May mark a (24 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Zustand: Good. Periodical. 18pp. Stapled wrappers. Small ex-library stamp on title page with penciled numbers on front wrapper, wrapper toned with corners creased and spine starting to split, a good only copy. Contributions by Mark Van Doren, Padraic Colum, Christine Turner Curtis, May Lewis, Elisabeth Thomas, David Morton, Mary Armantine Ward, Margaret Widdemar, Katherine Anne Porter, Kenneth Slade Alling, Charles Divine, Marguerite Wilkinson, Therese Lindsey, Loise Townsend Nicholl. Book reviews of Robert Frost's book *New Hampshire, a Poem with Notes and Grace Notes* by Padraic Colum and "[D.H.] Lawrence Into Wolf" by Louise Townsend Nicholl.…

Hard Cover. Zustand: Good. JUST THE COLORED PICTURES ALONE ARE WORTH THE PRICE. EARLY AMERICAN BEAUTIFUL. FRAMABLE. Hardcovered red cloth with picture in blue and black, cream lines and red. Book has some cover wear and mild edgewear. Lightly Stamped inside by the former school. Some pencil marks on a page or two. Mighty presentable after all these years. Will bring you right back. Will surprise you as to how much was expected in those days.…

Zustand: Fine. New/unused condition with small scuffs to the cover. The content is in new condition.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Fine. Unused/new. Light marks to cover & some scuffs to edges. A few light marks/scratches to textblock edges. Content is in new condition.

Hardcover. Zustand: Very Good. 1st Edition. Viii, 284 Pp. Mustard Cloth Stamped In Red. First Printing. No Marks, Light Wear, Hinges Tight, Just Beginning To Fray Along Top Edge Of Spine. Could Have Been A Called A Sociology Of Military Sociopathy By Political Actors And Their Ensembles, But Is Instead The Yale Refocus To Assume Inevitability And To Prevent And Deflect Close Attention To Political Leadership (Of Which Its Graduates Will Form A Conspicuous Part): "Unfortunately There Is No Reliable Evidence Or Information Concerning The Military Attitude Of Hatred Toward The Enemy"; Perhaps A More Judicious View Would Be That There Is No Evidence Of Lack Of A Military Attitude Of Hatred Toward The Enemy, Or Of Any Control Over Millennia Of The Political Sociopathy Which Leads To Wars. Etc. Per Dennis Bryson In The Journal "History Of The Human Sciences", " Underappreciated By Historians Of The Human Sciences, Educational Psychologist Mark A. May Played A Key Role In Managing And Formulating The Policy Of The Institute Of Human Relations At Yale University, Initially As The Institute'S Executive Secretary, Then As Its Director, From 1930 To 1960. Moreover, During The 1920S, The 1930S And After, He Participated In A Number Of Conferences, Seminars, Committees And Other Projects Sponsored By The Social Science Research Council And Rockefeller Philanthropic Organizations. Focusing On May'S Efforts During The Interwar Period, This Article Will Examine How May Worked To Advance An Integrated Program In The Psychological And Social Sciences Affiliated With The Field Of Personality And Culture. For May, A Human Engineering Agenda Geared Toward The Socialization And Education Of The Individual Was Intimately Connected To His Vision Of Interdisciplinary Social Science." The Book Does Not Use Available Information To Examine Causation Nor Indicate How Wars Could Or Should Be Prevented Or Ameliorated, Nor What Training Would Be Appropriate For Ordinary Soldiers, Government Employees, And Their Leaders At All Levels, This Being Left To Survival Of The Fittest.…

Taschenbuch. Zustand: Neu. Neuware - 'How to Study in College' is a comprehensive guide designed to equip university students with the essential tools for academic success. Written by Mark A. May, this work addresses the critical transition into higher education, focusing on the mental and practical shifts required to master complex subjects and excel in a rigorous intellectual environment.The book delves into the psychology of learning, offering systematic advice on effective note-taking, memory retention, and the strategic organization of study time. May emphasizes that academic achievement is not merely a product of innate intelligence but is the result of disciplined habits and efficient methodologies. By breaking down the process of learning into manageable steps, the text provides a roadmap for students to improve their cognitive discipline and concentration.As a foundational text in the genre of student success literature, 'How to Study in College' offers timeless insights into pedagogical principles. It covers practical strategies for preparing for examinations, participating in lectures, and balancing the various demands of campus life. This guide remains a valuable resource for anyone seeking to refine their scholarly skills and navigate the challenges of the collegiate experience with confidence.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Buch. Zustand: Neu. Neuware - 'How to Study in College' is a comprehensive guide designed to equip university students with the essential tools for academic success. Written by Mark A. May, this work addresses the critical transition into higher education, focusing on the mental and practical shifts required to master complex subjects and excel in a rigorous intellectual environment.The book delves into the psychology of learning, offering systematic advice on effective note-taking, memory retention, and the strategic organization of study time. May emphasizes that academic achievement is not merely a product of innate intelligence but is the result of disciplined habits and efficient methodologies. By breaking down the process of learning into manageable steps, the text provides a roadmap for students to improve their cognitive discipline and concentration.As a foundational text in the genre of student success literature, 'How to Study in College' offers timeless insights into pedagogical principles. It covers practical strategies for preparing for examinations, participating in lectures, and balancing the various demands of campus life. This guide remains a valuable resource for anyone seeking to refine their scholarly skills and navigate the challenges of the collegiate experience with confidence.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Hardcover. Zustand: Gut. 357 Seiten Guter Zustand/ Good Bibl-Ex. ha1040280 Sprache: Englisch Gewicht in Gramm: 800.

Zustand: New. No detailed description available for Studies in Political Science and Sociology .&Uumlber den AutorHu Shih, Newton Edwards, Mark A. May, and othersInhaltsverzeichnisInstrumentalism as a political con.

Encuadernación de tapa blanda. Zustand: Muy Bien. Bruguera, 1980 aprox. Comic. Tebeo. Historias gráficas. 30 paginas aprox por historia (500 aprox.). 27 x 19. Tapa dura piel con dorados en lomo. Sin subrayados ni anotaciones. Perfecto estado de conservación. CONTENIDO POR ORDEN DENTRO DEL TOMO: UN YANQUI EN LA CORTE DEL REY ARTURO / EL SEÑOR DE BALANTRY / EL BUQUE FANTASMA / LA ISLA DE LA AVENTURA / AVENTURAS DE HUCK FINN / LA MONTAÑA DE ORO / LA REINA DE LOS LAGOS / LOS CAUTIVOS DEL BOSQUE / EL LOBO DE MAR / LAS AVENTURAS DE UN GRUMETE / AVENTURA EN EL MISSISSIPI / EN LA BOCA DEL LOBO / LAS AVENTURAS DE TOM SAWYER / LA CRISTIANA DE LA TORRE / DUBROVSKY EL BANDIDO / LA HIJA DEL CAPITAN / RUSLAN Y LUDMILA / EL SIGNO DE LOS CUATRO / LORD JIM / TRAFALGAR.…

Hardcover. Zustand: Brand New. 194 pages. 9.00x6.00x9.21 inches. In Stock.

Hardcover. Zustand: Near Fine. 1st Edition. Viii, 284 Pp. Mustard Cloth Stamped In Red. First Printing. No Marks, Light Wear, Hinges Tight. Warmly Inscribed By The Author To George Outland, The Representative For California'S 11Th Congressional District And A Democrat, And With Outland's Large Blue And White Pictorial Bookplate. Outland Served From 1943 To 1946. This Book Could Have Been A Called A Sociology Of Military Sociopathy By Political Actors And Their Ensembles, But Is Instead The Yale Refocus To Assume Inevitability And To Prevent And Deflect Close Attention To Political Leadership (Of Which Its Graduates Will Form A Conspicuous Part): "Unfortunately There Is No Reliable Evidence Or Information Concerning The Military Attitude Of Hatred Toward The Enemy"; Perhaps A More Judicious View Would Be That There Is No Evidence Of Lack Of A Military Attitude Of Hatred Toward The Enemy, Or Of Any Control Over Millennia Of The Political Sociopathy Which Leads To Wars. Etc. Per Dennis Bryson In The Journal "History Of The Human Sciences", " Underappreciated By Historians Of The Human Sciences, Educational Psychologist Mark A. May Played A Key Role In Managing And Formulating The Policy Of The Institute Of Human Relations At Yale University, Initially As The Institute'S Executive Secretary, Then As Its Director, From 1930 To 1960. Moreover, During The 1920S, The 1930S And After, He Participated In A Number Of Conferences, Seminars, Committees And Other Projects Sponsored By The Social Science Research Council And Rockefeller Philanthropic Organizations. Focusing On May'S Efforts During The Interwar Period, This Article Will Examine How May Worked To Advance An Integrated Program In The Psychological And Social Sciences Affiliated With The Field Of Personality And Culture. For May, A Human Engineering Agenda Geared Toward The Socialization And Education Of The Individual Was Intimately Connected To His Vision Of Interdisciplinary Social Science." The Book Does Not Use Available Information To Examine Causation Nor Indicate How Wars Could Or Should Be Prevented Or Ameliorated, Nor What Training Would Be Appropriate For Ordinary Soldiers, Government Employees, And Their Leaders At All Levels, This Being Left To Survival Of The Fittest. Signed by Author(s).…

Hardcover. Zustand: Very Good. Red cloth with gold lettering ; 31 black & white photographs of glasswork ; poems by thirty-one contemporary American poets ; 86 pp. ; Contents: Harvest morning / Conrad Aiken -- This season / Sara Van Alstyne Allen -- The maker / W.H. Auden -- The dragon fly / Louise Bogan -- A maze / Witter Bynner -- To build a fire / Melville Cane -- Strong as death / Gustav Davidson -- Horn of flowers / Thomas Hornsby Ferril -- Threnos / Jean Garrigue -- Off Capri / Horace Gregory -- Stories / Donald Hall -- Orpheus / Cecil Hemley -- Voyage to the island / Robert Hillyer -- The certainty / John Holmes -- Birds and fishes / Robinson Jeffers -- The breathing / Denise Levertov -- To a giraffe / Marianne Moore -- The aim / Louise Townsend Nicholl -- Pacific Beach / Kenneth Rexroth -- The Victorians / Theodore Roethke -- Aria / Delmore Schwartz -- Tornado warning / Karl Shapiro -- Partial eclipse / W.D. Snodgrass -- Who hath seen the wind? / A.M. Sullivan -- Trip / Hollis Summers -- Models of the universe / May Swenson -- Standstill / Joseph Tusiani -- April burial / Mark Van Doren -- Telos / John Hall Wheelock -- Leaving / Richard Wilbur -- Bird song / William Carlos Williams. ; biographical paragraphs on each poet at back ; scuffs on covers, else VG. Book.…

Single Issue Magazine. Zustand: Good. First Edition. Generously illustrated with black and white photos and illustrations. Features: A Baptism of Fire - A young British Columbia Forest Service Ranger helps to save 100 people trapped in a logging camp from forest fire; Through Arctic Seas - Part II - Wonderful photos accompany this continuation of the cruise of the Hudson Bay Company steamer Baychimo to the Western Arctic to study the Eskimos and wild life; "Kruger's Millions" - ;A diagram is found which may lead to an enormous quantity of gold hidden by President Kruger after the Boer War; How We Fought the Famine - In East Africa Captain Anthony Parsons needed meat to trade to the Angonis for flour for his "boys"; Through Spain in Disguise - Part VI - Count and Countess Malmignati sing and dance their way across Spain disguised as Arab beggars; Photo of river gardens in Siam; The Adventures of a "Sand-Hog" - Photos of brutal subterranean conditions accompany this story of the men who dig tunnels and tubes beneath the Hudson River, between New York and Jersey City; The Thief Who Lost His "Luck" - A Chinese burglar lucks out; "Crawling Cavern" - Close call for Mark Howard in the spring of 1907 while on outpost duty on the coast of Mindanao; Across Central Africa from East to West - Part I - Major Frederick G. Jackson describes his 6,000 mile trans-African trek - with nice photos; The "Phantom Bandits" - In 1923 Joe Tanko and Floyd Hall escaped from San Quentin Prison and terrorized the countryside before they were finally subdued - includes facsimile of their wanted poster; The Mystery Man of Arnhem's Land - a man goes wrong so flees to the wilds, intent on earning enough to make restitution, but ends up in a lonely grave on the Australian coast; The Hakim - A doctor in Kenya includes fortune-telling in his treatment of disease. 84 pages plus 12 pages of nostalgic ads. Bits of peripheral nibbling, otherwise clean and unmarked with moderate wear. A quality copy of this fascinating vintage issue. Prater, Ernest; Nicolson, W.C.; Sindall, A.W.; Cleaver, Reginald; Carruthers, C.P.; Holloway, Cyril; faulks, Jack; Wood, Stanley L.; May, J.A.; Abbey, S. (illustrator). …

7 vol. : [4] pp. (each); 7 vol. : 35.5 x 27.8 cm. (no. 1) ; 30.5 x 22.8 cm. (no. 2) ; 30.5 x 22.8 cm. (no. 3) ; 30.3 x 22.8 cm. (no. 4) ; 30.3 x 22.8 cm. (no. 5) ; 30.3 x 22.8 cm. (no. 6) ; 30.6 x 22.8 cm. (no. 7); black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issues 1 - 7 of Scrap from total of 8, published in New York City and edited by Anita Ventura and Sidney Geist between 1960 - 1962. Issue One, contents include : "A Review of Sculpture this Season," by Sidney Geist ; "Report from the Club" featuring Gabriel Laderman, Neil Mallow, Wolf Kahn, Lester Johnson, Harold Cohen, Louis Finklestein, Paul Georges, Sidney Geist, Landes Lewitin, and E.A. Navaretta ; an overheard conversation betweeen Lois Dodd, Sally Hazelet, and Philip Pearlstein ; "I Confess," by Milton Resnick ; "Pollock by Robertson," by Barbara Butler ; an excerpt from "The Metamorphosis of the Gods" by André Malroux. Issue Two, contents include : a dance review of "Peripateia and Tableaux," by Landes Lewitin and Sidney Geist ; Letters to the editor from Irving Sandler and Sonia Gechtoff ; "Dear Scrap" with comments by Sally Hazelet, Mark di Suvero, Thomas B. Hess, Thomas A. Hess, Milton Resnick, James Terry, Stephen Radich, Hilton Kramer, Ad Reinhardt, R. Gordon, David Smith, and Yvonne Thomas ; "Beating the Beat" by Margaret Randall ; "Rauschenberg," by Paul Brach ; "Kanemitsu" by William McLean ; "Duchamp," by Jasper Johns ; and "Letter from India," by Milton Resnick. Issue Three, contents include : an excerpt from a panel conversation with Ad Reinhardt and Milton Resnick ; Letters to the editor from Richard Maxfield, Stanley Fisher ; "Change : Eight Lectures on the I Ching," book review by Adam Margoshes ; "The Totem," by May Swenson ; "Letter on the Maximus Poems," by James Mellow ; and "Sculpture and Other Trouble," by Sidney Geist. Issue Four, contents include : the reproduction of Peter Selz's essay on Mark Rothko published in MoMA's brochure for Rothko's 1961 exhibition along with an annotated critical response to the text by Sidney Geist. Issue Five, contents include : "Cajori," by Louis Finkelstein ; "A View of Rothko's Images," by Sidney Geist ; "Hard Put," by Margaret Randall ; "Brecht Berlin / New York," by Josephine Herbst ; "Manifestoes on the Music and Dance of 8 Clear Places," by Lucia Dlugoszewski; and letters to the editor by Katharine Kuh and David Sylvestor. Issue Six, contents include : "Yellow can be Black," by John Grillo ; "The Source (Desire)," by Mary Frank ; "Why Am I So?," by Philip Pearlstein ; "No Front-Side-Back-Side," by Tom Doyle ; "Taste of Potatoes," by Milton Resnick ; ".A Bad Habit," by Wolf Kahn ; "The Image Central," by Sonia Gechtoff ; "Catalyst for My Art," by Perle Fine ; "Like a Spider I Go," by Pat Passlof ; "I Had an Indian Nurse," by Alfred Jensen ; "m-m-m-m-MM," by Adam Margoshes ; "Brand-New & Terrific," by Alex Katz ; Includes letters to the editor and a report from the Arts Club. Issue Seven, contents include : "A Number of Things : Editorial Observations," by Sidney Geist ; "The Envious Male," by Adam Margoshes ; "A Wide-Open Image," by George Sugarman ; "Report from the Club," and letters to the editor. Very Good. Near complete set, missing Issue 8. Moderate yellowing from age to all issues. Folded in half as issued with some additional folds and occasional small tears to page edges. 2.5 cm. dog-ear to issue 4. Clean and unmarked. All issues from first printing on newsprint. …

Zustand: Very Good. Very Good condition. Good dust jacket. (war, social psychology) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

8° (19,7 x 13,4 cm), marmor. Halbleinenband mit vergold. Autorennamen a. Schildchen. Die jeweils eingebundenen farbig illustr. Umschläge ausgeschnitten und auf ein neutrales Papier montiert. - Die Karl May-Titel ohne das Blatt mit dem Reihentitel nach dem Titelblatt. - Einband vereinzelt gering berieben, sonst von sehr guter Erhaltung. Sprache: Deutsch.…

Although no photographs of Paganini are known to exist, in 1900 Italian violin maker Giuseppe Fiorini forged this now famous fake daguerreotype of the celebrated violinist. So well in fact, that even the great classical author and conversationalist Arthur M. Abell was led to believe it to be true, reprinting the image in the 22 January 1901 issue of the Musical Courier. In his 1979 biography of Paganini, Leslie Sheppard (and Herbert A. Axelrod) quoted Miss Geraldine de Courcy, 'One of Paganini's most competent biographers' her evaluation of the photograph: 'This picture is so obviously spurious that along with my research, I set forth to track it down with the following results: At the end of the nineties of the last century the violin maker Giuseppe Fiorini (who had removed from Bologna to Munich in the late seventies) was spending some time in Italy and in collaboration with a photographer in Venice, concocted the picture, took it back with him to Germany where he had it copyrighted in 1900 and sold it to a collector of Paganiniana. The picture eventually came into the Theatre Collection of Raymond Mander and Joe Mitchenson in London. When the publishing firm of Rockliff was preparing to bring out the English edition of the Farga book, they applied to this collection for a picture of Paganini and were given the one mentioned. To have accepted it unquestionably demonstrates the lack of judgement of the average person in taking too much for granted. Instead of Paganini's 'long slender hands' the picture gives us those of - to use a common expression - 'a butcher's hands.' The costume is obviously that of the late seventies, and the manner of displaying the medals equally so. In fact, Paganini only possessed three and among them there were none of the Cross of Saints Maurizie and Lazarre, which stands forth so prominently in the picture! As far as I have been able to ascertain the picture was only published once in Italy, early in 1915, that is, shortly after Fiorini's return for a visit after moving his business from Munich to Luzerne. The Italians have always sharply repudiated this picture and have refused to display it, even as a curiosity'. Framed in wood 14½'' x 8¾'', 'original' of this then widely acclaimed and publicised fake. Under left bottom it says: Eigenth.u Verl. v G. Fiorini, München, under right side: Heliogravüre Oberneffer, München, further down on left are some hand drawn music scores printed in Paganini style, to the right of scores his upward slanting signature 'Nicolò Paganini', under his signature and extending to right edge of inner frame is sharply and succinctly stamped into the lithograph paper: 'Copyright 1900' with direct under it: 'By G. Fiorini-München' (Giuseppe), then at bottom centre: Comm. Verl v Breitkopf u Härtel, Leipzig. The Heliogravüre photo is sepia, the print surround edges are distinctly pressed into the suitable paper within a plate marked impression and measure 23.7cm x 11.3cm with the outer margins of the print extending into the narrow, intact wooden frame which sit in glazed original plain flat oak frame, the overall outside measuring 36.7cm x 22.5cm. The reverse of the frame carries the stamp of an art business in Bern: 'Einrahmung-Geschaft, Bilder und Spiegel Handlung'. Bern, 11 Kramgasse 11. (Kramgasse is still the up-market shopping street in Bern). The ownership name is in large print at an angle and reads D. Thurni - a family name connected with Bern. The paper shows some foxing, but has retained its original creamy white colour and is not sun tanned. As we understand it, when the the nature of this Heliogravure was discovered the art world went into overdrive to trace and destroy all known copies sold. We have carefully removed the back which carries an indistinguishable German name in pencil along with a folded German newspaper cutting circa 1909. Member of the P.B.F.A. MUSIC [Classical]. …