Mccormack catherine (42 Ergebnisse)

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Fair. Illustrated. With dust jacket. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

hardcover. Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Zustand: Brand New. 240 pages. 7.80x5.08x0.71 inches. In Stock.

paperback. Zustand: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Zustand: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. In English.

hardcover. Zustand: Good. Includes dust jacket. Book & dust jacket show some minor shelf & handling wear. Pages are minimally worn from reading, but remain intact with unmarked text. Good reading copy.

Paperback. Zustand: Brand New. 231 pages. 8.25x5.50x0.75 inches. In Stock.

Zustand: New. 2021. paperback. . . . . . Books ship from the US and Ireland.

Zustand: New.

Zustand: Very Good.

Taschenbuch. Zustand: Neu. Neuware - 'I'm glad this book was written because it felt like the scales were falling from my eyes as I read it. Women will continue to be objectified in art and in popular culture, but the book sheds a generous amount of angry light on how we got here.'The HeraldA bold reconsideration of women in art - from the 'Old Masters' to the posts of Instagram influencers.A perfect pin-up, a damsel in distress, a saintly mother, a femme fatale.Women's identity has long been stifled by a limited set of archetypes, found everywhere in pictures from art history's classics to advertising, while women artists have been overlooked and held back from shaping more empowering roles.In this impassioned book, art historian Catherine McCormack asks us to look again at what these images have told us to value, opening up our most loved images - from those of Titian and Botticelli to Picasso and the Pre-Raphaelites. She also shows us how women artists - from Berthe Morisot to Beyoncà , Judy Chicago to Kara Walker - have offered us new ways of thinking about women's identity, sexuality, race and power.Women in the Picture gives us new ways of seeing the art of the past and the familiar images of today so that we might free women from these restrictive roles and embrace the breadth of women's vision.…

paperback. Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Zustand: NEW.

paperback. Zustand: New.

Zustand: New.

30 x 24 cm, hardcover, 240 pages, many colour illustrations. Text in Dutch, fine condition, see picture. Dutch edition of a richly illustrated work on domes, vaults, and decorated ceilings in architectural history. Explores notable interiors and their artistic, cultural, and historical context. 1504g. …

Zustand: New. &Uumlber den AutorCatherine McCormack is author of The Art of Looking Up, as well as curator and lecturer in historic and contemporary art history. She is the founder and course director of the Women and Art st.

Taschenbuch. Zustand: Neu. Neuware -'Incisive and provocative . a sensitive and probing critique' The New York Times'Essential reading . gripping, inspirational, beautifully written and highly thought-provoking' Dr Helen Gørrill, author of Women Can't PaintA bold reconsideration of women in art - from the 'Old Masters' to the posts of Instagram influencersA perfect pin-up, a damsel in distress, a saintly mother, a femme fatale .Women's identity has long been stifled by a limited set of archetypes, found everywhere in pictures from art history's classics to advertising, while women artists have been overlooked and held back from shaping more empowering roles.In this impassioned book, art historian Catherine McCormack asks us to look again at what these images have told us to value, opening up our most loved images - from those of Titian and Botticelli to Picasso and the Pre-Raphaelites. She also shows us how women artists - from Berthe Morisot to Beyoncé, Judy Chicago to Kara Walker - have offered us new ways of thinking about women's identity, sexuality, race and power.Women in the Picture gives us new ways of seeing the art of the past and the familiar images of today so that we might free women from these restrictive roles and embrace the breadth of women's vision.'A call to arms in a world where the misogyny that taints much of the western art canon is still largely ignored' Financial Times'It felt like the scales were falling from my eyes as I read it.' The HeraldPetersen Buchimport GmbH, Weidestraße 122 a, 22083 Hamburg 240 pp. Englisch. …

DVD. Zustand: Wie neu. Standard Version. Minimale Gebrauchspuren an der Hülle ansonsten neu! Altersfreigabe FSK ab 12 Jahre Sprache: Deutsch Gewicht in Gramm: 90.

Taschenbuch. Zustand: Neu. Women in the Picture | Women, Art and the Power of Looking | Catherine McCormack | Taschenbuch | VIII | Englisch | 2021 | Icon Books | EAN 9781785786952 | Verantwortliche Person für die EU: Petersen Buchimport GmbH, Vertrieb, Weidestr. 122a, 22083 Hamburg, gpsr[at]petersen-buchimport[dot]com | Anbieter: preigu. …

Taschenbuch. Zustand: Neu. Neuware - French sculptor Aristide Maillol (1861-1944) is sometimes referred to as the 'Cézanne of sculpture' as he, like Paul Cézanne in the case of painting, paved the way for abstraction in his artistic field. Maillol began his career as a painter and produced a highly attractive body of work that is far too little known outside France. This book, published in conjunction with a comprehensive Maillol exhibition at the Kunsthaus Zürich, asks questions about the foundation of that male gaze at women that Maillol's art reflects, and how we perceive it today against the background of current gender debates. Franca Candrian's extraordinary photo essay confronts Maillol's Vénus au collier with works by modern and contemporary women artists from the Kunsthaus Zürich's collection. An essay by feminist art historian and curator Catherine McCormack explores the presence of this art-which in most cases depicts female nudes-in contemporary museums. Supplemented by an introduction by Philippe Büttner, curator of Kunsthaus Zürich's permanent collection, the book thus offers a new, different view of Aristide Maillol and his art.; Der französische Bildhauer Aristide Maillol (1861-1944) wird gelegentlich als «Cézanne der Bildhauerei» bezeichnet, weil er der Plastik - so wie Paul Cézanne der Malerei - den Weg zur Abstraktion ebnete. Maillol begann seine Karriere als Maler und schuf ein höchst attraktives Werk, das ausserhalb Frankreichs nur unzureichend bekannt ist. Dieses Buch, das anlässlich einer umfassenden Maillol-Ausstellung im Kunsthaus Zürich erscheint, stellt die Frage, worauf jener männliche Blick auf die Frau gründet, für den Maillol steht, und wie wir ihn heute vor dem Hintergrund aktueller Genderdebatten wahrnehmen. Ein aussergewöhnlicher Fotoessay von Franca Candrian konfrontiert Maillols Skulptur Vénus au collier mit Werken von Künstlerinnen der Moderne und der Gegenwart aus der Sammlung des Kunsthaus Zürich. Die feministische Kunsthistorikerin und Kuratorin Catherine McCormack setzt sich in ihrem Essay mit der Präsenz dieser Kunst - die mehrheitlich weibliche Akte beinhaltet - in heutigen Museen auseinander. Ergänzt um eine Einleitung von Philippe Büttner, Sammlungskurator des Kunsthaus Zürich, wirft der Band so einen neuen, einen anderen Blick auf Aristide Maillol und sein Schaffen.…

dvd. Zustand: Gut. Seiten; D1-053 Sprache: Deutsch Gewicht in Gramm: 500.

Taschenbuch. Zustand: Neu. Neuware -'Incisive and provocative . a sensitive and probing critique' The New York Times'Essential reading . gripping, inspirational, beautifully written and highly thought-provoking' Dr Helen Gørrill, author of Women Can't PaintA bold reconsideration of women in art - from the 'Old Masters' to the posts of Instagram influencersA perfect pin-up, a damsel in distress, a saintly mother, a femme fatale .Women's identity has long been stifled by a limited set of archetypes, found everywhere in pictures from art history's classics to advertising, while women artists have been overlooked and held back from shaping more empowering roles.In this impassioned book, art historian Catherine McCormack asks us to look again at what these images have told us to value, opening up our most loved images - from those of Titian and Botticelli to Picasso and the Pre-Raphaelites. She also shows us how women artists - from Berthe Morisot to Beyoncé, Judy Chicago to Kara Walker - have offered us new ways of thinking about women's identity, sexuality, race and power.Women in the Picture gives us new ways of seeing the art of the past and the familiar images of today so that we might free women from these restrictive roles and embrace the breadth of women's vision.'A call to arms in a world where the misogyny that taints much of the western art canon is still largely ignored' Financial Times'It felt like the scales were falling from my eyes as I read it.' The Herald 240 pp. Englisch. …