matinee (32 Ergebnisse)

Zustand: Good. 1st edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

On a 12 x 6.5 cm piece of paper. In fair condition, lightly discoloured and spotted, with traces of paper from mount on reverse. Central vertical crease. A neat, tight inscription, clearly in response to a request for an autograph, reading, 'Sincerely / Milton Sills'. Image on request.

Zustand: New. In.

Zustand: New. In.

Zustand: New. KlappentextrnrnWORK IS IN FRENCH This book is a reproduction of a work published before 1920 and is part of a collection of books reprinted and edited by Hachette Livre, in the framework of a partnership with the National Library of France, prov.

Zustand: New.

Kartoniert / Broschiert. Zustand: New.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - WORK IS IN FRENCH.

Taschenbuch. Zustand: Neu. Neuware - Puisez dans les souvenirs fascinants de Guillaume Mauviel, évêque de Saint-Domingue de 1799 à 1804, alors que l'île était en pleine Révolution française, pour découvrir les coulisses des événements qui ont façonné l'Histoire. Des anecdotes passionnantes qui vous transporteront dans une époque tumultueuse et charnière de notre Histoire.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

Buch. Zustand: Neu. Neuware - Puisez dans les souvenirs fascinants de Guillaume Mauviel, évêque de Saint-Domingue de 1799 à 1804, alors que l'île était en pleine Révolution française, pour découvrir les coulisses des événements qui ont façonné l'Histoire. Des anecdotes passionnantes qui vous transporteront dans une époque tumultueuse et charnière de notre Histoire.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

Couverture souple. Zustand: bon. RO40253026: 1879. In-12. Broché. Etat d'usage, Plats abîmés, Dos satisfaisant, Intérieur acceptable. 160 pages. Papier muet encollé sur le dos, le consolidant. Etiquette de code sur la couverture. Quelques tampons de bibliothèque. 1er plat partiellement jauni. Quelques annotations au crayon dans le texte. . . . Classification Dewey : 180-Philosophie antique, médiévale, orientale.

Frühe französische Fotoporträtpostkarte, in Tinte mit eigenhändiger Widmung, Empfehlung, Initial-Signatur P.R.W. signiert.

Matinée de Printemps Caprice pour Piano Par D'JOULIA A Madame Bardac Paris Editions J. Héliard J H 1697 6 pages32.5 x 26 Bon état, couverture légèrement défraîchiePartition illustrée 021228 Nouveau.

Ohne Verlag, Berlin, 1947. 16 Seiten, broschiert --- - Ergebnisse eingetragen - 24 Gramm.

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Italienisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: 1850-1900. Une Matinée à Cayenne Opéra Comique en un acte Musique de Ferdinand Lavainne No 7 : Trio sans accompagnement pour Chant Lille, chez Mme Vve. Bohem XIXe siècle 3 pages 32.2 x 25.2 cm Très bon état 054127 Extrait.

Zustand: 1850-1900. CELEGA N. Matinée aux Alpes (Ricordo d'una gita alpestre) Suite pour Piano n° 2 : L'Ave dans la Campagne (L'Ave del Mattino) Pastorale op. 273 du Maestro N. Celega Paris, Heugel & Cie H. & Cie 9964 XIXe 1896 5 pages Très bon état 010666 Nouveau.

Zustand: 1850-1900. D'AUBEL Henri La Matinée op. 31 6 Pièces pour Piano 4 mains 1. Petite Marche 2. Canzonnetta 3. Badinage 4. Jonglerie-Polka 5. Chant du Gondolier 6. Ronde Bretonne par Henri d'Aubel Pairs, Alphonse Leduc A. L. XIXe 1890 13 pages Très bon état 008098 Nouveau.

Zustand: 1850-1900. Matinée d'Avril Improvisation Pour Piano Par Emmanuel LIEBICH Paris, G. Hartmann & Cie Editeurs, G. H. 1044 ca1877 5 pages 35 x 27.1 cm Très bon état Partition illustrée 051207 Piano solo.

Zustand: 1900-1930. Matinée des Oiseaux Morceau caractéristique Pour Piano Par Vincenzo BILLI Op 272 Al Conte Lucangelo Bracci Testasecca Paris, G. Ricordi & C. 114378 1912 7 pages 35 x 26 cm Très bon état Partition illustrée 040669 Nouveau.

Zustand: 1850-1900. Une matinée de Printemps Grande Valse pour Piano Par Théodore THURNER A Mme Gassier 1ere Chanteuse du Th. Italien Paris, Editions Sylvain St Etienne, S St E 779 ca1860 11 pages 35 x 27 cm Très bon état, couverture un peu défraîchie Partition illustrée par Gve Don Jean 033068 Piano solo.

Zustand: 1850-1900. Matinée aux Alpes (Ricordo d'una gita alpestre) Suite pour Piano n° 1 : A l'Aube, En Marche (Verso l'alba) op. 273 du Maestro N. Celega Paris, Heugel & Cie H. & Cie 9963 XIXe 1896 5 pages Très bon état 010421 Nouveau.

Zustand: 1800-1830. CATRUFO Gioseffo Une Matinée de Frontin Opera comique de Gioseffo Catrufo Paroles de Mr Leber Musique de Mr Catrufo No 2 : Polonaise chantée par Mme Boulanger arrangée pour Chant et Piano ou Harpe par l'Auteur Paris, chez Mr Pacini Editeur 434 XIXe siècle ca1820 6 pages 32.2 x 25.4 cm Très bon état 020853 Nouveau.

See the entries for writer and recipient in the Oxford DNB. The three items in good condition, lightly aged, with the last carrying minor rusting from paperclip. ONE: 3pp, 8vo. She got his office number from 'Mrs. Popie', 'but the line has been busy all the time'. She asks for 'a pass for darling Ivor's [i.e. Ivor Novello's] memorial service'. The previous week she was 'playing at the Regent Theatre, Hayes, & on the Monday night I was weighed down by a dreadful foreboding of disaster'. The play was a 'psychic thriller' by Evadne Price, 'Through the Door', in which she was playing the medium, and 'Sitting in the cabinet, during the place, I could not shake off this dreadfull depression, & when Lea Seidl rang me on Tuesday & told me the tragic news of Ivor, I realized why I had felt so awful'. She regards Novello's 'passing' as 'a national disaster, [.] quite apart from the personal loss we all feel'. Her 'heart aches for all his friends at the Palace [Theatre], as it must be torture for them to have to play, & hear his music now'. She feels that Novello's death is 'almost like losing Max [her second husband the concert pianist Max Darewski, who died five months into their marriage in 1929] all over again'. She considered Novello 'a great & wonderful soul, (& still is), as well as a genius. Despite the grimness of the world today, he brought light & beauty to everything he touched, & everyone he contacted'. At least he 'gained his wish to go out on the crest of the wave, & in harness. Bless him.' TWO: 2pp, 12mo. With thin mourning border. She thanks him for 'the memorial sheets' (to Novello's service). 'Evadne was so glad to have one, [.] I am air-mailing the other to Evelyn at Melbourne'. She agrees that it is 'very strange about Peter Noble & Ivor's book'. She hopes MP will 'do a book about him later on' (MP's biography of Novello would appear at the end of the year), as she feels it would be 'the only way to put the authentic Ivor before later generations'. THREE: 8 October 1951. 4pp, 8vo. Bifolium on grey paper. She thanks him for a 'wonderful night!' (the Memorial Performance for Novello at Drury Lane, 7 October 1951) and feels sure that 'Mrs. Popie will be interested to hear that I saw Ivor. Max was ith him, & Ivor stood with Noel during his [lovely?] speech, [Coward recited his own 'Tribute' in blank verse] & then with Tom Arnold. / He smiled & waved to us all & was looking radiant. Wearing a grey cloak like the one in "Perchance to Dream". Many spirit forms filled the stage until it looked rather like that last scene in "Perchance".' She has written to Arnold about a 'curious coincidence' regarding 'the sum raised' and Novello's 'Keep the Home Fires burning'. She offers to sell programmes at the preview of 'South Pacific'. The letter continues with a discussion of her lack of a telephone and coming departure from her flat. She will be 'pretty busy speaking on political platforms for the next two weeks', after which she hopes to do 'another Gaiety show at the Players'. She mentioned MP's book in the last Gaiety show, 'which we had to take off, despite enormous success, through some very ridiculous rule connected with the Stage Rights Society, that forbids numbers to be presented, usually, without the entire book of the Show.' As a result, 'numbers from famous old Gaiety Shows can only be heard on the radio!' Accompanying Item Three is a carbon copy (1p, 8vo) of MP's typed reply. He thanks her for her 'most interesting and thrilling' letter. 'I am putting your name forward in respect of your kind offer to help at Drury Lane.'.