Sprache: Englisch
Verlag: University of California Press., London, England., 1975
ISBN 10: 0520026942 ISBN 13: 9780520026940
Anbieter: Doss-Haus Books, Redondo Beach, CA, USA
Hardcover. Zustand: Very Good. Hardcover 1975 edition. Ex-library book with stamps and labels attached. Binding firm. Pages unmarked and clean. Covers and text in very good condition. {278 pages}.
hardcover. Zustand: Good.
Anbieter: Dan Pope Books, West Hartford, CT, USA
Erstausgabe
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. First edition. First printing. Fine in a fine jacket. Remainder mark lower edge. A clean tight copy. Comes with archival-quality mylar jacket protector. Smoke-free.
Sprache: Englisch
Verlag: Durham, N.C. ; London : Duke University Press, 1989
ISBN 10: 0822307979 ISBN 13: 9780822307976
Anbieter: MW Books, New York, NY, USA
Erstausgabe
1st edition. Near fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 223 p. ; 24 cm. Notes: Includes bibliographical references and index. Subjects: Sidney, Philip 1554-1586. Arcadia; Sidney, Philip 1554-1586 Literary style; Criticism and interpretation; Country life in literature; Arcadia in literature; English fiction. 3 Kg.
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Erstausgabe
Hardcover. Zustand: Used-Very Good. First Edition. Cloth, dj. Minor shelf wear.
Sprache: Englisch
Verlag: University of California Press, Berkeley, CA, 1975
Anbieter: Bookfever, IOBA (Volk & Iiams), Ione, CA, USA
Erstausgabe
First printing. Focuses on the major literary productions of the late English Renaissance, including works by Bacon, poems by Donne, Herbert & Marvel, Milton's Paradise Lost and eight plays by Shakespeare. 278 pgs., index. F/NF.
Verlag: Duke University Press, Durham, 1989
ISBN 10: 0822307979 ISBN 13: 9780822307976
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First edition. 223pp. Near fine in near fine dust jacket.
Sprache: Englisch
Verlag: University of Toronto Press, 1992
ISBN 10: 1487578679 ISBN 13: 9781487578671
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 31,82
Anzahl: 15 verfügbar
In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
EUR 29,03
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 154 pages. 8.50x5.50x0.40 inches. In Stock.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 37,27
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In den WarenkorbPaperback. Zustand: Brand New. 320 pages. 9.21x6.14x9.21 inches. In Stock.
Sprache: Englisch
Verlag: University of Toronto Press, 1992
ISBN 10: 1487578679 ISBN 13: 9781487578671
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 42,05
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In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: University of Toronto Press, 1992
ISBN 10: 1487578679 ISBN 13: 9781487578671
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 44,66
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In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: University of Toronto Press, 1992
ISBN 10: 1487578679 ISBN 13: 9781487578671
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 1992. paperback. . . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: University of Toronto Press, 1992
ISBN 10: 0802059554 ISBN 13: 9780802059550
Anbieter: Borkert, Schwarz und Zerfaß GbR, Berlin, Deutschland
Zustand: Sehr gut. 315 Seiten From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - A very good, clean copy. - At the heart of all Ben Jonson's nondramatic poetry, argues Michael McCanles, lies the concept of true nobility. Jonson sought to transform the inherited aristocracy of England into an aristocracy of humanist virtue in which he could claim a place through his achievement of true nobility by the merits of his own intellectual labours. In this survey of all Jonson's non-dramatic poetry, McCanles identifies a range of dialectical and contrastive forms through which this concern was rendered poetically. He analyses the contrastive forms in discussions of Jonson's prosody, his use of homonymy and synonymy, and of metaphor. He coins the term 'contrastivity' to encompass the play of semantic choices directed by Jonson's use of suprasegmentals at the local level of poetic technique, and the reader's process of reading wherein he or she confirms the validity of a poem's statements by recreating the process of selection/rejection that went into its creation. Thematically, McCanles suggests that the vera nobilitas argument is in fact four distinct arguments in various ways mutually contradictory, collectively both supporting and subverting aristocratic and monarchical hierarchies. Thus he finds Jonson constrained to employ this argument in addressing aristocratic friends, patrons, and the monarch himself, with careful diplomacy in order to negate the subversive dimensions of his own advice and praise. Employing the resources generated by the theoretical analysis of contrastivity in the first chapter, McCanles demonstrates the considerable complexity of Jonson's poetry, generally underestimated in current scholarship. ISBN 9780802059550 Sprache: Englisch Gewicht in Gramm: 645 hardcover w/ dj and transparent dj.
EUR 51,48
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In den WarenkorbZustand: New. Über den AutorMICHAEL MCCANLES is professor of English, Marquette University. Among his earlier books are the Discourse of “Il Principe’ and The Text of Sidney’s Arcadian World.Klappentext.
Sprache: Englisch
Verlag: University Of Toronto Press Dez 1992, 1992
ISBN 10: 1487578679 ISBN 13: 9781487578671
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - At the heart of all Ben Jonson's nondramatic poetry, argues Michael McCanles, lies the concept of true nobility. Jonson sought to transform the inherited aristocracy of England into an aristocracy of humanist virtue in which he could claim a place through his achievement of true nobility by the merits of his own intellectual labours. In this survey of all Jonson's non-dramatic poetry, McCanles identifies a range of dialectical and contrastive forms through which this concern was rendered poetically. He analyses the contrastive forms in discussion of Jonson's prosody, his uses of homonymy and synonymy, and of metaphor. He coins the term 'contrastivity' to encompass the play of semantic choices directed by Jonson's use of suprasegmentals at the local level of poetic technique, and the reader's process of reading wherein he or she confirms the validity of a poem's statement by recreating the process of selection/rejection that went into its creation. Thematically, McCanles suggests that the vera nobilitas argument is in fact four distinct arguments in various ways mutually contradictory, collectively both supporting and subverting aristocratic and monarchical hierarchies. Thus he finds Jonson constrained to employ this argument in addressing aristocratic friends, patrons, and the monarch himself, with careful diplomacy in order to negate the subversive dimensions of his own advice and praise. Employing the resources generated by the theoretical analysis of contrasivity in the first chapter, McCanles demonstrates the considerable complexity of Jonson's poetry, generally underestimated in current scholarship.