Max ernst: lithograph (46 Ergebnisse)

First Edition. First edition. Softcover. Exhibition catalog for a show that ran April 16 through July 15, 1972. Text in German by Werner Spies. Includes 1 tipped in color plate, numerous black and white illustrations, and 1 color lithograph in rear. An about very good copy in wrappers with tears to the base of the spine, some bumping to the corners, and a tiny hole to the rear panel and to the last few pages including the lithograph. A solid reference copy.…

Zustand: Good. 4to. 24.5 x 31 cm. Original pictorial boards. Original lithograph by Charles Lapicque, LACKING those by Salvador Dali, Wilfredo Lam, Jacques Herold. Ex-Rose Marie Mannion library at Notre Dame. Some markings. Good.

London, Ebeling Publ., 1976. 135 pp. Col. & b.w. ills. Orig. hardcover (gilt lettered red cloth over boards), d./j.English reprint of the 1971 French special issue of XXe siècle. - With a reproduction of a lithograph by Max Ernst.

Orig. hardcover (gilt lettered red cloth over boards), d./j.English reprint of the 1971 French special issue of XXe siècle.(' With a a lithograph executed by the artist specially for this book)Condition: near fine.

First Edition. First edition and first printing. Hardcover. A special issue with 29 color plates and 130 black and white reproductions and 1 original color lithograph. A tight near fine copy with some offsetting to the endpapers from the flaps of the very good plus dust jacket with a few small edge tears and chips and minor wear. Lithograph in fine condition.…

Zustand: Good. Brusberg Dokumente 3. Folio. 158 pp. Illustrated. Text in German. One of 5555 numbered copies with an original lithograph. As new in wraps. Max Ernst. (illustrator).

Zustand: Good. First Edition. Max ERNST | Dent prompte - Au liège rendu par la mer | Year: 1963 | Medium: lithograph - lithographie | Dimensions: 39 × 47 cm | Image Size: 39 × 47 cm | Support: Arches paper - papier Arches | Signature: unsigned and not numbered - non signé(e), non numéroté(e) | Edition: 240 copies | Editor: Galerie Lucie Weill - Au Pont des Arts | Printer: Mourlot | Catalogue Raisonné: Spies 106 | Additional Information: print from a book - défêt de livre | Condition: in very good condition - en très bon état | Max ERNST's work "Dent prompte - Au liège rendu par la mer" from 1963 is a lithograph on Arches paper. It measures 39 × 47 cm. It is unsigned and not numbered. From an edition of 240. Printed by Mourlot. It is referenced as Spies 106 in the catalogue raisonné. | Keywords: Surrealism, Still life - Surréalisme, Nature morte. Max ERNST (illustrator).…

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. All tall folios and each volume half cloth with printed paper over boards + pasted-on title on spine and (double) off-white printed wrappers. Volume 1: Werke 1906-1925. 416 pages, 789 illustrations, list of exhibitions, bio- and bibliography. Volume 2: Werke 1925-1929. 402 pages, illustrations from 790 - 1563, list of exhibitions, bio- and bibliography. Volume 3: Werke 1929-1938. 396 pages, illustrations from 1564 2303, list of exhibitions, bio- and bibliography. Volume 4: Werke 1939-1953. 381 pages, illustrations from 2304 - 3041, list of exhibitions, bio- and bibliography. Volume 5: Das Graphische Werk. Bearbeitet von Helmut R. Leppien unter mitarbeit von Winfried Konnertz, Hans Bollinger und Inge Bodesohn. 288 pages, illustrated throughout in black and white + loosely inserted an original colored lithograph by Max Ernst. - All first editions. …

4°. 32 x 25 cm. 131 (1) Seiten. Original-Leinenband mit Original-Schutzumschlag. 1. Auflage. Französischsprachige Ausgabe. Mit einer eingebundenen Original-Farblithografie von Max Ernst exklusiv für diese Ausgabe. Buch mit zahlreichen Abbildungen. Schutzumschlag an den Rändern leicht gewellt. Innendeckel teils gebräunt. Vorsatz mit Besitzerstempel. Gutes bis sehr gutes Exemplar. First edition. French language edition. With one original lithograph by Max Ernst exclusive for this edition, bound to the spine. Book with many illustrations. Original cloth binding with dust jacket. Dust jacket lightly wavy at the margins. Inner covers partly darkened. Endpaper with owner seal. Nearly fine copy. …

Groß-8°. 23 cm. 12 Blatt. Original-Broschur mit beiliegendem Original-Schutzumschlag. Nummer 469 von 1000 Exemplaren mit einer Original-Lithografie von Max Ernst auf Umschlagdeckel. Französischsprachige Ausgabe. Publikation anlässlich der Ausstellung der Galerie Alphonse Chave in Vence (Cote d Azur), 23.2.-12.3.1971. Mit Abbildungen in Farbe und Schwarzweiß. Sehr gutes Exemplar. Number 469 of 1000 copies with an original lithograph by Max Ernst on front cover. French language edition. Exhibition catalogue. With illustrations in b/w and color. Original softcover with enclosed dust jacket. Fine copy.…

Paris, 1964. 96 [47] pp. Col. & b./w. ills. Softcover. (XXe siècle, XXVIe année, Nouvelle série no 23).The cover is an original lithograph by Max Ernst.

Cartonnage Éditeur. Zustand: Très bon. Ed. originale. Stuttgart, Belser-Presse, 1971. 39,5 x 30 cm, in-folio, 79 pp. - 3 lithographies en couleurs hors texte, cartonnage et étui de l'éditeur en pleine toile bise, pièces de titre. Edition originale de cette conférence donnée à l'Académie bavaroise des Beaux-Arts de Munich le 9 juillet 1970. Texte bilingue allemand / anglais. Tirage à 205 exemplaires. Celui-ci l'un des 20 hors commerce, signé au colophon par Max Ernst. Les lithographies ont été tirées par Pierre Chave à Vence. Etui partiellement bruni, quelques infimes rousseurs à la tranche de gouttière. Max Ernst (illustrator). Signé par l'illustrateur.…

Zustand: Very good. First Edition. Limited edition of Ernst's frottage drawings, with 52 plates omitted from the 1926 edition along with the original 34 plates, texts by Eluard, Arp, and Ernst's own "Leitfaden," in a sturdy library binding with the original lithographed cover bound in. 13.5'' X 11''. Contemporary (1968) half black leather with black cloth. Gilt-stamped spine. All edges speckled in red. Edition of 700 copies, of which this is no. 238. Illustrated with 86 offset-printed reproductions and 32 color plates. Original cover lithograph printed by Mourlot present, bound in. Text in French and German. 167, [3] pages. Formerly the property of the City of Liverpool Public Libraries, with their bookplates to front and rear paste-downs and small stamp on page facing table of contents. Hinges reinforced. Light edgewear. Moderate chipping to spine ends.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 2nd Edition. 4° - 135pp - one original color Lithograph and Color & B/w reproductions. Hommage à Max Ernst (1891-1976) German painter, sculptor, graphic artist, and poet. A prolific artist, Ernst was a primary pioneer of the Dada movement and surrealism. First German edition - second edition, the first edition, was published in french by XXe siècle) - containing one original color lithograph. Original binding and dust-jacket. In Very good condition.…

Paperback. Zustand: Good. First Edition. 23 x 33cm good paperback exhibition catalogue, some minor wear to spine and extremities. Includes one tipped in colour plate, numerous black and white illustrations, and one colour lithograph iat the rear of the catalogue. Text in German.

Hannover. Kestner-Museum. Brusberg Dokumente 3, MAX ERNST: Jenseits der Malerei - Das Grafische Oeuvre. Unpaginated catalogue of approx. 100 pp., copiously illustrated with b&w plates. Folio, wraps. 1972. Limited Edition With Original Lithograph.

Zustand: Gut. Ca. 100 unpaginierte Blatt, mit zahlr. Abb. 31,5 x 24 cm. Orig.-Karton, mit einer farbigen Original-Lithographie von Max Ernst. -- Vorderdeckel mit Original-Lithographie von Max Ernst. - Weitere Bild- und Textbeiträge von bzw. über Francis Bacon, A. Pieyre de Mandiargues, Edvard Munch, Max Ernst, James Metcalf u.a. - Die Werbebanderole im Falz gerissen. -- Gering bestoßen, innen sauber, insgesamt gut. -- Fine copy with original belly belt. Cover illustration: original lithograph by Max Ernst. Sprache: Deutsch Gewicht in Gramm: 2000. …

Hardcover. Zustand: Very Good. med originallitografi Special Issue of the XXe Siecle Review. New York: Tudor Publishing Company, 1971 Hardcover. Dust Jacket Included. folio. pp. 131, 1. 159 illus. (29 colour). 1 original colour lithograph. cloth. Additional photos on request.

Zustand: Fine in very good jacket. First Edition. First US edition of this imposing and heavily illustrated monograph, completed with the artist's approval and including the text of his "Notes for a Biography" along with criticism by Patrick Waldberg, Uwe M. Schneede, and Diana Waldman. 12'' x 11.5''. Original ivory cloth. In original unclipped ($85.00) dust jacket and original black cloth slipcase. 683 illustrations, including 356 in color. Fold-out lithograph frontispiece signed by the artist on the stone and printed by Pierre Chave of Vence. Translations from the French by Kenneth Lyons. 444 pages. Scuffing to jacket edges, small blank sticker placed over original printed jacket price. Minor soil to slipcase.…

First Edition. First edition and first printing. Text in French. Terrific issue of this nicely printed art journal. Includes articles on Richard Lindner, Marcel Douchamp, Giorgio de Chirico, and others. Includes numerous color and black and white illustrations and with an original color lithograph of a work by Richard Lindner, Dorothea Tanning, and Max Ernst. A very good plus copy in illustrated boards with some very minor wear and from the library of the Marlborough Gallery with one small rubberstamp but otherwise free of marks. No dust jacket as issued. A pleasing copy with all three lithographs in fine condition.…

Soft cover. Zustand: Very Good. 1st Edition. Nouvelle Série. Un siècle d'angoisse. XXVI Année. Cahiers d art, Paris, 1964. French Art Review directed by Gualtieri di San Lazzaro. Front cover with one original lithograph in color by Max Ernst. This number includes many illustrations in black and white, and full pages in color. Texts by Waldber, Dora Vallier, Pieyre de Maniargues, Boudaille, and others. Good. One inch of spine detached (see photo).…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Houston, Menil Foundation and Cologne, M. DuMont Schauberg, 1975. Large quarto, xxiv, 288 pages with approximately 620 illustrations plus an original two-colour lithograph (signed on the stone by Max Ernst and printed on Velin d'Arches paper, image size 207 × 143 mm) with a blank guard-leaf. Quarter blue cloth and cream papered boards lettered and decorated in black on the front cover, with paper title-labels on the spine; top edges, endpapers and the first and last pages lightly foxed; other edges a little marked; an excellent copy with two examples of the dustwrapper (one fine, one marked). One of 1500 copies; the text is in German, English and French. The first volume of 'Max Ernest Oeuvre-Katalog', under the general editorship of Werner Spies.…

Zustand: Fair. Cologne: Galerie der Spiegel, 1960. 1st edition. Limited to 300 copies. Episode 24. Folio hardcover. Illustrated red cloth with white spine lettering. 23 unnumbered leaves. German. Nine etchings, two tipped-in plates. Poor book. Cloth slightly faded, with a 1.5 diameter spot of dampstaining on front board. Spine cracked. Multiple pages detached from binding. Tissue guards creased. Lacking the four color lithograph by Max Ernst and two color collage by Hans Arp. In polypropylene bag. (Jean Arp, Max Ernst, Art, Books in German) Inquire if you need further information.…

Folio. (516 x 350 mm). [2 bifolia (text on smaller sheets) + 34 leaves of plates]. Leaf with title, leaf with list of plates recto and verso, leaf with Arp's introductory text recto and verso, blank leaf with justification verso (all on smaller sheets) and 34 lithograph plates by Max Ernst each printed recto only and numbered I - XXXIV (sheet size: c.498 x 324 mm or the reverse). Loose as issued in original publisher's cloth-backed blue, turquoise and black paper board portfolio, printed title label to upper board, publisher's label to upper right interior corner of rear board, blue cloth ties. A superlative unsophisticated édition de tête example of exceptional rarity of Max Ernst's early frottage experiments. From the edition limited to 300 numbered copies (6 lettered hors commerce copies were also issued), with this one of the first 20 édition de tête copies on Japon Impérial signed and numbered '13' in ink by Max Ernst. 'Ici encore la surréalité et non la réalité reprendra ses droits.' (André Breton). One of Ernst's earliest childhood recollections was of an imitation mahogany panel opposite his bed which he was prone to peruse while falling asleep. Such an image helped spark his invention of frottage (rubbings of diverse materials such as planks, bricks, watch parts, cheese graters, buttons, etc.). Made during the latter half of 1925, this album represents only a small portion of the hundreds of frottages Ernst produced during that period. Bearing both poetic and descriptive titles (The Fascinating Cypress, The Vaccinated Bread), the plates are introduced by Ernst's dada compatriot Hans Arp by means of a long automatic prose poem. The text is printed without capitals throughout; the final plate ('éve la seule qui nous reste') is misnumbered '43' in the list of plates. 'vous voyez donc qu'on ne consume monsieur son père que tranche par tranche. impossible d'en finir en un seul déjeuner sur l'herbe et le citron même tombe à genoux devant la beauté de la nature.' (arp's final paragraph in the 'introduction'). 'Sans aucune doute l'ouvrage le plus beau dû à la technique du 'frottage', inventée par Max Ernst, comme équivalent pictural à l'écriture automatique.' (see catalogue de la Bibliothèque Daniel Filipacchi, Première Partie'). Copies of 'Histoire Naturelle' on Japon Impérial paper from the édition de tête, as here, are of exceptional rarity. As with Max Ernst's other early books, such as 'La Femme 100 Têtes' and 'Rêve d'une Petite Fille qui Voulut Entrer au Carmel' which were also issued in the édition de tête in small numbers on Japon Impérial, copies appear very rarely on the market. We can locate only three other examples on the market in the last 30 years: the Filipacchi édition de tête copy of Ernst's Histoire Naturelle, sold at Christie's Paris in 2004, a copy sold at Ketterer Kunst Doerling in 2016 and the copy of Jean-Paul Kahn sold at Pierre Bergé et Associés, 2020. 'Histoire Naturelle' was the second book published by the legendary gallerist and publisher Jeanne Bucher (1872 - 1946) after Jean Lurçat's 'Baroques' (1925). Bucher would publish some of the most important works of Surrealism including Miro's first book 'Il était une petite pie' (1928), Max Ernst's 'Une semaine de bonté' (1934), Hugnet and Duchamp's collaboration 'La septième face du dé' (1936), Eluard and Man Ray's 'Les mains libres' (1937) and Hans Bellmer and Hugnet's 'Oeillades ciselées en branche' (1939) among others. [see 'La Révolution Surréaliste', no. 9 / 10, 1927, pg. 41; see lot 112, 'Bibliothèque Daniel Filipacchi, Première Partie', Christie's Paris, Jeudi 29 Avril, 2009; see lot 107, 'Mille Nuits de Rêve, Collection Genebviève et Jean-Paul Kahn II', Pierre Bergé et Associés, Paris, Vendredi 9 Octobre, 2020].…

Hardcover. Zustand: gut. 1975. Das graphische Werk. Bearbeitet von Helmut R. Leppien. Unter Mitarbarbeit von Winfried Konnertz, Hans Bolliger und Inge Bodesohn. [Vorzugsausgabe mit signierter Original-Farblithografie with signed original colored lithograph]. In deutscher Sprache. pages.

Folio. (396 x 288 mm). [27 bifolia: 54 leaves; pp. 95, (i)]. Leaf with half-title and justification verso, leaf with original colour lithograph verso as frontispiece, printed title and Ribemont-Dessaigne's verse illustrated with 34 original colour lithographs (frontispiece and 24 full-page, 9 as head- or tail-pieces) and 2 original vignettes by Max Ernst, 'Table of Lithographs', final leaf with colophon recto and copyright verso. Loose as issued in original publisher's printed wrappers with vignette by Ernst to front cover, blue cloth chemise with purple vignette (a reduced version of that for the wrapper) and title to spine in purple, matching slipcase. From the edition limited to 714 numbered copies, with this one of 217 copies on Vélin d'Arches in English, signed by the author and artist.…

2 vols. Tall 8vo. (316 x 125 mm). [10 unnumbered leaves from 5 bifolia of japon ancien; 14 unnumbered leaves from 7 bifolia of glossy paper]. Original etching with aquatint by Max Ernst, signed in pencil at lower right (sheet size: 310 x 106 mm; image size: 201 x 54 mm); the accompanying booklet, in matching format on glossy white paper features 12 reproductions of monochrome photographs. Original publisher's grey / green wrappers with printed vignette in black to front covers and white glossy wrappers with title to front cover in black, loose in original publisher's envelope with matching vignette and numbered at upper right in pencil in Iliazd's hand as per the book. A very fine copy in the original printed envelope of the very scarce Iliazd and Ernst collaboration to mark the publication of Maximiliana. From the edition limited to 70 copies on japon ancien numbered and signed by Iliazd in pencil and with Ernst's signed etching. This copy also includes the original invitation - a sheet of red card (303 x 102 mm) with printed text in black, the typography by Iliazd, recto only - to the vernissage of the exhibition of the collaboration between Iliazd and Ernst 'Au Point Cardinal' in rue Jacob, 'le Mercredi 29 Avril', 1964. 'L'art de voir de Guillaume Tempel', was published to coincide with the exhibition of the text and etchings for Iliazd and Ernst's forthcoming collaboration 'Maximiliana, ou l'exercise illégal de l'astronomie', held at 'Point Cardinal', 3 rue Jacob in Paris, from April 29th to May 30th, 1964. Both works were inspired by the work of the self-taught astronomer, poet and lithographer Wilhelm Lebrecht Tempel (1821 - 1889) who had discovered the asteroid 'Maximiliana' (later 'Cybèle') on March 8th, 1861. Iliazd had made his own discovery - Tempel's poems, notes, drawings and lithograph charts - and proposed the book which Max Ernst regarded ultimately as his masterpiece. The additional booklet, on glossy paper, presents a time-line of Tempel's life and discoveries with quotations from his letters. [Spies 96B; I Libri di Iliazd 26; see Isselbacher 4].…

couverture souple. J. Hugues | Paris 1967 | 11.50 x 22 cm | broché | Edition originale de la traduction française, un des 60 exemplaires numérotés et justifiés par l'éditeur comportant, en frontispice, la lithographie de Max Ernst tirée en bistre sur Chine et signée par l'artiste, seuls grands papiers. Un des 20 exemplaires dans lesquels figurent un état supplémentaire de la lithographie tirée en bleu sur Chine et lui aussi signé par Max Ernst. Cachet de la collection Alex Grall. Rare et bel exemplaire. | [ENGLISH DESCRIPTION FOLLOWS] First edition of the French translation, one of 60 copies numbered and justified by the publisher, frontispiece, the lithography Max Ernst shot in bistre on China and signed by the artist, only leading copies. One of the 20 copies in which there is an additional state of the lithograph drawn in blue on China and also signed by Max Ernst. Stamp of the Alex Grall collection. Rare and beautiful copy. The *.…

First US edition. 4to. 131 pp. Fine in fine dust jacket. Twenty-nine color plates, 130 b&w reproductions, and a original lithograph executed by Ernst for this volume. A special issue of the XXe Review.

relié sous jaquette. Zustand: Très bon. Edition originale. Köln, M. DuMont Schauberg, 1974. 33 x 25 cm, fort in-4, 499 pp., 1 lithographie originale en couleurs en frontispice, nombreuses reproductions en noir et en couleurs, cartonnage éditeur imprimé et illustré, jaquette imprimée et illustrée. Edition originale. Cette première édition, tirée à 2000 exemplaires, est la seule à comporter la belle lithographie originale de Max Ernst, tirée sur vélin d'Arches. Exemplaire enrichi d'un bel ENVOI autographe signé de Werner Spies à l'illustrateur Jean-Michel Folon et à son épouse, la galeriste Paola Folon-Ghiringhelli. L'envoi, enrichi de traits obliques croisés, est fait au crayon "arc-en-ciel". Bel exemplaire d'intéressante provenance (petites taches de peinture blanche à la jaquette). (Prévoir des frais de port pour 4 kg). Max Ernst (illustrator). Signé par l'auteur. …