Mccomb leonard (16 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Zustand: Very Good. 2nd Edition. Trade Paperback, Revised Trade Edition. Pictorial Paper Wrappers, Glued Binding. 394 Pages; illustrations, maps, bibliographic essay. CONDITION: VERY GOOD, binding square and tight, pages crisp and unmarked; small crease in front wrapper, spine sun-faded, else Near Fine. CONTENT: A comprehensive history of Colorado before and after statehood in1876.…

paperback. Zustand: Very Good.

Maps and pictures ( Karten u. Abbild.). englischsprachig. Brosch., Kanten u. Ecken etw. bestossen, Schnitt m. ger. Gebr.-Sp., sonst guter Zustand.

Zustand: Good. Reading content is in clean and readable condition. Slight shelfwear to book.

Softcover. Zustand: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Softcover. English. Pub Year 1983, See images for condition. About the book >.>.> Leonard McComb: Drawings, Paintings, Sculpture is a comprehensive exploration of the works of artist Leonard McComb, whose contemplative and meditative qualities stand out in a contemporary art scene marked by dramatic change. This collection showcases McComb?s drawings and watercolours, featuring figures and seascapes that delve deeper than mere surface visuals. With a focus on the direct experience of nature, McComb's work exemplifies a long-standing pictorial tradition that marries observation with spirituality, revealing both structure and substance in his art.The text reflects on the artist's path, noting how it has led to a degree of isolation. Prior to this exhibition, there had been no extensive presentation of McComb?s oeuvre, apart from a small solo show at the Coracle Press Gallery. This lack of visibility can be attributed to McComb?s stringent standards, as he consistently destroyed earlier works up until 1975. For a significant period, he dedicated himself to teaching art, significantly influencing many students while simultaneously consuming much of his creative energy. Since transitioning to a more focused practice in 1977, McComb has created larger works that maintain the immediacy of his original techniques while drawing closer to the essence of nature.Bringing this exhibition to fruition involved collaboration with numerous individuals, including lenders, researchers, and photographers. These contributions reflect the commitment to presenting McComb?s work with the same care that characterises his artistic practice, allowing viewers to appreciate a selection of his most recent and impactful creations.…

Soft cover. Zustand: New. 1st Edition. 44 pages : color illustrations, colour portraits ; 28 cm. Soft cover book published by Talbot Rice Gallery for the exhibition Leonard McComb: Drawing, Painting and Sculpture. The text includes forewords by Pat Fisher and Rebecca Weaver, the essay 'A Sense Sublime' by Philip Vann, full page colour reproductions of drawings and paintings, a note from the artist, and a biography.…

SOFTCOVER. Zustand: As New. 1st Edition. Large 4to. in stiff card covers, 85pp on thick art paper, plates etc . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy (merest hint of tanning to covers) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

SOFTCOVER. Zustand: As New. 1st Edition. Large 4to. in stiff card covers, 85pp on thick art paper, plates etc . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Paperback. Zustand: Fair. Grey covers.

SOFTCOVER. Zustand: Fine. 1st Edition. Large landscape 4to. in colour printed stiff card covers, unpaginated, approx. 32pp on stiff art paper, colour plates, etc. Stapled 2 leaf price list loosely inserted . [CONDITION: A well preserved almost AS NEW very clean and tight unmarked copy (minute speck of shelf rub to cover corner tips) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Zustand: Very Good. Aggie Weston's, No. 17 Summer 1981, Coracle Press, London. 253 x 190mm stapled. Book. Edited by Stuart Mills. "The name of the magazine comes indirectly from a work by Kurt Schwitters; 'A Small Home for Seamen' I have been told that it was one Agnes Weston who founded the seamen's homes in this country and I hope that this magazine will likewise provide some sort of refuge." The editor Stuart Mills statement/ introduction printed on inside cover of each issue. Includes tipped-in colour images. Cover drawing by Laurie Clark. Contents include poetry and artworks by Laurie Clark, Simon Cutts, Roy Fisher, Gael Turnbull, Stuart Mills, John Blakemore, Andrew Crozier, Leonard McComb, Thomas Meyer and more. Condition: minor toning to cover, small knock to bottom right corner, minor rust to staples. Overall VG.…

Zustand: Very good +. 20 volumes of the poetry magazine Aggie Weston's published by poet Stuart Mills. A full run excluding issue 13. Issues in this group are numbers: 1 (Thomas Meyer); 2 (Ian Hamilton Finlay 'View of Stonypath'); 3 (Cutts, Mills, Folkyard, Williams and Meyer); 4 (John Blakemore); 5 (Thomas A. Clark 'Stumbling on Lemons'); 6 (Stuart Mills 'Flags from a Remnant Railway); 7 (Simon Cutts 'Les Enerves de Jumieges and other poems'); 8 (Trover Winkfield 'The Adventures'); 9 (Mick Sharp); 10 (Andrew Crozier 'Residing'); 11 (Adrian Phipps-Hunt (water damaged); 12 (Gael Turnball 'Thronging the Heart); 14 (Thomas Meyer 'Starcrafts, ruins'); 16 (Richard Long); 17 (Review; Various Contributors); 18 (Jonathan Williams 'Ten Photographs); 19 (Ian Hamilton Finlay, Rod Gathercole 'Persiflage'); 20 (Thomas A Clark 'An Island'); 21 (Robert Lax 'Light') all in staplebound illustrated colourprinted wraps. All issues of Aggie Weston's are edited by Mills and include the following statement from him on the first inside page: 'The name of the magazine comes indirectly from a work by Kurt Schwitters; 'A Small Home for Seamen'. I have been told that it was one Agnes Weston who founded the seamen's homes in this country and I hope that this magazine will likewise provide some sort of refuge.' Condition: All other copies are at least very good + or better.…

Zustand: Near fine. On Loan, Coracle Press, London, 1980. Cards printed black on white in 88 x 60 x 70mm white box, together with 75 x 75 x 85mm outer mailing box. Edition 11 of 15 signed copies. Numbered by Simon Cutts on underside of both boxes. Published to coincide with the On Loan exhibition ('an exhibition of borrowed art lent by artists'), 22 November 19 December 1980 at 233 Camberwell New Road, London. Artists included Roger Ackling, Glen Baxter, David Brown, Marc Camille Chaimovicz, John Christie, Thomas and Laurie Clark, Les Coleman, Simon Cutts, Stephen Duncalf, Sandra Fisher, Barry Flanagan, Hamish Fulton, Bill Furlong, John Furnival, Gerry Hunt, R. B. Kitaj, Robin Klassnik, Brian Lane, Richard Long, Leonard McComb, Stuart Mills, Eduardo Paolozzi, Roy Perry, David Pescod, David Roe, Martin Rogers, S. East Gallery (Sally East), Joe Tilson, Ian Tyson, Steve Wheatley, Stephen Willats, Jonathan Williams and Richard Wilson.On Loan references the analogue card system once used by British libraries for loaning books. In all, it functions as a list of works for the show, with one card per artist and their exhibited work. In this special edition numbered 11 of 15, each card is signed in ink or pencil by one of the artists who participated in the exhibition. Condition: Near fine.…