max rooses editor (17 Ergebnisse)

Zustand: Acceptable. Most items will be dispatched the same or the next working day. A readable copy. All pages and the cover are intact (dust cover may be missing). Pages can include considerable notes--in pen or highlighter--but notes cannot obscure the text. An acceptable condition later edition book. An ex-library copy with the usual amount of stamps. No dust jacket. Some wear to the cover edges and spine. Cracks in the hinge beside both boards that expose netting and make the covers a little loose. The textblock remains reliably bound and internal contents are bright and unfaded with a few dusty marks throughout. Excellent as a reading copy.

HARDCOVER. Zustand: Very Good. 1st Edition. Large quarto; leather boards moderately rubbed to bottom and front edge; bookplate remnant to front pastedown; previous owner name to prelims; tight binding; filled with beautiful black-and-white artwork reproductions. VG.Large quarto; leather boards moderately rubbed to bottom and front edge; bookplate remnant to front pastedown; previous owner name to prelims; tight binding; filled with beautiful black-and-white artwork reproductions. VG. .

3. Paris, Société Française d'Editions d'Art, s.d. (ca. 1897), 1 vol in-4°, 30 x 24,5 cm, xvi + 253 pp with b/w ills & 6 original etchings by Zilcken, sewn, imitation vellum wrappers (a bit soiled and wrinkled). (This survey consists of a series of 12 articles by various well-known writers on the life and works of the most celebrated Dutch painters of the 19th century; Bosboom, Rochussen,Bles, Roelofs, Israëls, Ronner, Weissenbruch, Alma Tadema, Stortenbeker, Bisschop, Gabriël, G.J. van den Sande Bakhuijzen. (another 3 volumes, not present here, were published).

3. Anvers, La Librarie Néerlandaise, s.d. (ca. 1897), 1 vol in-4°, 30 x 24,5 cm, 238 pp with b/w ills & 6 original etchings by Zilcken, orig. green decorated cloth in art nouveau style. (This survey consists of a series of 12 articles by various well-known writers on the life and works of the most celebrated Dutch painters of the 19th century; Bosboom, Rochussen, Bles, Roelofs, Israëls, Ronner, Weissenbruch, Alma Tadema, Stortenbeker, Bisschop, Gabriël, G.J. van den Sande Bakhuijzen. (another 3 volumes, not present here, were published).

5. Antwerpen, P. Kockx, Boekhandelaar der Maatschappij, ( printed by J.E.Buschmann), 1878, in-8°, 23 x 15 cm, 108 pp. Copy n° 26 printed for Fr. J. Olivier on high quality paper. Bound in contemporary blue quarter morocco, raised gilt spine, top edge gilt, marbled endpapers. Fine copy in a nice contemporary binding (unsigned). This is the first publication by '' de Maatschappij der Antwerpsche Bibliophilen''. We have several other publication in this series, all in bindings uniform with the binding of this copy.

5. Antwerpen, P. Kockx, Boekhandelaar der Maatschappij, ( printed by J.E.Buschmann), 1880, in-8°, 23 x 15 cm, 146 pp. Copy n° 26 printed for Fr. J. Olivier on high quality paper. Bound in contemporary blue quarter morocco, raised gilt spine, top edge gilt, marbled endpapers. Fine copy in a nice contemporary binding (unsigned). This is the sixth publication by '' de Maatschappij der Antwerpsche Bibliophilen''. We have several other publication in this series, all in bindings uniform with the binding of this copy.

7. Anvers, La Librarie Néerlandaise, s.d. (ca. 1897), 4 vols in-4°, 30 x 24,5 cm, each vol. ca. 275 pp, with photogravures and 6 original etchings by Zilcken, uniform decorated cloth with Art Nouveau design, top edges gilt. This important survey consists of a series of articles by various well-known writers on the life and works of the most celebrated Dutch painters of the 19th century, with a summary of the entire school by Max Rooses. Each volume contains the essays and reproductions of 12 artists. Their names are listed on the spines of the volumes. Each essay is illustrated with b/w text ills, full page photo engravings and a total of 24 original engravings, these interpretation etchings are works of graphic art in themselves and constitute very good examples of the art of engraving in Holland at the end of the 19th century. See Arntzen & Rainwater M 427. (Text in French, fine set).

#Antwerpen, Nederlandsche Boekhandel, 1900, 5 vols in-4°, 30 x 24,5 cm, each vol. ca. 275 pp, with b/w ills & a total of 27 original etchings by Zilcken, (complete), Publisher's softcover (decorated vellum paper). Some volumes slightly disbound, spines dusty and with some minor loss of paper, a few unimportant stains but overall still a good copy. This important survey consists of a series of articles by various well-known writers on the life and works of the most celebrated Dutch & Flemish painters of the 19th century, with a summary of the entire schools by Max Rooses. Each volume contains the essays and reproductions of 12 artists. Their names are listed on the spines of the volumes. Each essay is illustrated with b/w text-ills, full page photo engravings and a total of 27 original engravings, these etchings are works of graphic art in themselves and constitute very good examples of the art of engraving in Holland at the end of the 19th century. Arntzen & Rainwater lists the English edition : M 427 . We offer here the rare complete Dutch edition (boek in het Nederlands).

14. Anvers, La Librarie Néerlandaise, s.d. (ca. 1897), 5 vols in-4°, 30 x 24,5 cm, each vol. ca. 275 pp, with b/wills & 6 original etchings by Zilcken, uniform decorated cloth, top edges gilt.This important survey consists of a series of articles by various well-known writers on the life and works of the most celebrated Dutch & Flemish painters of the 19th century, with a summary of the entire schools by Max Rooses. Each volume contains the essays and reproductions of 12 artists. Their names are listed on the spines of the volumes. Each essay is illustrated with b/w text ills, full page photo engravings and a total of 30 original engravings, these interpretation etchings are works of graphic art in themselves and constitute very good examples of the art of engraving in Holland at the end of the 19th century. See Arntzen & Rainwater M 427. (Text in French, very fine set).

Anvers, La Librarie Néerlandaise, s.d. (ca. 1897), 5 vols in-4°, 30 x 24,5 cm, each vol. ca. 275 pp, with b/wills & 6 original etchings by Zilcken, uniform decorated cloth, top edges gilt.This important survey consists of a series of articles by various well-known writers on the life and works of the most celebrated Dutch & Flemish painters of the 19th century, with a summary of the entire schools by Max Rooses. Each volume contains the essays and reproductions of 12 artists. Their names are listed on the spines of the volumes. Each essay is illustrated with b/w text ills, full page photo engravings and a total of 30 original engravings, these interpretation etchings are works of graphic art in themselves and constitute very good examples of the art of engraving in Holland at the end of the 19th century. See Arntzen & Rainwater M 427. (Text in French, very fine set). Livre en français. Très belle série.

Antwerpen, Imprimerie Plantinienne, 1877, in-f°, 46 x 35,5 cm, title printed in two colours with woodengraved vignet, 40 nn pp + 35 engraved plates, bound in contemporary half leather, raised spine with gilt title, some scratches but still a fine copy. Prestigious publication, printed on thick Dutch paper, by the newly founded Plantin-Moretus Museum, with explanatory text from Max Rooses. The album consists of 30 contemporary engraved title pages and 5 portraits after designs by P.P. Rubens. The engravings are printed from the original copper plates. The engravings came in the possession of the Museum in 1876 when the print- and publishing house of Plantin-Moretus became a museum. Engravers are e.g.; Lucas Vorsterman, Cornelis Galle a.o. The commentary by the curator of the Museum and eminent Rubens specialist is based on the rich archives of the museum and includes transcripts of the originals invoices of Rubens and the engravers for these beautiful baroque title pages and portraits. The sitters for the portraits are ; Leonardus Lessius , King Philip IV of Spain , Johan van Havre , Pope Urbanus VIII , Justus Lipsius.

Antwerpen, Antwerpsche Bibliophilen, Buschmann/Hoste, Nederlandsche Boekhandel, 1883-1918/1955, 9 + 1 vols in-8°, ( bound in 9 vols), each vol. ca. 300 pp, uniform modern grey cloth, leather label on spine. The first volumes were printed on laid paper. Some of the volumes are ex-library (but nevertheless very clean) and have a small stamp on the verso of the title or/and a printed label on the half title. Very nice set of the only edition of the correspondence of the Plantin press during the years 1555 - 1589.

3. Anvers, La Librarie Néerlandaise, s.d. (ca. 1897), 1 vol in-4°, 30 x 24,5 cm, 238 pp with b/w ills & 6 original etchings by Zilcken, contemp. red morocco. Consists of a series of 12 articles by various well-known writers on the life and works of the most celebrated Dutch painters of the 19th century; Jacob Maris, Willem Maris, J.C.Klinkenberg, L.Apol, Blommers, T.Schwartze,J.H.L.De Haas, F.H.Kaemmerer a.o. (This is volume II of the series, another 3 volumes, not present here, were published).

Antwerpen, De Nederlandsche Boekhandel, 1901, in-folio, 38,5 x 26,5 cm, vii pp + (138)nn pp being the facsimile edition, containing 67 portraits (here in two-toned lithography). Sewn, original printed wrapper. Spine damaged with loss of paper, some foxing throughout but mostly in the margin, uncut copy. Published as volume 21 in the series; '' Uitgaven der Antwerpsche Bibliophilen ''.

Antwerpen, De Nederlandsche Boekhandel, 1901, in-folio, 38,5 x 26,5 cm, vii pp + (138)nn pp being the facsimile edition, containing 67 portraits (here in two-toned lithography). Sewn, original printed wrapper. Spine damaged with loss of paper, original wrapper (printed on poor paper) damaged with some marginal loss of paper (no loss of text). Interior fine. One of the few copies (n° 21) printed on high quality laid paper. Printed for M. Delevigne. Published as volume 21 in the series; '' Uitgaven der Antwerpsche Bibliophilen ''. This is a facsimile edition of the Plantin edition of 1574. Ex-library copy with a small oval stamp on the title page.

Lisbonne ( Lisboa ) , Imprimerie Nationale, 1890, large in-8°, 40 pp, title printed in red and black, printed on high-quality paper. Sewn, original printed wrapper. Printed in a small number of copies to be offered at the International Conference on the Book, organised in Antwerp at the Plantin-Moretus Museum in 1890. ( La Conférence du Livre). Nice unopened copy, only cover slightly discolored.

Antwerpen, Imprimerie Plantinienne, 1877, in-f°, 46 x 35,5 cm, title printed in two colours with woodengraved vignet, 40 nn pp + 35 engraved plates, bound in a publisher's illustrated cased paper binding . (binding dustsoiled and a bit discoloured, some wear at the extremities, especially at top and end of spine - some loss of material here). Interior in perfect stainless condition. This prestigious publication, printed on heavy Dutch paper was published one year after the famous Plantin Press in Antwerp (now World Heritage) became a museum. The editor of this album, also the first curator of the museum collected from the rich holdings 35 engraved copper plates, These original plates were used to print the title pages of a series of 17t c. publications by the Plantin Press. 5 plates are portraits. The engravings are printed from the original copper plates by the master printer Buschmann. Engravers are e.g.; Lucas Vorsterman, Cornelis Galle a.o. The commentary by the curator of the Museum and eminent Rubens specialist is based on the rich archives of the museum and includes transcripts of the originals invoices of Rubens and the engravers for these beautiful baroque title pages and portraits. The sitters for the portraits are ; Leonardus Lessius , King Philip IV of Spain , Johan van Havre , Pope Urbanus VIII , Justus Lipsius. This unique reprint from the original plates , designed by Rubens, was certainly intended to put the museum and its rich contents into the eye of the art-and book lover. Modern conservation-and museum management practice surely prohibits forever a re-issue of this fine album.