mcbreen ellen (22 Ergebnisse)

Hardcover. Zustand: Used-Very Good. Cloth, dj. Bright, clean copy.

Paperback. Zustand: Very Good. Oversized softcover in shrink wrap. Very good condition. Cover is glossy. Binding is strong and tight. Corners are squared and pages are clean. Overall very good condition. This is an oversized book, so extra shipping will be necessary for priority or international shipping. Please email with questions or to see any photos. This listing was written by an actual person with the book in front of them for inspection.

Paperback. Zustand: Very Good. Oversized softcover. Very good condition. Cover is crisp. Binding is tight and corners are squared. Pages are clean and crisp. Title page is not dated. Copyright is dated 2019. 228 pages. Please contact us with questions or if you would like to see photographs. We ship every day from a real neighborhood bookstore. This description is written by a real person, who is holding the book in front of them to make sure it's properly described.

Softcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Zustand: as new. New Haven : Yale University Press, [2014]. Hardcover. xvi, 228 pp. - In 1906, soon after Matisse acquired his first African sculpture, he began the first of his nudes based on erotic and ethnographic photographs. This reading of Matisse's early sculpture examines the artist's appropriations from two seemingly disparate visions of the body: commercial nude photography and African sculpture. Why would Matisse synthesize mechanically made traces of actual flesh with the hand-carved abstractions of Pende, Senufo, Baga, and Baule figural sculptures? In the twentieth century, halftone technology in France changed economics of photographic reproduction. The inexpensive illustrated revues where Matisse found substitutes for living models were full of plates, making the female body available for mass consumption as never before. One of the main appeals of African sculpture to Matisse and others was that it appeared as a productive antithesis to this; it represented an alternative experience and understanding of human sexuality. In this, Matisse's primitivism was as much a system of beliefs projected onto African sculptures and actual African bodies, as a series of visual and conceptual borrowings from them. To support this idea, the book uses primary materials from turn-of-the-century ethnography and comparative anthropology, popular erotica, and the visual culture of French colonialism. It draws connections between artistic debts and the ideological and historical forces informing them, and plots new study in a now-familiar story of early twentieth-century modernist primitivism. This book challenges an established convention about Matisse--a painter who sculpted merely as a "rest"--Proposing how the sculpture's play with period perceptions of race and gender is key to understanding the artist's fascinations with cultural and sexual origins. Condition : as new copy. ISBN 9780300171037. Keywords : ART, sculpture.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Qto., xvi, 228 pages, 188 illustrations. Unused, a Fine copy in a Fine dust jacket.

215, (1)pp. Prof. illus. in color. Lrg. 4to. Wraps. Published in conjunction with an exhibition at the Museum of Fine Arts, Boston, April-July 2017.

Hardcover. Zustand: Brand New. 144 pages. 11.43x9.45x0.79 inches. In Stock.

hardcover. Zustand: near fine. Matisse (illustrator). Contributions by several authors. 180 color illustrations. 4to, small pale cloth with mounted plate front cover. Boston: MFA Publications, (2017). A near fine copy.

215, (1)pp. Prof. illus. in color. 4to. Cloth. Published in conjunction with an exhibition at the Museum of Fine Arts, Boston, April-July 2017.

215, (1)pp. Prof. illus. in color. 4to. Cloth. Published in conjunction with an exhibition at the Museum of Fine Arts, Boston, April-July 2017.

215, (1)pp. Prof. illus. in color. Lrg. 4to. Wraps. Published in conjunction with an exhibition at the Museum of Fine Arts, Boston, April-July 2017.

215, (1)pp. Prof. illus. in color. Lrg. 4to. Wraps. Published in conjunction with an exhibition at the Museum of Fine Arts, Boston, April-July 2017.

Zustand: fine. l'article peut presenter de tres legers signes d'usure, petites rayures ou imperfections esthetiques. vendeur professionnel; envoi soigne en 24/48h.

Hardcover. Zustand: Good. The cover has a dent on top edge--small but visible--, and one very light stain across the fore edge. Otherwise a clean and sound copy of this book; no writing, highlighting, odors, stains, tears or folds. Proceeds from this sale benefit the Multnomah County Library in Portland, Oregon. This is not an ex-library book.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1450grams, ISBN:9780878468430.

215, (1)pp. Prof. illus. in color. Lrg. 4to. Cloth. Published in conjunction with an exhibition at the Museum of Fine Arts, Boston, April-July 2017.

Yale Universuty Press, New Haven 2014. 4to. 228 pages. Orig. cloth binding with dust wrapper. Very Good+/Very Good+. Owner's name (Danish artist Peter Brandes) written on front endpaper.

SOFTCOVER. Zustand: AS NEW. 1st Edition. Large heavy 4to. in colour printed stiff card covers, 215pp on thick art paper, colour plates, bibliography, index etc . [CONDITION: A well preserved AS NEW unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Zustand: Neuf.

4°, 228 S., zahlr., oft farb. Abb., Brosch., Tadellos. EA. Erschienen zur Ausstellung Zürich und Nizza. - «Henri Matisse (1869 - 1954) ist als revolutionärer Maler und Erfinder der Papiers découpés berühmt. Seine plastischen Arbeiten standen lange Zeit im Schatten seines malerischen Werks. Dabei stellen die vier Bronzereliefs Rückenakt I?IV nicht nur sein plastisches Hauptwerk, sondern auch einen Meilenstein in der Skulptur der Moderne dar. Ausgehend von einer naturalistisch anmutenden Gestaltung abstrahierte Matisse seine Figuren immer stärker bis hin zu einer radikalen Stilisierung. Dabei hielt er die entscheidenden «Zustände» als eigenständige Plastiken fest und führt uns so seinen Schaffensprozess vor Augen. Dieser Prozess der Verwandlung findet Parallelen in seinem malerischen und zeichnerischen Werk. Dieses Buch, das anlässlich einer Ausstellung im Kunsthaus Zürich im Herbst 2019 erscheint, setzt diese Metamorphose und Rückkoppelung erstmals zueinander in Beziehung. Matisse? unterschiedliche lnspirationsquellen ? Aktfotografien, afrikanische und antike Vorbilder - sowie Fotografien, die den Künstler als Bildhauer zeigen, runden die Darstellung ab und präsentieren den französischen Meister von einer unbekannteren Seite.» 1200 gr. Schlagworte: Kunst - Monographien, Kunst - Ausstellungen, Sammlungen.

(28,5 x 23,7 cm); 4°; 228 Seiten mit 188 zum Teil farbigen Abbildungen; Orig.-Pappband; Orig.-Umschlag. Schönes Exemplar. * Customers from outside the EU ask please for real shipping costs! - Ask for more pics ! * 2100 gr.