leads of the film (from left to right: Ann Peters, Michele Roberts, Dawn Danielle, and Marilyn Wesley). The story finds the shy Mr. Teas, played by William Ellis Teas, a door-to-door dental appliance salesman who has a chemical reaction with an anesthetic that allows him to have X-ray vision, as in "seeing through women's clothes." He also overcomes all of his inhibitions, leading to ribald encounters with his dental nurse, his therapist, his secretary, a girl in a bar, etc. Russ Meyer's first feature, produced by Pad-Ram Enterprises (a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie), and the film that basically launched the lighthearted "nudie" pictures of the early 1960s. The film was immediately touted as "ribald" and "Frenchy," with regard to the "genuinely sexy sequences with generous expanses of attractive flesh" that used to be seen strictly in foreign films. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television, Meyer and DeCenzie (who spent years on the burlesque and night club circuits) released an independent, naturally sexy endeavor in the tradition of the great Chaplin films. The bigger productions companies would never have made a film as far overboard on sex. For his debut, Russ Meyer did even more of the crew work than usual, shooting in four days during the spring of 1958 with a budget of $24,000, ultimately making over $1.5 million worldwide. The film was marketed as a "nudist" film, with a "French" sensibility, but exhibited all the distinctive traits for which Meyer would soon become known, including large bosoms, insane plots, a somewhat feminist perspective, campy dialogue, and guerilla cinematography. Shot on location in various California destinations, including Malibu Lagoon State Beach. Meyer even shot various scenes at his beach-front home in Los Angeles. Both pressbooks 11 x 17 inches, folded horizontally. "Hat" variant includes a 9 x 12 ad mat dated "Fri., Aug. 18, 1961." Light rubbing overall, rubber stamps from "Sack Amusement Enterprises" in Dallas, Texas, and a few light creases and tiny closed tears, else Near Fine.