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Verlag: English Literary Studies, 2016
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Sprache: Englisch
Verlag: McGill-Queen's University Press, 2021
ISBN 10: 0228006848 ISBN 13: 9780228006848
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Sprache: Englisch
Verlag: McGill-Queen s University Press, 2021
ISBN 10: 0228006848 ISBN 13: 9780228006848
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Sprache: Englisch
Verlag: English Literary Studies Mär 2016, 2016
ISBN 10: 0920604366 ISBN 13: 9780920604366
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Taschenbuch. Zustand: Neu. Neuware.
Sprache: Englisch
Verlag: Guidance Centre, University of Toronto, Faculty of Education, 2013
ISBN 10: 1442646101 ISBN 13: 9781442646100
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Sprache: Englisch
Verlag: University of Toronto Press, 2013
ISBN 10: 1442646101 ISBN 13: 9781442646100
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Zustand: Brand New. In this study, Robert James Merrett approaches Defoe's body of work using interdisciplinary methods that recognize dialectic in his verbal creativity and cognitive awareness.
Sprache: Englisch
Verlag: University of Toronto Press, 2013
ISBN 10: 1442646101 ISBN 13: 9781442646100
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In den WarenkorbZustand: New. In this study, Robert James Merrett approaches Defoe's body of work using interdisciplinary methods that recognize dialectic in his verbal creativity and cognitive awareness. Num Pages: 432 pages. BIC Classification: 1DBK; DSB. Category: (P) Professional & Vocational. Dimension: 236 x 160 x 32. Weight in Grams: 848. . 2013. 3rd ed. hardcover. . . . . Books ship from the US and Ireland.
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In den WarenkorbGebunden. Zustand: New. In this study, Robert James Merrett approaches Defoe s body of work using interdisciplinary methods that recognize dialectic in his verbal creativity and cognitive awareness.Über den AutorRobert James Merrett is a professor in t.
Sprache: Englisch
Verlag: University Of Toronto Press Mär 2013, 2013
ISBN 10: 1442646101 ISBN 13: 9781442646100
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - A highly conscious wordsmith, Daniel Defoe used expository styles in his fiction and non-fiction that reflected his ability to perceive material and intellectual phenomena from opposing, but not contradictory perspectives. Moreover, the boundaries of genre within his wide-ranging oeuvre can prove highly fluid. In this study, Robert James Merrett approaches Defoe's body of work using interdisciplinary methods that recognize dialectic in his verbal creativity and cognitive awareness. Examining more than ninety of Defoe's works, Merrett contends that this author's literariness exploits a conscious dialogue that fosters the reciprocity of traditional and progressive authorial procedures. Along the way, he discusses Defoe's lexical and semantic sensibility, his rhetorical and aesthetic theories, his contrarian theology, and more. Merrett proposes that Defoe's contrarian outlook celebrates a view of consciousness that acknowledges the brain's bipartite structure, and in so doing illustrates how cognitive science may be applied to further explorations of narrative art.