maxwell shane (7 Ergebnisse)

Two vintage hand-tinted still British front-of-house cards from the UK release of the 1955 US film. Mike Cormack is hired to fly to a Caribbean island to retrieve a missing ruby. Waiting on the island, under questionable circumstance, is his ex-girlfriend. Set in the Caribbean. 8 x 10 inches. Faint creases, else Near Fine.

Vintage studio still photograph from the 1941 film, showing actors Richard Arlen and Eva Gabor. An American pilot falls in love with a woman from the fictitious tropical country of Mosaque. The second film released by Pine-Thomas Productions, preceded by "Power Drive," and followed by "Flying Blind," all released in 1941 and all starring Arlen as an aviator. 10 x 8 inches. Very Good, with a few small bruises to the center-right portion of the image, and light creasing to the edges.

Vintage photograph of members of the crew on the set of the 1943 film. A nitroglycerine trucker teaches his girlfriend's brother how to manage such the dangerous job, until he eventually gets into a tragic accident. 10 x 8 inches. Near Fine.

Soft cover. Zustand: New. xvii, 241 pages of illustrations, facsimiles, portrait 23 cm. Maintaining the collaborative and interdisciplinary ethos of the series, The Enclave of My Nation is an absorbing collection of essays showcasing original and innovative research by emergent scholars in the area of Irish and Scottish Studies. Articles in this volume derive from papers given at the 2007 Crosscurrents conference at the University of Aberdeen. "If I Prolonged the Look to Rediscover Your Face": Medbh McGuckian's Ekphrastic ElegiesShane Alcobia-Murphy "Thou Sleepest, but We Do Not Forget Thee": Time and Memory in Charles Maturin's The Milesian Chief Adeline Amar "Learning from Eliot": Seamus Heaney and Exemplarity Sukanya Basu Neither Here nor There: Children and Orphans in the Work of Lynne Ramsay Sally Baxter "The Visionary Place, the Obstructed Moment": Meditations on the "Liminal" in the Poetry of Eavan Boland and Mary O'Malley Megan Buckley Comedy in the Community: Confrontation in Mary Costello's Titanic Town Lynne Crook Functions of the Harper Bard Trope and Icon in Constructions of Irish and Scottish Identity Emily Cullen Images of Children and Adolescents in the Poetry of the Northern Irish Conflict Michela Dettori The Scottish Civil War and the Dukes of Atholl, 1689 1746 Cheryl Garrett "Locarno Two": Joyce, Conrad and Paulin Ashley Lange Jane Austen and the United Kingdom Margaret Matthews "Atalkin' to You'self": R.D. Laing's The Divided Self and Brian Friel's Philadelphia, Here I Come! Margaret Maxwell "Where Have All the Lassies Gone?" An Examination of Proportionate Representation in Scotland's Gaelic Television Programming Lindsay Milligan The Reception of Contemporary Scottish Poetry in Ireland: The Case of Poetry Ireland Review Val Nolan "Bloody Mavericks" Revisited: A Reappraisal of Irish Foreign Policy since 1919 Helen O'Shea Irish Traveller Women's Identity and a Meta-physical Economy Andrea Redmond Disrupted Identities: Irish Emigrant Poetry in Nineteenth-century Canada Katrin Urschel "Grand Napoleons of the Realm of Print"? Filthy Lucre in J.G. Lockhart's Life of Scott Dan Wall Writing the Borders: Fairies and Ambivalent National Identity in Andrew Lang's The Gold of Fairnilee Yuki Yoshino.

Shooting Final Draft script for the 1952 film. Brief annotations in manuscript pencil on a few pages. Included is a vintage black-and-white still photograph from the UK release, circa 1952, of the 1952 US film. Features Jean Peters, with distributor rubber-stamps on the verso. Based on Ferdinand Reyher's 1946 novel, about a barber (Wayne) at the turn of the century, watching his small town grow around him. He tries to shield his wife, Nellie (Peters), from the outside world, but she rebels while he is away at war and takes a fateful trip to Chicago, in what turns out to be the first of a string of crises. Overall a stunning portrayal of early twentieth century midwestern Americana. Set in the fictitious town of Sevillinois, Illinois, and shot on location in Castleton, Hutchinson, and Pretty Prairie, Kansas. Cream titled wrappers, noted as SHOOTING FINAL on the front wrapper, rubber-stamped copy No. 7, dated July 23, 1951. Distribution page present, with receipt intact. Title page present, dated July 23, 1951, noted as Shooting Final, with credits for screenwriter Scott and novelist Reyher. 114 leaves, with last page of text numbered 112. Mimeograph on eye-rest green stock. Pages Near Fine, wrapper Very Good plus, bound internally with three gold brads.

Draft script for an unproduced film. Copy belonging to Ben Colman, after previously being owned by screenwriter Maxwell Shane, with both of their names and addresses on the first page. Based in part on an adventure story by Daniel Defoe. The film opens with a man trying to drown himself in the ocean as he reflects on his journey to this point of his life. Maxwell Shane began as a screenwriter, and found his greatest recognition as a director of five key films noir in the 1940s and 1950s, including "Fear in the Night" and "City Across the River." Blue titled wrappers. Title page present, with credits for screenwriter Maxwell Shane, and author Daniel Defoe. 145 leaves, with last page of text numbered 142. Mechanical duplication. Pages Near Fine, wrapper Near Fine bound internally with three gold brads.

Final Shooting script for the 1949 film noir, here under the working title (and title of the source novel) "The Amboy Dukes." Annotations in manuscript pencil to the title page and front wrapper, the latter accompanying a distribution stamp noting two copies and the name of recipients. Based on the 1947 novel by Irving Shulman, about two gang members who accidentally kill a schoolteacher. The screen debut of Tony Curtis. Red titled wrappers, dated August 19, 1948, and noted as FINAL SHOOTING SCRIPT on the front wrapper. Title page present, with credits for Shulman and screenwriters Maxwell Shane and Dennis Cooper. 133 leaves, with last page of text numbered 132. Mimeograph duplication, rectos only. Pages Near Fine, wrapper about Near Fine, bound with two gold brads. Grant US. Selby US. Spicer US.