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In den WarenkorbGebunden. Zustand: New.
Sprache: Englisch
Verlag: Creative Media Partners, LLC Mai 2016, 2016
ISBN 10: 1359153179 ISBN 13: 9781359153173
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Verlag: Printed and Sold by Brook and Lancashire, Huddersfield, 1801
Anbieter: McNaughtan's Bookshop, ABA PBFA ILAB, Edinburgh, Vereinigtes Königreich
Erstausgabe
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In den WarenkorbFIRST EDITION, 12mo, pp. [xii], 348. Contemporary polished calf, spine divided by blind rolls and rules, red morocco label, other compartments tooled centrally in blind. Lightly toned, some soiling, a touch of spotting. Somewhat rubbed and scratched. Struck-through ownership inscription to title-page dated 1807. A scarce provincially-printed anthology that reached a third edition by 1807. There are some contemporary Romantic selections from Southey and Coleridge alongside older work from Pope and Gray, among others. Library Hub records 5 locations, with a further 2 with a variant title-page, crediting Melmoth by his initials. It is illustrated with woodcut vignettes which Hugo attributes to Thomas Bewick, but Tattersfield disagrees and omits this volume. Hugo 174.