max armstrong (30 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pride, Barbara (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Near Fine. 1st Edition. First printing, with full number line. A near-fine copy (fine but for some creasing to rear cover and light edgewear). A clean copy, without any marks.

Zustand: GOOD. First US printing. An account of the musician who towered over the world of jazz for 50 years. Illustrated with many photographs. Chronology, film list, index. Slightly oversized. 256 pages. Ex-library with the usual markings, missing front endpaper, but overall tight and clean in a very good, unmarked dustjacket.

Zustand: good. The cover shows wear with possible indentations, creases, and small tears. The pages show wear that may include evidence of handling, smudges, and edge discoloration markings stains . The book may or may not have mild corner dings. The imagery is a stock photo of the item.

Zustand: VERY GOOD. First US printing. An account of the musician who towered over the world of jazz for 50 years. Illustrated with many photographs. Chronology, film list, index. Slightly oversized. 256 pages. Very good in very good+ dust jacket (previous owner's name mostly hidden by dj flap.).

Zustand: NEAR FINE. First US printing. An account of the musician who towered over the world of jazz for 50 years. Illustrated with many photographs. Chronology, film list, index. Slightly oversized. 256 pages. Near fine in near fine dust jacket.

Hardcover. Zustand: Good. No Jacket. Lt. blue patterned silk cl., gilt lettering, design on cover, gilt lettering on backstr., sl. soiled, corners sl. rubbed. Illus. endpapers. Frontis, black on light green. Illus. w. plates and decorations in text. Lt. green decorations in margins. 135pp. A pretty book.

hardcover. Zustand: fine. Zustand des Schutzumschlags: near fine. ARMSTRONG, Louis (illustrator). First. Black & white photographic illustrations. 256 pages. 8vo, black cloth with gilt lettering at spine, pictorial d.w. Boston: Little, Brown & Co., (1971). First American edition. A fine copy in a near fine dust wrapper.

503 pp.; 29.8 x 22 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Martin-Gropius-Bau, Berlin, May 8 - July 25, 1993. Traveled to the Royal Academy of Arts and the Saatchi Gallery, London, September 16 - December 12, 1993. Edited and with essays by Christos M. Joachimides, Norman Rosenthal, with co-ordinating editing by David Anfam. Additional essays by Brooks Adams, Richard Armstrong, John Beardsley, Neal Benezra, Achille Bonito Oliva, Arthur C. Danto, Abraham A. Davidson, Wolfgang Max Faust, Mary Emma Harris, Thomas Kellein, Donald Kuspit, Mary Lublin, Karal Ann Marling, Barbara Moore, Francis V. O'Connor, Stephen Polcari, Carter Ratcliff, Irving Sandler, Wieland Schmied, Peter Selz, Gail Stavitsky, and Douglas Tallack. Artists include Carl Andre, Richard Artschwager, Jean-Michel Basquiat, Jonathan Borofsky, James Lee Byars, Alexander Calder, John Chamberlain, Joseph Cornell, John Covert, Stuart Davis, Willem de Kooning, Charles Demuth, Arthur Dove, Marcel Duchamp, Dan Flavin, Sam Francis, Robert Gober, Arshile Gorky, Dan Graham, Philip Guston, David Hammons, Keith Haring, Marsden Hartley, Eva Hesse, Gary Hill, Jenny Holzer, Edward Hopper, Jasper Johns, Donald Judd, Mike Kelley, Ellsworth Kelly, Franz Kline, Jeff Koons, Sol LeWitt, Roy Lichtenstein, Robert Mangold, Brice Marden, Agnes Martin, Robert Morris, Gerald Murphy, Bruce Nauman, Barnett Newman, Georgia O'Keeffe, Claes Oldenburg, Jackson Pollock, Martin Puryear, Robert Rauschenberg, Man Ray, Ad Reinhardt, James Rosenquist, Mark Rothko, Edward Ruscha, Robert Ryman, Julian Schnabel, Richard Serra, Charles Sheeler, Cindy Sherman, David Smith, Frank Stella, Clyfford Still, James Turrell, Cy Twombly, Bill Viola, Andy Warhol, and Lawrence Weiner. Includes exhibition checklist, a list of artists in the exhibition, biographies of the artists, selected bibliography, author biographies, and an index of names. Text in English. Good. 5.5 cm. dog-ear to bottom right corner of recto and 9.5 cm. crease to top right corner of recto with bumping of corners. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover. Zustand: Brand New. 3rd new edition. 384 pages. 8.50x8.50x1.25 inches. In Stock.

Zustand: New.

deutsche Erstausgabe, 4°, 255 S. mit 183 s/w-Abbildungen. original Pappband mit original Schutzumschlag, Schutzumschlag hinten an der unteren Buchecke mit säurefrei hinterlegten ca. ca. 1,5 cm langen Randriss, sonst sehr schönes, sauberes und frisches Exemplar und Schutzumschlag vorderseitig mit vollem Titelglanz (L) Abholung im Ladengeschäft in Frankfurt am Main (Nordend ggü. Musterschule) möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main (Nordend, close to Musterschule) is possible. It saves the shipping costs.

First edition hard back. 256 pp, well illustrated. Book in Fine condition. Dust wrapper not price clipped and in Fine condition. Member of the P.B.F.A. BIO (Résumé, Memoir).

30'' x 20'' original one sheet lobby or outside advertisement colour poster from The Old Vic Theatre, London. In Fine condition. Sent rolled in a tube with end caps. We currently hold in stock over 100 other English and foreign theatre and cinema posters. Member of the P.B.F.A. THEATRE (Cinema) POSTERS.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Robert Cumming's Subject Object," by Charles Hagen; "Unpopular Culture (Travels in Kienholzland)," by Carrie Rickey; "A Project," by Nancy Graves; "Carroll Dunham: Painting Against the Grain - Painting with the Grain," by Klaus Kertess; "Getting Ready for the Golden Eighties: A Conversation with Chantal Akerman," by Gary Indiana; "Art in the Dark," by Thomas McEvilley; "A Fvnny Thing Happened on the Way to the Forvm (In the Name of Love)," by Duncan Smith. Reviews by Lisa Liebmann, Thomas Lawson, Kate Linker, Glenn O'Brien, Jeanne Silverthorne, John Howell, Donald Kuspit, Charles Hagen, Richard Armstrong, Barbara Kruger, Rosetta Brooks, Ronny H. Cohen, Susan C. Larsen, Mark Johnstone, Suzaan Boettger, Annelie Pohlen, Paul Groot, Luciana Rogozinsky, Max Wechsler, and J. Hoberman. Cover: Chantal Akerman.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Forum"; "Uncivil War," by Donald Kuspit; "'Guernica' and Guernica," by Phyllis Tuchman; "Hanne Darboven's Time: The Content of Consciousness," by Annelie Pohlen; "Time and Time Again," by Mario Perniola; "Nicola's Way," by Ida Panicelli; "How We Live: The Paintings of Robert Birmelin, Eric Fischl, and Ed Paschke," by John Yau. Reviews by Richard Armstrong, Donald Kuspit, Kate Linker, Ronny H. Cohen, Charles Hagen, Lisa Liebmann, Jeanne Silverthorne, John Howell, Jeff Kelley, Nancy Stapen, Michael Bonesteel, Judith Russi Kirshner, Robert Atkins, Suzaan Boettger, Melinda Wortz, Linda Frye Burnham, Susan C. Larsen, Howard Singerman, Jeanne Randolph, Annelie Pohlen, Max Wechsler, and Luciana Rogozinsky. Cover: Eric Fischl.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "A Note Concerning Francis Picabia," by Harald Szeemann; "Imagining Nowhere: Richard Tuttle's 'Monkey's Recovery,'" by Klaus Kertess; "Breaking the Contract: A Conversation with Peter Greenaway," by Stuart Morgan; "Triple Entendre," a project by General Idea; "Enchantment and Revolution - Joan Miró," by Roland Penrose; "Jack Goldstein: The Trace of Absence," by Jean Fisher; "Vija Celmins: Drawings without Withdrawing," by Kenneth Baker; "Susan Sontag's Unguided Tour," by Gary Indiana; "'Books': Frederic Tuten on 'Ranxerox,'" by Frederic Tuten; "Gulliver Speaks," by Greil Marcus; "Forum," by John Howell and Lisa Liebmann. Reviews by Lisa Liebmann, Ronny H. Cohen, Kate Linker, Thomas Lawson, John Howell, Glenn O'Brien, Richard Armstrong, Barbara Kruger, Charles Hagen, Donald Kuspit, Jeanne Silverthorne, Michael Bonesteel, Carol Donnell-Kotrozo, Howard Singerman, Melinda Wortz, Suzaan Boettger, Robert Artkins, Susan C. Larsen, Ida Panicelli, Barbara Maestri, Aurora Garcia, Denys Zacharopoulos, Gérald Van Der Kaap, Max Wechsler, Annelie Pohlen, and Stuart Morgan. Cover: Joan Miró.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "'Du Hast Keine Chance. Nutze sie!' With It and Against It: Tendencies in Recent German Art," by Wolfgang Max Faust; "Architecture and Limits III. Introduction," by Bernard Tschumi; "Architecture and Limits III. Project for the Renovation of a Panopticon Prison," by Rem Koolhaas; "Architecture and Limits III. Violence of Architecture," by Bernard Tschumi; "Architecture and Limits III. Emblems of the City: Civic Pageantry and the Rhetoric of Urbanism," by Alan J. Plattus; "The Awning that Flapped in the Breeze and the Bodies that Littered the Field: 'Painting and the Invention of Photography,'" by Max Kozloff; "Norman Toynton's Grounds for Painting," by Kenneth Baker; "'Study for Yellow Apple' and 'Yellow Apple,'" by Roy Lichtenstein; "Charles Ludlam: The Mating of Theater and Art," by Ted Castle; "Books," by Hal Fischer. Reviews by Joan Casademont, Colin Westerbeck, Hal Foster, Thomas Lawson, Richard Flood, Shelley Rice, Ronny Cohen, Mark Levy, Thomas McEvilley, John E. Bowlt, Richard Armstrong, and Ida Panicelli. Cover: Roy Lichtenstein.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Robert Doisneau's 'Oblique Regard,'" by Max Kozloff; "A Project by Giuseppe Penone"; "'The Other,'" by John Bernard Myers; "'Jiri Georg Dokoupil: The Imprisoned Brain," by Rainer Crone; "A Project by Robert Graham"; "Diogenes of Sinope (ca. 410 - ca. 320 B.C.): Selected Performance Pieces," by Thomas McEvilley; "Frida Kahlo: The Palette, the Pain, and the Painter," by Hayden Herrera. Reviews by John Howell, Kate Linker, Richard Armstrong, Glenn O'Brien, Richard Flood, Barbara Kruger, Charles Hagen, Ronnie Cohen, Thomas Lawson, Jeanne Silverthorne, Donald Kuspit, Richard Armstrong, Judith Russi Kirshner, Suzaan Boettger, Susan C. Larsen, Bruce Kurtz, Jean Fisher, Paul Groot, Gérard-Georges Lemaire, and Annelie Pohlen. Cover: Robert Graham.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Chasing Dreams: Victor Hitchcock and Alfred Burgin," by Jean Fisher; "Obsessive Pictures or Opposition to the Norm: Noteworthy Aspects of the Engaged Imagination in the New German Art," by Annelie Pohlen; "A Progression by Chuck Close: Who's Afraid of Photography?" by Chuck Close; "The Death of Semiotics (In Late Modern Architecture); The Corruption of Metaphor (In Post-Modernism); The Birth of the 'Punctum' (In Neomania)," by Douglas Davis; "Romare Bearden Sees in a Memory," by Myron Schwartzman; "Books: For Georges Remi/Hergé," by Frederic Tuten; "Free Speech," by Greil Marcus; "Forum," by Max Kozloff, Kay Larson, and Donald Kuspit. Reviews by Jean Fisher, Donald Kuspit, Annelie Pohlen, Charles Hagen, Thomas McEvilley, Lisa Liebmann, John Howell, Glenn O'Brien, Thomas Lawson, Kate Linker, Patricia Phillips, Richard Armstrong, Ronny Cohen, Jeanne Silverthorne, Scott MacDonald, Judith Russi Kirshner, Ed Hill, Suzanne Bloom, Susan C. Larsen, Suzaan Boettger, Richard Cork, Paul Groot, Max Wechsler, and Pier Luigi Tazzi. Cover: Chuck Close.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Michael Tracy: A Full-Blown Geophysical Presence," by Lisa Liebmann; "Contention between Two Cities about a Disagreeable Beauty," by Max Kozloff; "The Patients and the Doctors," by Julian Schnabel; "Conceptual Art," by Ian Wilson; "Models of Our Present," by Kathy Acker; "The Auto-Representation of Pina Bausch," by Franco Quadri; "These Things Are in the Hands of God," by David Frankel; "Books: Jack Flam on 'Jazz' and 'Cinéma 'Calendrier du coeur abstrait. Maisons,'" by Jack Flam; "Forum," byJohn Bentley Mays. Reviews by Glenn O'Brien, Richard Armstrong, Charles Hagen, Donald Kuspit, Barbara Kruger, Kate Linker, Thomas Lawson, Jean Fisher, Ronny H. Cohen, Michael Bonesteel, Thomas McEvilley, Suzaan Boettger, Robert Atkins, Howard Singerman, Richard Armstrong, Susan C. Larsen, John Bentley Mays, Ida Panicelli, Max Wechsler, Wolfgang Max Faust, Ingrid Rein, Denys Zacharopoulos, Kater Linker, and Paul Groot. Cover: Joel Peter Witkin.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Robert Cumming's Subject Object," by Charles Hagen; "Unpopular Culture (Travels in Kienholzland)," by Carrie Rickey; "A Project," by Nancy Graves; "Carroll Dunham: Painting Against the Grain - Painting with the Grain," by Klaus Kertess; "Getting Ready for the Golden Eighties: A Conversation with Chantal Akerman," by Gary Indiana; "Art in the Dark," by Thomas McEvilley; "A Fvnny Thing Happened on the Way to the Forvm (In the Name of Love)," by Duncan Smith. Reviews by Lisa Liebmann, Thomas Lawson, Kate Linker, Glenn O'Brien, Jeanne Silverthorne, John Howell, Donald Kuspit, Charles Hagen, Richard Armstrong, Barbara Kruger, Rosetta Brooks, Ronny H. Cohen, Susan C. Larsen, Mark Johnstone, Suzaan Boettger, Annelie Pohlen, Paul Groot, Luciana Rogozinsky, Max Wechsler, and J. Hoberman. Cover: Chantal Akerman.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "A Note Concerning Francis Picabia," by Harald Szeemann; "Imagining Nowhere: Richard Tuttle's 'Monkey's Recovery,'" by Klaus Kertess; "Breaking the Contract: A Conversation with Peter Greenaway," by Stuart Morgan; "Triple Entendre," a project by General Idea; "Enchantment and Revolution - Joan Miró," by Roland Penrose; "Jack Goldstein: The Trace of Absence," by Jean Fisher; "Vija Celmins: Drawings without Withdrawing," by Kenneth Baker; "Susan Sontag's Unguided Tour," by Gary Indiana; "'Books': Frederic Tuten on 'Ranxerox,'" by Frederic Tuten; "Gulliver Speaks," by Greil Marcus; "Forum," by John Howell and Lisa Liebmann. Reviews by Lisa Liebmann, Ronny H. Cohen, Kate Linker, Thomas Lawson, John Howell, Glenn O'Brien, Richard Armstrong, Barbara Kruger, Charles Hagen, Donald Kuspit, Jeanne Silverthorne, Michael Bonesteel, Carol Donnell-Kotrozo, Howard Singerman, Melinda Wortz, Suzaan Boettger, Robert Artkins, Susan C. Larsen, Ida Panicelli, Barbara Maestri, Aurora Garcia, Denys Zacharopoulos, Gérald Van Der Kaap, Max Wechsler, Annelie Pohlen, and Stuart Morgan. Cover: Joan Miró.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Aceptable. Issue edited by Ingrid Sischy. Essays "The Real Experiment," by Allan Kaprow; "Triumph of Representation, a project," by Giulio Paolini; "Against the Return to Order," by Nicolas Calas; "A Project," by Sigmar Polke; "Dispensable Friends, Indispensable Ideologies: Andre Bréton's Surrealism," by Donald Kuspit; "Popcorn and Canvas," by Carrie Rickey; "Books: Frederic Tuten on 'Ranxerox' (continued)," by Frederic Tuten; "Forum," by Glenn O'Brien. Reviews by Glenn O'Brien, Donald Kuspit, Jeanne Silverthorne, Lisa Liebmann, John Howell, Kate Linker, Patricia C. Phillips, Charles Hagen, Thomas Lawson, Thomas McEvilley, Richard Armstrong, Barbara Kruger, Nancy Stapen, Michael Bonesteel, Melinda Wortz, Susan C. Larsen, Suzaan Boettger, Jean Fisher, Denys Zacharopoulos, Saskia Bos, Annelie Pohlen, Max Wechsler, Barbara Maestri, Luciana Rogozinsky. Cover: Sigmar Polke.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Alice Neel," interviewed by Ted Castle; "What Are You Doing After the Orgy?," by Jean Baudrillard; "A Project," by Meret Oppenheim; "Leonardo: The Silent Language of Hidden Images and Moving Pictures," by Ronald Feldman; "Tom Otterness' Frieze," by Judith Russi Kirshner; "The Collision and the Cry: Jannis Kounellis," by Germano Celant; "Books: Thomas McEvilley on 'This is Not a Pipe,'" by Thomas McEvilley; "Forum," by Kate Linker. Reviews by Jeanne Silverthorne, Charles Hagen, Kate Linker, Ronny H. Cohen, John Howell, Sidney Tillim, Linda Burnham, Donald Kuspit, Richard Armstrong, Thomas McEvilley, Barbara Kruger, Charles Hagen, Judith Russi Kirschner, Suzaan Boettger, Melinda Wortz, Thomas McEvilley, Jeanne Randolph, Stuart Morgan, Annelie Pohlen, Saskia Bos, Kate Linker, Max Wechsler, and Ida Panicelli. Cover: Jannis Kounellis.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Forum"; "Uncivil War," by Donald Kuspit; "'Guernica' and Guernica," by Phyllis Tuchman; "Hanne Darboven's Time: The Content of Consciousness," by Annelie Pohlen; "Time and Time Again," by Mario Perniola; "Nicola's Way," by Ida Panicelli; "How We Live: The Paintings of Robert Birmelin, Eric Fischl, and Ed Paschke," by John Yau. Reviews by Richard Armstrong, Donald Kuspit, Kate Linker, Ronny H. Cohen, Charles Hagen, Lisa Liebmann, Jeanne Silverthorne, John Howell, Jeff Kelley, Nancy Stapen, Michael Bonesteel, Judith Russi Kirshner, Robert Atkins, Suzaan Boettger, Melinda Wortz, Linda Frye Burnham, Susan C. Larsen, Howard Singerman, Jeanne Randolph, Annelie Pohlen, Max Wechsler, and Luciana Rogozinsky. Cover: Eric Fischl.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Robert Cumming's Subject Object," by Charles Hagen; "Unpopular Culture (Travels in Kienholzland)," by Carrie Rickey; "A Project," by Nancy Graves; "Carroll Dunham: Painting Against the Grain - Painting with the Grain," by Klaus Kertess; "Getting Ready for the Golden Eighties: A Conversation with Chantal Akerman," by Gary Indiana; "Art in the Dark," by Thomas McEvilley; "A Fvnny Thing Happened on the Way to the Forvm (In the Name of Love)," by Duncan Smith. Reviews by Lisa Liebmann, Thomas Lawson, Kate Linker, Glenn O'Brien, Jeanne Silverthorne, John Howell, Donald Kuspit, Charles Hagen, Richard Armstrong, Barbara Kruger, Rosetta Brooks, Ronny H. Cohen, Susan C. Larsen, Mark Johnstone, Suzaan Boettger, Annelie Pohlen, Paul Groot, Luciana Rogozinsky, Max Wechsler, and J. Hoberman. Cover: Chantal Akerman.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "The Sublime and the Avant-Garde," by Jean-François Lyotard; "From Imitation, to the Copy, to Just Effect: On Reading Jean Baudrillard," by Kate Linker; "Hiroshi Sugimoto: No Such Thing as Time," by John Yau; "The Critic Sees Through the Cabbage Patch," by Edit deAk; "Cheez Whiz (Roy Lichtenstein)," by Richard Armstrong; "The View from Past 50," by Sidney Tillim; "Forum," by Thomas McEvilley; "Books: Joe Lewis on 'How to Commit Suicide in South Africa," by Joe Lewis; "Books: Donald Kuspit on 'Art Worlds' and 'Patrons Despite Themselves," by Donald Kuspit. Reviews Kate Linker, Thomas McEvilley, Richard Armstrong, Donald Kuspit, Barbara Kruger, Lisa Liebmann, John Howell, Ronny Cohen, Charles Hagen, Glenn O'Brien, Jean Fisher, Thomas Lawson, Kevin Concannon, Judith Russi Kirshner, Michael Bonesteel, Sarah Fox Pitt, Suzaan Boettger, Howard Singerman, Jeff Kelley, Ida Panicelli, Luciana Rogozinsky, Max Wechsler, Denys Zacharopoulos, Annelie Pohlen, Wolfgang Max Faust, and Lars Nittve. Cover: Robin Winters.

Original-Pappband. Zustand: Gut. Zustand des Schutzumschlags: Leichtere Gebrauchsspuren. 2. Auflage. dem unsignierten Buch liegt ein Albumblatt bei signiert von dem amerikanischen Jazz- Musiker Louis Armstrong (1901-71) , leichte Gebrauchspuren, Schutzumschlag kleine Einrisse, with a paper signed by Armstrong Size: gr. 8 °. Buch.

Vintage souvenir program for the 1954 nudist film. A widowed woman leaves the home of her tyrannical father-in-law, accompanied by her young daughter, and moves into a nudist camp in Florida. "Nudist" movies were typically shot at nudist campgrounds in order to skirt laws prohibiting on-screen nudity. "Garden of Eden" was nevertheless the subject of a court case in the late 1950s regarding obscenity. The court ruled that on-screen nudity was not obscene, opening the door to more open depictions of nudity in film. Shot on location at the Lake Como Family Nudist Resort in Lutz, Florida. 9 x 12 inches. About Fine.