mckee jim (14 Ergebnisse)

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: New. In.

Zustand: New. In.

Zustand: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 128 pages. 9.25x6.50x0.31 inches. In Stock.

Hardcover. Zustand: Brand New. 130 pages. 6.14x0.38x9.21 inches. In Stock.

Softcover. Zustand: Near Fine. First edition. Stapled wrappers. 84pp. Check marks on rear wrapper and page 58, a couple of pages dog-eared, near fine. Poetry by Ann E. Michael, James P. Lenfestey, Jim Daniels, Jim Freeman, Livio Farallo, Rochelle Ratner, Jeanne Murray Walker, Julie Lechevsky, Richard Bank, April Linder, Kelley Jean White, Bruce Dethlefsen, Gina Conti, Peter Krok, Alan Catlin, Marilyn Bates, Robert L. Penick, B.Z. Niditch, Gayle Elen Harvey, Dennis Harrell, Robin Merrill, Joanne Lowery, Cathryn Cofell, Sandy Supowit, Len Roberts, Dennis Donaghy, Margaret A. Robinson, John Grey, Robin Becker, Ann A. Boger, Jenny Browne, Albert Huffstickler.

Kartoniert / Broschiert. Zustand: New.

Zustand: New.

Buch. Zustand: Neu. Neuware - The Brunswick Town and Fort Anderson State Historic Site was established in 1952. The site simultaneously contains the ruins of the colonial port town of Brunswick and the large earthworks of the Civil War's Fort Anderson. Brunswick was once the major port in colonial North Carolina and was partially burned by British troops twice during the American Revolution. During the American Civil War, Fort Anderson was constructed atop some of the ruins of the town and served as part of the Cape Fear River defenses below Wilmington. Today, visitors to the site can see the archaeological ruins of the foundations of the colonial buildings that once stood as a port town, along with the shell of St. Philip's Anglican Church. The site still conducts archaeological excavations each spring. Brunswick Town and Fort Anderson State Historic Site is administered by the Division of State Historic Sites in the North Carolina Department of Natural and Cultural Resources.

55 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; January/February 1979 issue of the periodical "Journal." Edited by Jim Moisan, Debra S. Burchett, and Bridget Reak-Johnson. Contents include: "Why Is That Photographer Working in the Graveyard?" by Dody W. Thompson; "A Conversation with Ed Ruscha," by Trina Mitchum; "Cronies," by Sandra McKee and Karen Jossel; "Mickey," by Norman Klein; "Independent Film," by Sandra Matthews; "On Interviewing," by Susan C. Larsen; "A Critic's Critics," by Suzanne Muchnic; "On the Nature of Abstraction," by James Hayward; "Paul McCarthy," by Barbara Smith and "Rachel Rosenthal," by Jim Moisan. Cover by JoAnn Callis. Fair / Good. Mailed copy with mailing marks and mailing wear and printed address sticker. Yellowing of covers and pages. 3.8 cm. tear to bottom edge of recto with 8.5 cm. area of creasing. 2.2 cm. loss to top right corner of recto and 5 mm. tear to top edge. 2.6 cm. loss to top right corner of first page. Additional light wear to edges and corners of publication, contents otherwise clean and unmarked.

55 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; January/February 1979 issue of the periodical "Journal." Edited by Jim Moisan, Debra S. Burchett, and Bridget Reak-Johnson. Contents include: "Why Is That Photographer Working in the Graveyard?" by Dody W. Thompson; "A Conversation with Ed Ruscha," by Trina Mitchum; "Cronies," by Sandra McKee and Karen Jossel; "Mickey," by Norman Klein; "Independent Film," by Sandra Matthews; "On Interviewing," by Susan C. Larsen; "A Critic's Critics," by Suzanne Muchnic; "On the Nature of Abstraction," by James Hayward; "Paul McCarthy," by Barbara Smith and "Rachel Rosenthal," by Jim Moisan. Cover by JoAnn Callis. Very Good. Light bumping of top edge of publication. 2.2 cm. yellow soiling to bottom right side of recto. 1.7 cm. tear to top edge of verso. Contents clean and unmarked.

61 pp.; 27.9 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; 1979 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Chris Burden: 'The Curse of Big Job,' 'Interviewed by Jim Moisan,' 'Coals to Newcastle;'" "Gina Pane," interviewed by Barbara T. Smith; "Anne Bean," a short conversation with Charles C. Hill; "Anna Banana/Dadaland: European Tour;" "T.R.Uthco," edited by Fire "Artists Chronicle," artists include Sanja Ivekovic, Dalibor Martinis, Richard Kriesche, Nigel Rolfe, Carole Caroompas, Tony Labat, Bruce Pollack, David Gene Fowler, Rachel Rosenthal, Victor Henderson, Geoffrey Wickland, Paul Best, Sandra McKee, Shirley Henderson, Michael J. Berkowitz, Feminist Art Workers, Anne Mavor, Bruce Fier, Jose Maria Bustos, Stuart Rapeport, and Donna Henes. Front and Back Cover: Chris Burden. Poor / Good. Significant staining [from spilled red wine] across covers with 12.5 cm. and 1.5 cm. of staining to first page and staining including 10 cm. of staining to spine edge of pages 51 - 61. Rubbing of cover edges and bumping of corners. Contents otherwise clean and unmarked.

61 pp.; 27.9 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; 1979 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Chris Burden: 'The Curse of Big Job,' 'Interviewed by Jim Moisan,' 'Coals to Newcastle;'" "Gina Pane," interviewed by Barbara T. Smith; "Anne Bean," a short conversation with Charles C. Hill; "Anna Banana/Dadaland: European Tour;" "T.R.Uthco," edited by Fire "Artists Chronicle," artists include Sanja Ivekovic, Dalibor Martinis, Richard Kriesche, Nigel Rolfe, Carole Caroompas, Tony Labat, Bruce Pollack, David Gene Fowler, Rachel Rosenthal, Victor Henderson, Geoffrey Wickland, Paul Best, Sandra McKee, Shirley Henderson, Michael J. Berkowitz, Feminist Art Workers, Anne Mavor, Bruce Fier, Jose Maria Bustos, Stuart Rapeport, and Donna Henes. Front and Back Cover: Chris Burden. Very Good. 2 and 2.5 cm. areas of bumping/light creasing to verso carrying through lightly to pages. Light edge wear. Light yellow spotting of covers. Light yellow spotting along top and bottom edge of first page. Contents otherwise clean and unmarked.