Menard andrew (25 Ergebnisse)
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Sprache: Englisch
Verlag: University of Georgia Press, 2018
Serie: Buch 9 von 35 - Crux: The Georgia Series in Literary Nonfiction
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Paperback. Zustand: Very Good. Sight Unseen: How Frà mont's First Expedition Changed the American Landscape This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been… well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
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Zustand: FINE. First printing. An in-depth look at how Fremont's report on his expedition in 1842 "altered American views of geography, progress, and the need for a transcontinental railroad as well as provoking the great migration to Oregon and providing an aesthetic justification for the national park system. By helping to sha…pe the very notion of Manifest Destiny, the report became one of the most important documents in the history of American landscape." On this expedition he and a small party of men journeyed up the Kansas and Platte Rivers to the Wind River Range in Wyoming, a region known as the Great Desert. Maps and illustrations. Notes and index. xxix, 249 pp. Fine in a fine dust jacket (as new.).
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Zustand: New. pp. 284.
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Zustand: New. 2018. Illustrated. Paperback. . . . . . Books ship from the US and Ireland.
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Zustand: New. Argues that Fremont used both a radical form of the picturesque and an imaginary map to create an aesthetic craving for expansion Num Pages: 1 photograph, 23 illustrations, 4 maps. BIC Classification: 1KB; 3JH; HBJK; JFC; RGR. Category: (P) Professional & Vocational. Dimension: 5817 x 3887 x 24. Weight in Grams: 57…6. . 2012. Illustrated. hardcover. . . . . Books ship from the US and Ireland.
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Zustand: New. John C. Fremont was the most celebrated explorer of his era. After Congress published Fremont s official report of his 1842 expedition, few doubted the nation should expand to the Pacific. The first in-depth study of this remarkable report, Sight Unseen arg.
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Taschenbuch. Zustand: Neu. Neuware - Charlie wakes up one winter morning to see the world outside his window transformed. He dresses like a hockey player to go outside where he is joined in skating over the town by dozens of other children having fun. Parents wake up and enjoy their day without entering the children's world. All… the children return to Charlie's house where they are treated nicely and fall asleep happy. Then their parents arrive to take them back to their homes. Menard, Christine (illustrator).
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Zustand: New. John C. Fremont was the most celebrated explorer of his era. In 1842, on the first of five expeditions he would lead to the Far West, Fremont and a small party of men journeyed up the Kansas and Platte Rivers to the Wind River Range in Wyoming. Sight Unseen.
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Taschenbuch. Zustand: Neu. Neuware - John C. FrÉmont was the most celebrated explorer of his era. In 1842, on the first of five expeditions he would lead to the Far West, FrÉmont and a small party of men journeyed up the Kansas and Platte Rivers to the Wind River Range in Wyoming. At the time, virtually this entire region was kn…own as the Great Desert, and many Americans viewed it and the Rocky Mountains beyond as natural barriers to the United States. After Congress published FrÉmont's official report of the expedition, however, few doubted the nation should expand to the Pacific. The first in-depth study of this remarkable report, Sight Unseen argues that FrÉmont used both a radical form of art and an imaginary map to create an aesthetic desire for expansion. He not only redefined the Great Desert as a novel and complex environment, but on a summit of the Wind River Range, he envisioned the Continental Divide as a feature that would unify rather than impede a larger nation. In addition to provoking the great migration to Oregon and providing an aesthetic justification for the National Park system, FrÉmont's report profoundly altered American views of geography, progress, and the need for a transcontinental railroad. By helping to shape the very notion of Manifest Destiny, the report became one of the most important documents in the history of American landscape.
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Buch. Zustand: Neu. Neuware - John C. FrÉmont was the most celebrated explorer of his era. In 1842, on the first of five expeditions he would lead to the Far West, FrÉmont and a small party of men journeyed up the Kansas and Platte Rivers to the Wind River Range in Wyoming. At the time, virtually this entire region was known as…the Great Desert, and many Americans viewed it and the Rocky Mountains beyond as natural barriers to the United States. After Congress published FrÉmont's official report of the expedition, however, few doubted the nation should expand to the Pacific. The first in-depth study of this remarkable report, Sight Unseen argues that FrÉmont used both a radical form of art and an imaginary map to create an aesthetic desire for expansion. He not only redefined the Great Desert as a novel and complex environment, but on a summit of the Wind River Range, he envisioned the Continental Divide as a feature that would unify rather than impede a larger nation. In addition to provoking the great migration to Oregon and providing an aesthetic justification for the National Park system, FrÉmont's report profoundly altered American views of geography, progress, and the need for a transcontinental railroad. By helping to shape the very notion of Manifest Destiny, the report became one of the most important documents in the history of American landscape.
THE FOX Volume one Number one 1975
Charlesworth, Sarah - Kosuth, Joseph - Corris, Michael - Menard, Andrew -Heller, Preston -Ramsden, Mel - Burn, Ian - Ramsden, Paula -Holmes, Nick - Short, John - Oscar y Acila - Martin, Steven
Verlag: New York: Art & Language Foundation, Inc., 1975, 1975
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In den WarenkorbSoft cover. Zustand: Very Good. 1st Edition. 8° - 144pp - B/w reproductions. First issue, First year of "The Fox" is a publication of Art & Language Foundation (It is the purpose of our journal to try to establish some kind of community practice. Text in English. Original wrappers. In Very good condition.
The Fox, Nos. 1, 2, 3 [Complete Run / All Issues Published]
The Fox, Sarah Charlesworth, Michael Baldwin, Philip Pilkington, Joseph Kosuth, Andrew Menard, Zoran Popovic, Jasna Tijardovic, Ian Burn, Mel Ramsden, Michael Corris, David Rushton, Paul Wood, Preston Heller, Lynn Lemaster, Terry Atkinson, Karl Beveridge, Terry Smith, Lizzie Borden, Mark Klienberg, Adrian Piper, Bruce Kurtz, Robert Smithson, Stefan Morawski, Sandra Harrison, Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, Paul Wood, Terry Smith, Ron White, Trevor Pateman, Eunice Lipton, Peter Benchley, Kathryn Bigelow, Martha Rosler, Art & Language, Carole Condé, Christine Kozlov, Mayo Thompson, Sharlene Spingler, Ian Wilson, Mayo Thompson, Jasna Tijardovic, Ross Neher, Nigel Lendon, Fern Tiger, Edward Robbins, Paul Wood, Goram Djordjevic, Hervé Fischer, Paul Wood, Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns, Jane Klion, Julie Wolf, Stefan Morawski
Verlag: Art & Language Foundation New York, NY 1975, 1976, 1975
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In den Warenkorb3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of… 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Carole Condé and Karl Beveridge; " Autopatripassionata," by Christine Kozlov and Mayo Thompson; "Review: Chic Kicking Muse," by Sharlene Spingler; "Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of their colleagues, Furry and Feathered Friends," by Art & Language UK; " For Your Reference," Ian Wilson; "Review: Convoy," by Mayo Thompson; "The 'Liquidation' of Art: Self-Management or Self-Protection," by Jasna Tijardovic; "Bathysiderodromophobia," Ross Neher; "Has Your License Expired," by Nigel Lendon; "Work," by Joseph Kosuth; "Method or Mouthtalk," by Fern Tiger and Edward Robbins; "The Organization of Culture under Monopoly Capitalism, Part I: 'How Do You Feel About the Arts and Artifacts Indemnity Act?' The Organization of Culture under Monopoly Capitalism, Part II: Culture Ain't No Headless Horseman," by Michael Corris, Preston Heller, Andrew Menard; "History," by David Rushton and Paul Wood; "On the Class of Character in Art," by Goram Djordjevic; "Sociological Art as Utopian Strategy," by Hervé Fischer; "Art-Learning," by David Rushton and Paul Wood; correspondence by Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others; and notes: "May Stevens: Art & Class"; Jane Klion & Julie Wolf: Students Fighting Faculty at WU; Mayo Thompson: Natural Alliances; For the Sensitive Stefan Morawski: Theses on Aesthetics. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 72 - 73 and 77. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 261. Fair / Good. Volume One: light creasing of recto and verso; 10 cm. moisture soiling to bottom edge of recto carrying through to all pages; rubbing of cover edges with rounding of corners; previou.
Blurting in A & L: an index of blurts and their concatenation the Handbook constitutes a problematic; that is, you can't (at least not without deliberation) ignore possible pathways without losing embeddedness (idiolects); deliberation (here, the issue of going-on becomes a self-conscious construction for the reader) admits broader reflection of a context of our / your / other activities: namely, the structure of our / your language / culture and the prospect of) revisability of our/your language / culture.
Art & Language, Ian Burn, Michael Corris, Preston Heller, Andrew Menard, Mel Ramsden, Terry Smith
Verlag: Art & Language Press / The Mezzanine, Nova Scotia College of Art New York / Halifax, NY / Canada, 1973
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In den Warenkorb92 pp.; 23 x 15.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Handbook of language and definitions by Art & Language. Edited by Ian Burn, Michael Corris, Preston Heller, Andrew Menard, Mel Ramsden, and Terry Smith. Good. 6.8 cm. of yellow soiling to left side edge of recto. Y…ellowing of covers. Edge wear including tearing: 2 mm. tear to bottom edge of recto; multiple 1-3 mm. tears to top edge of recto; and 4 cm. of tearing and loss to top edge of verso. Contents clean and unmarked.
Art-Language, Vol. 3, No. 2 (May 1975)
Art & Language, Terry Atkinson, Michael Baldwin, Sarah Charlesworth, Ian Burn, Charles Harrison, Sandra Harrison, Harold Hurrell, Joseph Kosuth, Lynn Lemaster, Andrew Menard, Philip Pilkington, David Rushton, Mel Ramsden, Paul Wood
Verlag: Art and Language Press Oxfordshire, England, 1975
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In den Warenkorb95 pp.; 20.5 x 29 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; May 1975 issue featuring collaborative contributions. Essays "For Thomas Hobbes - I," by Terry Atkinson, Michael Baldwin, Joseph Kosuth, Lynn Lemaster, Philip Pilkington; "A Review of Styles," by David Rushton and P…aul Wood; "'To Begin With, While I am Clearly a Marxist Sympathizer.,'" by Sandra Harrison; "Pedagogical Sketchbook (AL)," by Charles Harrison; "Brainstorming - New York," by Ian Burn and Mel Ramsden; "Art and Language," by Terry Atkinson, Michael Baldwin, Harold Hurrell, Lynn Lemaster; "Community Work," by Terry Atkinson, Lynn Lemaster, Philip Pilkington; "Rambling: To Partial Correspondents," by Michael Baldwin, Ian Burn, Joseph Kosuth, David Rushton; "Vulgar and Popular Opinions," by Philip Pilkington; "Little Grey Rabbit Goes to the Sea," by Michael Baldwin, Philip Pilkington; "Overview: The Paradox of the Heap of Stones," by PHILIP Pilkington; "Slogan Adaptation," by Charles Harrison, Harold Hurrell; "'Mr. Lin Yutang Refers to 'Fair Play'.?'" by Michael Baldwin, Sarah Charlesworth, Charles Harrison, Harold Hurrell, Lynn Lemaster; "Strategy is Political: Dear M.," by Ian Burn, Andrew Menard, Mel Ramsden; "My Amazed Admiration (.of the Subtle Complexity Reached by Western Capitalism)," by Sandra Harrison";Utopian Prayers and Infantile Marxism," by Charles Harrison, Sandra Harrison, Philip Pilkington, David Rushton, Mel Ramsden, Paul Wood; "Accidental Synopsis," by Michael Baldwin, Harold Hurrell "On the Embarassing Dangers of Banishing 12-Tone Music," by Charles Harrison, Sandra Harrison. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 76. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 237. Good. Covers show considerable wear including stains, scuffing and .5 cm nicks on spine. Contents clean and unmarked.
Pathfinder 2 - Kernregeln Monster 2
Augunas, Alexander; Adam¬Daigle; Davis, Katina; Decker, Jesse; Darrin-Drader; Dritz, Felix; Duckwitz, Brian; Robert¬N. ¬Emerson; Scott¬Fernandez; Ferron, Eleanor; Fey, Hexe; Benner, Jesse; Benjamin¬U. ¬Fields; Garrett, Keith; Gladstein, Scott; Leo¬Glass; Goodall, Matthew; Alice¬Grizzle; T., H.; H. H. S., Sen; Hammond, Steven; Tim¬Hitchcock; Joshua¬Birdsong; Joan¬Hong; Hoskins, Vanessa; James-Jacobs; Brian¬R. ¬James; Michelle¬Jones; Kahn, Tj; Kallio, Mikko; Keeley, Jason; Kim, Joshua; Kool, Avi; Bonner, Logan; An, John¬La; Lyz¬Liddell; Luis¬Loza; Lundberg, Colm; Ron¬Lundeen; Mahpiya; Antoine¬Menard, Philippe; Jacob¬W. ¬Michaels; Patchen¬Mortimer; Dennis¬Muldoon; Bulmahn, Jason; Andrew¬Mullen; Murphy, Quinn; Nelson, Dave; Nelson, Jason; K. ¬Tessa¬Newton; Nightengale, Tim; Samantha¬Phelan; Price, Randy; MacFarland, Stephen Radney; BJ¬Recio; Case, James; Redekop, Jessica; Rekun, Mikhail; Patrick¬Renie; Alex¬Riggs; Ross, David N.; Sallé, Simone D.; Michael¬Sayre; Schwartz, David; Mark¬Seifter; S. ¬Sims, Chris; ...
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Zustand: New. Pathfinder 2 - Kernregeln Monster 2Gefahren ohne Ende!Egal, wie oft Helden den Tag retten, es lauern stets neue Monster hinter der naechsten Ecke. In diesem Band findest du ueber 300 Monster, darunter fantastische Standardkreaturen wie Element.
