Mccaughey patrick (54 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. 0th Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Soft cover. Zustand: Very Good. Exhibition catalogue: France, Germany, Italy, Great Britain. 1st printing (1974). n.p. VG copy, small loss to base of spine, covers a little grubby and worn.

Paperback. Zustand: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Very Good. Paperback in very good condition. The cover has some minor shelfwear. All pages are clean, with clear text and images. CM. Used.

Original Printed Wrappers. Zustand: Very Good. First Edition. Signature on inside rear wrapper; two small smudges on rear wrapper.

Soft cover. Zustand: Good. Catalogue of an exhibition held at the National Gallery of Victoria, July 28, 1984-Sept. 23, 1984, and then at the Art Gallery of New South Wales, Oct. 10, 1984-Dec. 2, 1984.

Large octavo, x+284pp, illustrated, original wrappers, ink name on half title page, damp warping of lower edge of latter pages, a good copy. First edition.

4to. 64pp. Colour and b/w illustrations. Previous owner's name. Original wrappers, a near fine copy. . First edition.

Large octavo, x+284pp, illustrated, original wrappers, a near fine copy. First edition.

Soft cover. Zustand: Very Good. 1st Edition. Very good condition, small indentation mark to rear cover.

xii+258pp. Small 4to. Original boards with gilt lettering in a pictorial dustwrapper. Profusely illustrated in colour and black and white. Bookplate. A fine copy. First editon.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Very good condition. Minor wear to book corners and edges. Dust jacket has light creasing at edges and spine. Dust jacket is now enclosed in glossy protective covering. Interior and binding are still excellent. Albert Tucker and Sidney Nolan were friends and rivals, but never antagonists for the whole of their working lives as artists. Together they participated in the struggle to establish modern art in Australia in the 1940s. Both produced a series of paintings that changed the direction and the content of Australian art: Albert Tucker painted The Images of Modern Evil between 1943 and 1947, and Nolan painted his first Ned Kelly series in 1946-7. From the outset, they were regarded as major artists possessed of a powerful and original vision. Yet by a quirk of fate, they rarely lived in the same city or the same continent after 1947. Each, however, deeply valued the friendship and strove to preserve it through this remarkable correspondence. Covering more than thirty years, the letters cast refreshing new light on their expatriate years in the 1950s and mark their changing and changeable attitude to Australia, both as a place and a culture. Trusting and confident in the other's discretion, they wrote candidly about their struggles and their experiences in Europe and Australia. The letters are particularly revealing about their early patrons, John and Sunday Reed, with whom both had troubled, complex relationships. Not since the letters of Arthur Streeton and Tom Roberts has Australian art seen such a personally riveting and art historically important exchange between two major artists as these letters between 'Bert and Ned'. Patrick McCaughey, the art critic and historian who knew both artists, has written an introduction that explores the themes running through these letters and has annotated them so that the reader can feel and hear the voices of these vivid and lively correspondents. (book flap). …

Soft cover. Zustand: Near Fine. Oblong stiffened wrappers as published, 51 pages, colour illustrated. * Neat small ownership stamp top corner of half title page. *Published to accompany exhibition. Fred Williams (illustrator).

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Melbourne: Oxford University Press, 1979. First edition. 160p. 73 illus. including 71 in colour. Introduction and notes on the paintings by Patrick McCaughey. Notes on the collection by Jack Manton. A very good copy in a similar d/w.…

Softcover. Zustand: Near Fine. AUSTRALIAN ART  176 p. : ill. (some col.), map ; 30 cm. #310124 Exhibition organised by National Gallery of Victoria and touring four states, June 1987 - April 1988. Nolan, Sidney, Sir, 1917-1992 -- Exhibitions Painting, Modern -- 20th century -- Australia -- Exhibitions Painting, Australian -- Exhibitions (Tiny insect smudge on prelim, otherwise Fine.) Elizabeth's Bookshops have been one of Australia's premier independent book dealers since 1973. Elizabeth's family-owned business operates four branches in Perth CBD, Fremantle (WA), and Newtown (NSW). All orders are dispatched within 24 hours from our Fremantle Warehouse. All items can be viewed at Elizabeth's Bookshop Warehouse, 23 Queen Victoria Street\, Fremantle WA. …

Zustand: new. Livraison rapide, bien emballé, service client soigné.Pour tout renseignement complémentaire, n'hésitez pas à nous contacter.

Broschiert. Quart. 64 S. Broschur. Sprache: Englisch, Mit zahlr. farb. und schw.-w. Abb. gutes Exemplar. auf dem Titelblatt von R. Jacks und V. Majzner signiert. Signatur des Verfassers.

Paperback. Zustand: Very Good. First Edition. [Melbourne], National Gallery of Victoria, 1987. Quarto; laminated colour pictorial card covers a trifle rubbed; an excellent copy. Exhibition catalogue.

4to. 234pp. Original boards in dustwrapper. Numerous colour and black and white illustrations; a fine copy. . First edition, signed by author.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Oversized full colour hardcover signed by the artist, with unclipped dust jacket, in very good condition. Jacket edges are slightly creased and nicked. Board corners are bumped. Boards are clean, binding is sound, pages are clear and colours vivid. LW. Signed by Artist. Used.…

Soft cover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 2nd Edition. Book is in very good condition. Dust jacket in good condition with some shelf edge wear. 340pp with colour and b/w illustrations.

Zustand: Very Good.

4to. viii+274pp. Original boards in dustwrapper. Numerous colour and black and white illustrations; a fine copy. . First edition.

Super 8vo, pp. [8] + 376; illus. light card covers, french flaps; photos, illus.; VG+ (light to moderate scuffing & soiling to covers; light bruising to edges & extrems; light tanning & soiling to pg edges; sl soiling to prelims & terminals).

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2950grams, ISBN:0858354551.…

Soft cover. Zustand: Very Good. 1st Edition. Oversized paperback, viii + 376 pages, copiously illustrated, glossy paper, NOT ex-library. Weight over 1.2kg. Minor handling wear, book is clean and bright throughout with unmarked text, free of inscriptions and stamps, firmly bound. -- Patrick McCaughey brings five decades of experience as a critic, curator and museum director to this expansive reassessment of Australian painting from colonial times to the present. The title draws from D.H. Lawrence's observation of Australia as a place that seems to exist outside conventional frameworks, and McCaughey uses this notion of strangeness as a lens through which to examine how painters have responded to the Australian environment and experience. The book moves chronologically through major movements and figures whilst maintaining a thematic concern with how artists have grappled with depicting a landscape and light that resisted European pictorial conventions. McCaughey traces the gradual development of visual languages suited to Australian conditions, from the tentative attempts of colonial artists through to the confident innovations of twentieth century modernists. He gives substantial attention to figures such as Arthur Streeton, Tom Roberts, Sidney Nolan, Arthur Boyd and Fred Williams, offering close readings of individual works alongside broader contextual analysis. McCaughey argues against viewing Australian painting as a provincial outpost of European traditions, instead presenting it as a distinctive achievement shaped by the particular challenges of place. He examines how isolation influenced artistic development, sometimes productively and sometimes as limitation, and considers the ongoing tension between local identity and international dialogue. Written with clarity and critical conviction, the book engages with questions of cultural identity that remain pertinent as Australia continues to define its relationship to Indigenous heritage, colonial history and contemporary globalisation. McCaughey offers both an accessible introduction for general readers and substantive arguments that contribute to ongoing scholarly debates about Australian art history.…

Paperback. Zustand: Very Good. First Edition. Wraps. 8vo. Illustrated wraps/paperback. pp 48. Copiously illustrated in colour and black and white throughout. Exhibition catalogue. Very slight creasing othrewise VG+.

Hardcover. Zustand: Good. Book is in good condition. This is a heavy volume and there is some movement in the spine. All pages are bright and clean. Dust jacket in very good condition. 384pp with colour illustrations.

Zustand: Good. 253 pp., Paperback, ex library, else text clean & binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…