matthew barney (134 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. Paperback, clean pages, nice shape overall.

paperback. Zustand: ACCEPTABLE. 143 mostly clean, unmarked, tight pages but there are instances of ink underlining and margin marks, and light tanning on edges; sturdy plastic wrap over paper cover.

Zustand: Good. illustrated edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Good. Ex-library copy with usual markings.

hardcover. Zustand: New. Brand New.

Paperback. Zustand: Brand New. 120 pages. 8.19x5.20x0.55 inches. In Stock.

First edition. Oblong softcover. Project for film that was written and directed by Barney. Includes numerous color illustrations. A fine copy in French style wrappers.

Soft cover. Zustand: Fine. As new. Colour photos. Signature bound.

2 vol. : 1 vol. 207 pp. ; 1 vol. 175 pp.; 2 vol. : 30.5 x 21.5 cm.; sewn bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with show held November 6, 1999 - March 26, 2000. Essays by Richard Armstrong, Madeleine Grynsztejn, Jonathan Crary, Jean Fisher, Saskia Sassen, Slavoj ?i?ek, and Alyson Baker. Artists include Franz Ackermann, Matthew Barney, Janet Cardiff, John Currin, Hanne Darboven, Thomas Demand, Mark Dion, Willie Doherty, Olafur Eliasson, Kendell Geers, Felix Gonzalez-Torres, Ann Hamilton, José Antonio Hernández-Diez, Pierre Huyghe, Alex Katz, William Kentridge, Bodys Isek Kingelez, Suchan Kinoshita, Martin Kippenberger, Kerry James Marshall, Takashi Murakami, Shirin Neshat, Ernesto Neto, Chris Ofili, Gabriel Orozco, Markéta Othová, Laura Owens, Edward Ruscha, Gregor Schneider, Ann-Sofi Sidén, Roman Signer, Sarah Sze, Sam Taylor-Wood, Nahum Tevet, Diana Thater, Luc Tuymans, Kara Walker, Jeff Wall, Jane & Louise Wilson and Chen Zhen. Includes biographies, bibliographies, contributor biographies, and a checklist of the exhibition. Fine. Due to large size and weight additional shipping charges may be required for international orders.

176 pp.; 31.1 x 24.8 cm; sewn bound; other special feature[s]; black-and-white & color; edition size 2000; signed and numbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, October 20, 2008 - February 3, 2009. Texts by Douglas Fogle, Jade Dellinger, Matthew Barney, Tom Eccles. "This book showcases the work of one of America's foremost up and coming sculptors. Contemporary Magazine said 'Edmier's work celebrates popular culture's intrusion into our dreams, the way media images insinuate themselves into our unconscious, like uninvited guests'. Major retrospective exhibition, 20th October to 3rd February at the Center for Curatorial Studies Museum, Bard College Annandale-on Hudson New York. This ambitious publication redefines the artist's monograph in the same way as Booth-Clibborn Editions 1999 Damien Hirst book. It contains many examples of Keith Edmier's sculptures as well as his drawings. It also has a unique silicone wrap round cover, a specially created plastic rose and a loose leaflet showing the installation Bremen Town included in the Bard exhibition. Keith Edmier is known for work that fuses collective memory with personal narrative. He is a romantic, making work that has elements of theatricality and wonderment brought about by a nuanced appreciation for the world that we inhabit. Edmier has had solo shows at Friedrich Petzel Gallery, New York; Sadie Coles HQ, London; Metro Pictures, New York; The Douglas Hyde Gallery, Trinity College, Dublin; Galerie Paul Andriesse, Amsterdam; and Neugerriemschneider Gallery, Berlin. Recent group exhibitions include 'Mike Kelley - The Uncanny,' Tate Liverpool, Liverpool; 'Precarious Sculpture,' Kunsthalle Vienna; Whitney Biennial, Whitney Museum of American Art, New York; 'The Americans,' Barbican Gallery, London; 'Casino 2001: 1st Quadrennial of Contemporary Art,' Stedelijk Museum Voor Actuele Kunst and Bijloke, Gent, Belgium and 'Fact/Fiction: Contemporary Art That Walks the Line' at San Francisco Museum of Modern Art, San Francisco.He attended California Institute of the Arts in Valencia, California. Edmier was born in Chicago and lives and works in New York.' -- publisher's statement. New / Fine. In publisher's shrink wrap. Due to large size and weight additional shipping charges may be required.

183 pp.; 27.8 x 21.6 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held February 13 -May 26, 2013. Curated by Massimiliano Gioni, Gary Carrion-Murayari, Jenny Moore, and Margot Norton. Artists include Janine Antoni, Ida Applebroog, Art Club 2000, Lutz Bacher, Matthew Barney, Alex Bag, Sadie Benning, Lina Bertucci, Nayland Blake, Gregg Bordowitz, Bureau, Kathe Burkhart, Peter Cain, Larry Clark, Jessica Diamond, Patricia Cronin, John Currin, Devon Dikeou, Cheryl Donegan, Mary Beth Edelson, Nicole Eisenman, Andrea Fraser, Coco Fusco, Nan Goldin, Robert Gober, Félix González-Torres, Renée Green, Michael Joaquín Grey, Ann Hamilton, Peter Halley, David Hammons, Rachel Harrison, Todd Haynes, Mike Kelley, Byron Kim, Karen Kilimnik, Derek Jarman, Jutta Koether, Alix Lambert, Annie Leibovitz, Zoe Leonard, Sean Landers, Glenn Ligon, Sarah Lucas, Kerry James Marshall, Daniel Joseph Martinez, Marlene McCarty, Donald Moffett, Paul McCarthy, Suzanne McClelland, John Miller, Frank Moore, Christian Phillip Müller, Cady Noland, Gabriel Orozco, Kristin Oppenheim, Pepón Osorio Elizabeth, Peyton Jack Pierson, Steven Pippin, Charles Ray, Jason Rhoades, Julia Scher, Andres Serrano, Cindy Sherman, Gary Simmons, Lorna Simpson, Kiki Smith, Rudolf Stingel, Lily van der Stokker, Wolfgang Tillmans, Rirkrit Tiravanija, The Thing, Nari Ward, Gillian Wearing, Jack Whitten, Hannah Wilke, Sue Williams, and Andrea Zittel. New. As issued, in publisher-issued shrink-wrap. Due to large size and weight additional shipping charges will be required for international orders.

287 pp.; 29.5 x 24.3 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held April 1 - July 29, 2001. Curated by Paul Schimmel. Essays by Yilmaz Dziewior, Midori Matsui, Lane Relyea, Katy Siegel, and Jon Thompson. Artists include Janine Antoni, Matthew Barney, Thomas Demand, Renée Green, Michael Joaquín Grey, Damien Hirst, Gary Hume, Toba Khedoori, Sharon Lockhart, Sarah Lucas, Steve McQueen, Takashi Murakami, Yoshitomo Nara, Chris Ofili, Laura Owens, Tsuyoshi Ozawa, Jorge Pardo, Manfred Pernice, Jason Rhoades, Yutaka Sone, Diana Thater, Rirkrit Tiravanija, Rachel Whiteread, and Jane and Louise Wilson. New, in publisher's shrink-wrap. Due to large size and weight additional shipping charges will be required for international orders.

[204] pp.; 24 x 29 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Cremaster 3, the last in Matthew Barney's epic five-part film project, is part zombie, part gangster film. Set in 1930s New York and Saratoga Springs as well as Giant's Causeway in Northern Ireland, the plot explores the Irish mob system, freemasonry, and Celtic lore as further symbols for the forces at play in "Barney's mythological system. Named after the muscle that raises or lowers a man's testicles in response to temperature, the Cremaster series has featured Barney as a satyr, a magician, a ram, Harry Houdini, and even famous murderer Gary Gilmore, props made from tapioca, petroleum jelly, ice, and self-healing plastic, and settings as fantastic and desolate as the Isle of Man, an empty football stadium in Idaho, and a nearly empty opera house in Hungary. The films are slow-moving and weirdly hynotic, full of elaborate sexual and biological allusions, references to sports and fashion, and a bizarre mix of autobiography, history, and private symbolism that have earned him comparisons to Wagner. This book is the final of the five companion volumes published to coincide with the release of each of the Cremaster films. Each was designed in an original manner by the artist and features photographs and stills from the film it accompanies." -- publisher's statement. Reference : "Sand in der Vaseline : Künstlerbüucher 1980 - 2002" by Uwe Koch, Sabine Roeder, Dorothea Klein, Klaus Pohl, Melitta Kliege. Köln, Germany : Verlag der Buchandlung Walther König, 2003, pp. 139. New. In publisher's issued shrink wrap. Due to size and weight additional shipping charges may be required.

1 volume. original , softcover with plastic wrap-around sleeve. many color ills. Cover sllightly used, otherwise fine copy. ISBN 9069181487.

Hardcover. Zustand: Brand New. limited, edition. 176 pages. 12.50x10.25x1.75 inches. In Stock.

Hardcover. Zustand: New. In original shrinkwrap.

Zustand: Very good.

[1995], paperback met doorzichtige plastic "omslag", 92 pp, net exemplaar.

Soft cover. Zustand: Fine. 1st Edition. Fine copy in oblong softcover with fine acetate cover. Black spine with silver titles. IB.

B : 176 pp, numeous illustrations - "This book showcases the work of one of America's foremost up and coming sculptors. - It contains many examples of Keith Edmier's sculptures as well as his drawings. It also has a unique silicone wrap round cover, a specially created plastic rose.

Softcover. Zustand: Sehr gut. 1. Auflage. Text in DE/EN. Softcover. 30,5x23cm. Non pag. Very good copy.

Soft cover. Zustand: As New. 1st Edition. Issue 1. 1st printing (2008). 304pp. AS NEW copy with publisher's wrap-around band, still sealed in publisher's shrink wrap.

Paperback. Zustand: Brand New. new title edition. 96 pages. 9.25x6.50x0.50 inches. In Stock.

First edition. Oblong softcover. Exhibition catalog for a show that ran December 12, 1991 through January 30, 1992. Features text by Robert Riley. Includes numerous color illustrations, a checklist, and biographical information. A near fine copy in wrappers with some very minute wear.

Couverture souple. Zustand: Très bon. Edition originale. 1995, first Edition. VG condition. 25,5 x 21 cm, 190 p. This volume was created in collaboration with Matthew Barney, Sarah Lucas, Roman Signer + Insert by Elliott Puckette. We have other numeros available, you can check our catalogue or contact us to know which ones.

89 S. Mit farbigen Abbildungen. Die Ausstellung wurde auch in m capc Musée d`art Contemporain in Bordeaux und in der Kunsthalle Bern gezeigt. - Mit Texten von Neville Wakefield u. Richard Flood (engl. / frz.). Sehr gutes Exemplar. Sprache: Englisch Gewicht in Gramm: 1100 Gr. 8°. Orig.-Br. mit transparenter bedruckter Plastikbauchbinde.