mcphee richard (11 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

HARDCOVER. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. Small Octavo hc w/jacket, signed by McPhee, 148pp, b/w photos, tight binding, clean throughout, clean boards with worn corners, Very Good. Jacket is worn and soiled with clipped flap, Good.

170 pp.; 27.5 x 20.8 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; May 1986 issue of the periodical Art News. Edited by Milton Esterow. Contents include : "Special Section : Artists the Critics are Watching," by John Sturman, Nancy Grimes, Ruth Bass, Eleanor Heartney, Charlotte Moser, Elisa Turner, Roger Green, Janet Kutner, William Peterson, Lyn Smallwood, David Winter, Hunter Drohojowska, Merle Shipper; "Will the Real Impressionists Please Stand Up?" by Norma Broude; "Art in the (Re)Making," by Gerald Marzorati; "Mies at the MoMA : A Visionary in Context," by Joseph Giovanni; "Letters"; "Bringing a Classic Up to Date" by Richard B. Woodward; "A Texan Fantasia," by Katherine Gregor; "Left into Art," by Sarah McPhee; "Monoprints, Anyone?" by Eleanor Heartney; "What Does the IRS See in the Miró?; New York Cracks Down on Dali Forgeries; Art Bill Stalled," by Richard W. Walker; "How to Collect an Earthwork," by Valerie F. Brooks; "Los Angles," by Merle Schipper; "Chicago," by Charlotte Moser; "St. Paul," by Nancy Roth; "Austin," by Mel McCombie; "Houston," by Mel McCombie; "Miami," by Elisa Turner; "Washington, D.C." by Lee Fleming; "London : Leading British Art to Higher Things," by William Feaver; "Toronto : Jack Bush : Original in Spite of Himself," by Karen Wilkin; "New York Reviews" "New Sources, New Materials." Cover : Sherrie Levine photographed by Duane Michals. Good / Very Good. Scuffing of covers and minor edge wear. Pale foxing on the text block edge. Cut-out on page 149 measuring 12.8 x 13.5 cm. removing the advertising panel for Art News and a portion of advertisement image on verso of page 150. Contents clean and unmarked.

Wraps. Zustand: Very Good. First edition, one of 600 copies published. Stiff wraps. Unpaginated. With a few illustrations. A collection of poetry and writing written for Robert McGlynn, a teacher at Deerfield Academy in Massachusetts. This includes original poetry by Seamus Heaney, Robert Creeley and others, as well as a benelogue by John McPhee. VERY GOOD+ condition. Light fading and edgewear.

Hardcover. Zustand: Fine in Fine Archival Box. Limited Edition. Limited Edition. Hardcover. "The inspiration for this text came during fish trips Alan James Robinson took during college, in where he would often see roadkill on the side of the road. These animal deaths became the haunting wood engravings inside the text, which are paired with prose and poetry about roadkill. I wanted to highlight one of the animals from the text on the cover of the binding. I chose the coyote because I was captured by the angle showcasing its long, lanky legs. The coyote is set against a hand-dyed background made to resemble gravel and the outline of a river in the area where Robinson attended college. The river is embroidered over a range of different animal leathers plus handmade paper." [artist statement]. Tight, bright, and unmarred. French-style find binding with laced-in boards, covered in hand-dyed goatskin, onlays in various goatskins, dark blue snakeskin, light blue carp, purple ostrich skin, embroidered elements in cotton floss, handmade papers from Hook Pottery; archival box covered in rose buffalo, blue goatskin, and raspberry boatcloth, handmade flies housed in compartments covered in orchid purple paper from Katie MacGregor. 4to. np. Illus. (b/w plates). Unique binding on Limited edition, this being Artist Proof 3.

First Edition. Small quarto (26.25cm); mimeographed sheets, printed recto and verso and side-stapled into illustrated wrappers; [vi], 180pp, [20]; illus. Former owner's name in ink to front wrapper, with chipping, thin splits, and short tears to same; thin, vertical paint streak to rear wrapper; text remains fresh and clean; Very Good. Guide book and gazeteer of the Navajo country and adjacent regions compiled by Richard Fowler Van Valkenburgh, a former Bureau of Indian Affairs worker and long-time archeological assistant with the L.A. County Museum of History, Art and Science. Contains a 4pp key to the Navajo alphabet (palatalization and labialization), an extensive list of Navajo place names, providing detailed information regarding their origins, history, and significance. Illustrated throughout with maps drawn by Charles Keetsie Shirley. Scarce in commerce.