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ISBN 10: 1433123592 ISBN 13: 9781433123597
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ISBN 10: 1433123592 ISBN 13: 9781433123597
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Sprache: Englisch
Verlag: Peter Lang Inc., International Academic Publishers, 2014
ISBN 10: 1433123592 ISBN 13: 9781433123597
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Revisiting a Critical Theory of Commercial Media. New York, Peter Lang 2014. 328 S., OKart. Neuwertig. !!!BITTE BEACHTEN. WIR SIND BIS 20.6. IN URLAUB. PLEASE NOTE! WE'RE ON VACATION UNTIL 20, JUNE.
Sprache: Englisch
Verlag: Peter Lang Inc., International Academic Publishers, 2014
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Zustand: New. Revisits the theory of the audience commodity as first articulated by Dallas Smythe. This book focuses on the historical and theoretical importance of this theory to critical studies of media/communication, culture, society, economics, and technology. Editor(s): McGuigan, Lee; Manzerolle, Vincent. Series: Digital Formations. Num Pages: 328 pages. BIC Classification: CBP; CBWJ; GTC; JH; KCA. Category: (P) Professional & Vocational. Dimension: 227 x 219 x 21. Weight in Grams: 492. . 2014. New edition. Paperback. . . . . Books ship from the US and Ireland.
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Verlag: Peter Lang Publishing, Incorporated, 2014
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This edited collection comprises foundational texts and new contributions that revisit the theory of the «audience commodity» as first articulated by Dallas Smythe. Contributors focus on the historical and theoretical importance of this theory to critical studies of media/communication, culture, society, economics, and technology - a theory that has underpinned critical media studies for more than three decades, but has yet to be compiled in a single edited collection. The primary objective is to appraise its relevance in relation to changes in media and communication since the time of Smythe's writing, principally addressing the rise of digital, online, and mobile media. In addition to updating this perspective, contributors confront the topic critically in order to test its limits. Contextualizing theories of the audience commodity within an intellectual history, they consider their enduring relationship to the field of media/communication studies as well as the important legacy of Dallas Smythe.
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Taschenbuch. Zustand: Neu. The Audience Commodity in a Digital Age | Revisiting a Critical Theory of Commercial Media | Lee Mcguigan (u. a.) | Taschenbuch | 346 S. | Englisch | 2014 | Peter Lang | EAN 9781433123597 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu.
Sprache: Englisch
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ISBN 10: 1433123606 ISBN 13: 9781433123603
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ISBN 10: 1433123606 ISBN 13: 9781433123603
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In den WarenkorbZustand: New. Revisits the theory of the audience commodity as first articulated by Dallas Smythe. This title focuses on the historical and theoretical importance of this theory to critical studies of media/communication, culture, society, economics, and technology. Editor(s): McGuigan, Lee; Manzerolle, Vincent. Series: Digital Formations. Num Pages: 328 pages, illustrations. BIC Classification: CBP; CBWJ; GTC; JFD. Category: (P) Professional & Vocational. Dimension: 234 x 157 x 24. Weight in Grams: 600. . 2014. 2nd ed. Hardcover. . . . . Books ship from the US and Ireland.
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This edited collection comprises foundational texts and new contributions that revisit the theory of the «audience commodity» as first articulated by Dallas Smythe. Contributors focus on the historical and theoretical importance of this theory to critical studies of media/communication, culture, society, economics, and technology - a theory that has underpinned critical media studies for more than three decades, but has yet to be compiled in a single edited collection. The primary objective is to appraise its relevance in relation to changes in media and communication since the time of Smythe's writing, principally addressing the rise of digital, online, and mobile media. In addition to updating this perspective, contributors confront the topic critically in order to test its limits. Contextualizing theories of the audience commodity within an intellectual history, they consider their enduring relationship to the field of media/communication studies as well as the important legacy of Dallas Smythe.