Matthews sam (30 Ergebnisse)

Zustand: New.

Hardback. Zustand: New. Kennington, Shez (illustrator).

Zustand: New.

Zustand: New. In English.

Zustand: New. Kennington, Shez (illustrator).

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New. In English. Kennington, Shez (illustrator).

Zustand: New. Kennington, Shez (illustrator).

Zustand: As New. Unread book in perfect condition. Kennington, Shez (illustrator).

Paperback. Zustand: Brand New. 192 pages. 11.25x8.50x0.50 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New. pp. 144.

Hardback. Zustand: Very Good. Willy Matthews; Hans Teensma (illustrator).

Zustand: New. &Uumlber den AutorrnrnSam Wyly was raised in small-town Louisiana and got his MBA from the University of Michigan. His Road to Dallas was by plane from Monroe to Shreveport to Tyler to Love Field. He began his career as a salesman for IBM. At.

Gebundene Ausgabe. Zustand: Neu. The Me You Don't See by Sam MatthewsSome people say I am oppositional. Some people say I am disrespectful. Some people say I am uncooperative. That's the me you see. What you don't see is WHY I act the way I do.Have you ever wondered what it's like being Autistic?Have you ever wondered what Autism feels like, on the inside?This is my story.Sam Matthews is an Autistic 10-year-old boy who wants you to understand how it feels to have Autism. This story gives an authentic insight into what feelings and emotions are felt on the inside, and that drive outward behaviours that others see. When you read Sam's story, you will completely understand why he reacts the way he does. Sprache: Englisch Gewicht in Gramm: 276. Kennington, Shez (illustrator).…

Hardcover. Zustand: Brand New. gld edition. 152 pages. 11.00x8.50x0.50 inches. In Stock.

Zustand: New. Violence and the Limits of Representation explores the representation of violence in literature, film, drama, music and art in order to demonstrate the ways in which the work done by researchers in the Arts and Humanities can offer fresh perspectives on current social and political issues. Editor(s): Goodman, Sam; Matthews, Graham. Num Pages: 204 pages, biography. BIC Classification: AB; DSB. Category: (P) Professional & Vocational. Dimension: 224 x 139 x 17. Weight in Grams: 370. . 2013. 2013th Edition. hardcover. . . . .…

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Brand New. 194 pages. 8.50x5.50x0.75 inches. In Stock.

Zustand: New. Violence and the Limits of Representation explores the representation of violence in literature, film, drama, music and art in order to demonstrate the ways in which the work done by researchers in the Arts and Humanities can offer fresh perspectives on current social and political issues. Editor(s): Goodman, Sam; Matthews, Graham. Num Pages: 204 pages, biography. BIC Classification: AB; DSB. Category: (P) Professional & Vocational. Dimension: 224 x 139 x 17. Weight in Grams: 370. . 2013. 2013th Edition. hardcover. . . . . Books ship from the US and Ireland.…

Hardback. Zustand: New. Kennington, Shez (illustrator).

Hardcover. Zustand: Very Good. No Jacket. First Edition. Willy Matthews; Hans Teensma (illustrator).

Softcover. Zustand: Very Good. Single issue. Winter, 1954-1955. 67pp. Stapled wrappers. Wrappers lightly age-toned and stained internally, holes in wrapper near staples, small pen mark on rear wrapper, still very good. Many interesting literary contributions including Allen Ginsberg's "Last Stanzas in Denver". "Words to a Young Man" by John McAlpin Berryman. "Bureaucrats: Diggers" by Tom Merton. "Serenade, and Old Songs" by John Erskine. "Identity" by Mark Van Doren. Other contributors are: Brander Matthews, Joyce Kilmer, Alfred A. Knopf, Guy Sommerville, Paul W. Gallico, Henry Morton Robinson, Irwin Edman, Mortimer J. Adler, Whittaker Chambers, Millen Brand, H. Lloyd Frankenberg, Ben Maddow, Corey H. Ford, William Y. Tindall, Clifton Fadiman, Jacques Martin Barzun, Lionel Trilling, Eleazar Lipsky, Milton Rugoff, Herman Wouk, James A. Wechsler, Ralph de Toledano, Daniel G. Hoffman, Herb Gold, Robert Laguardia, John Hollander, Richard Howard, and Stephen Orgel.…

Single Issue Magazine. Zustand: Good. First Edition. 74 pages. Fiction: Straw Hat Circuit; Candlelight and Salt Pork; A Little Fire; Sleep, My Love (part 2 of 5); The Wonderful Race at Rimrock; Come Back, Come Back. Articles: Who is a Negro - the problem of lightskin colored folks who pass as whites; St. George and the Marxian Dragon - a report on the first year of Britain's experiment in socialism; All-America Water Queens - The A.A.U. picks a team of the nation's 14 best girl swimmers; What George Bernard Shaw thinks at Ninety; The Truth About Henry Kaiser - this, part 2 of 3, deals chiefly with his invasion of the automobile industry; The Scholar and the Sprout - Life with Uncle Roger at Mrs. McTiver's Cape Cod boardinghouse. Nice ads include: Seiberling tires; Life Savers candies; Nice color ad for GMC Trucks; Sensational color centerfold ad for the new Chevrolet; Talon ad features color photo of woman in corset; Nice two-color two-page Buick ad; Nice one-page color ad for Mercury cars; One-page color ad for Pontiac's new 1946 DeLuxe Station Wagon; Corby's Whiskey - with golf photos; Great color photo ad for Canadian Club inside back cover features logging scenes in northern British Columbia; Lucky Strike ad on back cover. Unmarked. Moderate wear. A sound vintage copy.; Folio - over 12" - 15" tall; Collier's Magazine, August 3, 1946 - Who is a Negro? / Henry Kaiser Racism Jeanne Wilson Marilyn Sahner Helen Graham Clare Lamore Lorraine Fischer Marion Pontacq Ann Curtis Sue Curtis Joyce McCrae Helen Morgan Zoe Ann Olsen Berniece Looney Betty Lachok Ka. Illustrated by Knopf-Pix, Hans; Barnum, Hyde; Bruehl, Anton; Daniel, Lewis;Berman, Sam; Leason, Percy; Bischoff, H.E.; Blossom, Earl; Dormont, Philip;McKay, Dorothy (illustrator).…

Hardcover. Zustand: Near Fine. First Edition (NAP). Tan cloth-covered boards. Raised mushroom cloud relief design to front, with black lettering and stenciled "How To Protect Yourself" on a black shield. Very very light shelf rubbing to extremities. Light brown offsetting to front endpapers. Some hint of smudging to rear board, but rather subtle. Dustjacket shows edgewear, chipping to top and bottom edges, with chips missing from stress-points like top and bottom of spine, flaps and joints. Colorful graphic with red title lettering, within a white and yellow mushroom cloud, with an annhilated A-bombed city at bottom of front panel. Book includes visual plans for a fallout shelter, and an index. Uncommon, and almost never seen in dustjacket. "By the grade of Providence, we Americans may never be subjected to a sneak attack of atom bombs dropped without warning on key points all over the nation." (front flap dustjacket) "This Momentous Volume Aims to Save Lives; Perhaps Your Own or Your Entire Family!" (front dustjacket flap).Here are ALL the official procedures approved by science and recommended by your Government. Step-by-step picturized instructions on how to proect yourself and your loved ones -- how to administer life-saving first aid -- what to do before, during, and after an atom bomb attack! Near Fine in Good (Chipped) Dustjacket.…

Correspondence Archive. Zustand: Near Fine. 17 items total: 13 TLS, 2 ALS, and 2 APCS. Items listed individually below. This collection documents the administrative and social structure of the Port Townsend, Washington literary scene during its foundational years. The correspondence centers on Cheryl Van Dyke in her role as manager of The Imprint, a bookstore that functioned as a primary hub during Centrum Foundation's annual Writers' Conference at Fort Worden State Park. The letters are often in response to Van Dyke's inquiries regarding bookshop stock to support conference lectures and workshops; they frequently evolve into warm, personal exchanges that reveal the close-knit nature of this regional symposium. This material originates from the personal papers of Cheryl Van Dyke, a poet and artist whose early collection, Cheat Grass, was a cornerstone of the emerging Copper Canyon Press catalog. As an essential figure in the region's fine press circles, Van Dyke's stewardship of The Imprint made the shop a vital setting where established writers and burgeoning Pacific Northwest voices intersected. Condition is uniformly Very Good to Near Fine, showing only occasional light edgewear or minor corner creasing consistent with professional handling. 17 pieces of correspondence. No envelopes present. Organized here chronologically: 1- Hugo, Richard ("Dick"). APCS to Cheryl Van Dyke. Missoula, MT. Postmarked December 17, 1975. Postcard [3.25" x 5.5"]. This warm personal note is written, addressed, and signed in black ink by Hugo. 2- Whalen, Philip. TLS to Cheryl Van Dyke. San Francisco, CA (Zen Center, 300 Page St.). Dated April 8, 1977. Two pages [11" x 8.5"] typed on rectos only. Signed by Whalen in black ink at the conclusion. A few later notations in pencil, presumably by Van Dyke. 3- Broumas, Olga. TLS to Cheryl Van Dyke. Eugene, OR. Dated May 22, 1977. One page [6" x 9"] typed on recto only, on toning pulpy paper. With one correction, and signed by Broumas in black ink at the conclusion. 4- Hamill, Sam. Typed Circular (Reproduction) sent to Cheryl Van Dyke. [An invitation and open call for poetry or prose submissions for two upcoming periodical publications.] Port Townsend, WA. Dated November 16, 1977. One page [11" x 8.5"] photomechanically reproduced on recto only. On Copperhead letterhead (Copper Canyon Press), with the names of Tree Swenson and Jo Cochran also listed at the top. Correction, small illustration, and signature of Sam Hamill in black (also reproductions, part of the general circular). 5- Snyder, Gary. TLS to Cheryl Van Dyke. n.p., n.d. [likely California, circa 1978]. This one page [11" x 8.5"] letter is on the verso side of an open letter and subscription form for the Kuksu Press and its Kyoi/Kuksu literary journal. Signed in black ink at the conclusion by Snyder. 6- Gallagher, Tess & Cheryl Van Dyke. TLS to Tess Gallagher from Cheryl Van Dyke [initial letter on the recto] and ALS to Van Dyke from Gallagher [response letter on the verso]. [Washington (state), dated April 6, 1978, with response undated.] One page [5.5" x 8.5"] TLS on The Imprint bookstore's letterhead and ALS response in black ink on verso. Signed in blue ink by Cheryl Van Dyke, and in black ink by Gallagher at their respective conclusions. 7- Stafford, William ("Bill"). TLS to Cheryl Van Dyke. Lake Oswego, OR. Dated April 7, 1978. One page [11" x 8.5"] on recto only. Additional note in Stafford's hand, and signed by him at the conclusion in black ink. 8- Wakoski, Diane. TLS to Cheryl Van Dyke. East Lansing, MI. Dated June 15, 1978. One page [11" x 8.5"] on recto only. Signed in black ink at the conclusion by Wakoski. 9- Kumin, Maxine. TLS to Cheryl Van Dyke. Princeton, NJ. Dated April 11, 1979. One page [9" x 6"] on Princeton University letterhead, on recto only. Signed in blue ink by Kumin at the conclusion, with a short note in her hand. 10- *Levertov, Denise (*typed and signed by Phyllis Leith, Secretary to D.L.). TLS to Cheryl Van Dyke. n.p. Dated April 16, 1979. One page [11" x 8.5"] on recto only. Signed in brown ink by Phyllis Leith, secretary to Denise Levertov. 11- McElroy, Colleen J. TLS to Cheryl Van Dyke. Seattle, WA. Dated April 17, 1979. One page [11" x 8.5"] on recto only. With one brief additional note in the margin, and signed in black ink at the conclusion by McElroy. 12- Halperin, Mark. TLS to Cheryl Van Dyke. n.p. Dated April 25, 1979. One page [11" x 8.5"] on recto only. Signed at the conclusion in blue ink by Halperin. 13- Swenson, Tree. APCS to Cheryl Van Dyke. Cedar City, UT. Postmarked June 25, 1980. The postcard shows an aerial view of Escalante Canyon, Utah, with a quotation by Joseph Wood Krutch (card produced by Beautyway of Flagstaff, AZ). A warm and lengthy handwritten personal note in black ink, in Swenson's distinctive hand while "on VACATION," and signed affectionately by Tree Swenson at her conclusion. 14- Stafford, William. TLS to Cheryl Van Dyke. Lake Oswego, OR. Dated April 21, 1981. One page [11" x 8.5"] on recto only. Signed in black ink at the conclusion by Stafford. 15- Yolen, Jane. TLS to Cheryl Van Dyke. n.p. Dated May 5, 1981. One page [11" x 8.5"] on recto only. Notations in (presumably) Van Dyke's hand. Signed in blue ink at the conclusion by Jane Yolen. 16- Matthews, William. TLS to Cheryl Van Dyke. n.p. Dated May 8, 1981. One page [11" x 8.5"] on recto only. A few notations in (presumably) Van Dyke's hand. Signed in black ink at the conclusion by Matthews. 17- Heynen, Jim. ALS to "David" [?] and to Cheryl Van Dyke. Norwich, Norfolk, England. Dated November 22, [no year]. One page [10" x 8"] on recto and verso. All written in black ink. Warm professional and personal content. First message addressed to "David" [?] takes up most of the recto, signed by Jim Heynen at the conclusion. The second message addressed to Van Dyke starts near the bottom of the recto and extends all the way to the end of the verso, and is signed by Heynen at the conclusion. Signed.…

[2] pp.; 27.9 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for "Collision Course : An Omnibus of Plays," short plays by 12 playwrights performed at Cafe Au Gogo, New York City, [April 25 - June 3, 1968]. Presented by Lyn Austin, Hale Matthews and Oliver Smith. Plays by Rosalyn Drexler, Jack Larson, Harvey Perr, Martin Duberman, Terrence McNally, Jean-Claude van Itallie, Jules Feiffer, Leonard Melfi, Sharon Thie, Israel Horovitz, Robert Patrick and Lanford Wilson. Performers included Susan Browning, Sam Groom, Meg Myles, Leora Dana, Tom Rosqui, Scott Glenn, Tom Scott. With production design by Michael Davidson, costumes by Diedre Cartier and production directed by Edward Parone. Fair / Good. Folded in four with moderate handling wear including bumping of corners and edges and yellowing of pages. 5 mm. of soiling to page one and two. "PIX" written twice on page two in red ink. …