master art (11 Ergebnisse)

Softcover. Zustand: Good. The New Mermaids series. Edited by Charles Whitworth. 2nd edition. 84 pages. USED sticker. Modern spelling and annotations.

Hardcover. Zustand: Very Good in Fair dust jacket. Zustand des Schutzumschlags: dj. Red Boards, Gilt Lettering, Sharp Corners, Dj Chipped, Torn Along Front Top Of Spine, Indexed; 8vo - over 7¾ - 9¾" tall DG2.

Zustand: Good. Signed Copy . Acceptable dust jacket. Inscribed by author on front endpage.

Zustand: OTTIMO USATO. ITALIANO Brossura editoriale realizzata in occasione della mostra organizzata presso il Museo Hendrik Christian Andersen, Roma - 13 dicembre 2022 / 10 gennaio 2023; copertina in cartoncino flessibile illustrata in entrambi i lati, ottimo lo stato conservativo con solo impercettibile velatura di polvere, le pagine sono ampiamente illustrate con fotografie e riproduzioni di opere d'arte, sia nel testo che su tavole. Anno di edizione non indicato. N. pag. 141.

Zustand: Gut. Zustand: Gut | Seiten: 310 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

16pp., 8vo. Stitched. In grey printed wraps. In fair condition, on lightly-aged paper, with creasing to wraps and front cover crossed through in red ink. Shelfmarks, stamp and label of the Board of Education Reference Library, London. Scarce: no copies on COPAC or OCLC WorldCat.

No Binding. Zustand: Good. 8vo. ( 219mm. ) Pp. xix, 207, plus a frontispiece and many text illustrations. Contents generally clean and bright. Original green ribbed cloth backed boards, the upper cover decorated in blind and lettered in gilt, lower cover very lightly soiled.

Zustand: Near Fine. First edition hard back binding in publisher's original Farrows cream parchment type covers, gilt title and author lettering to the spine, gilt insignia to the front cover. Quarto 10'' x 7¼''. Designed by Liam Miller being limited to 1000 copies. Contains xxi, [1], 158, [2] printed pages, illustrated frontispiece, printed with ornaments, large red initials, errata slip in the back. Fine condition book in very near Fine condition dust wrapper, not price clipped, 2 guineas. SIGNED by the author to the front free end paper 'For Dr. A. J. Leventhal - With the author's compliments and sincere thanks in regard to his interest in Rudy, Rudolf Melander Holzapfel, Dublin April 1963.' Abraham Jacob Leventhal (1896-1979), often called Con by his friends, grew up in Dublin and attended a Protestant school, despite his Jewish heritage. Just after the first World War he took a break from his university studies to work for the first Zionist Commission in Palestine and to help found the Palestine Weekly. When, upon returning to Dublin, the Dublin Magazine turned down his review of James Joyce's Ulysses he founded his own literary journal, the Klaxon, in order to publish it. When his friend Samuel Beckett left a post at Trinity College, Leventhal assumed the position. Dust wrapper supplied in archive acetate film protection, it does not adhere to the book or to the dust wrapper. Member of the P.B.F.A. SHAKESPEARE, William.

Hardcover. Zustand: Fine. No Jacket. 1st Edition. Beatae Mariae Virginis Officium. Venice, Giovanni Battista Pasquali, 1740. 16mo. [20]f including engraved frontispiece, title with large vignette , 75 pages of text with halfpage vignette & fullpage engraving + 427 + [5] engraved pages of text including 14 fullpage and 19 textual engravings by Marco Pitteri after designs by G.B.Piazetta. The exquisite type face was engraved by Angela Baroni. Contemporary mottled sheep richly decorated in gilt with floral design covers surrounded by ornamental borders; backstrip with floral motif in 5 panels within raised bands; lightly rubbed at ends; edges gilt. ( 132 x 94mm.) £ 2, 225 First edition of this charming little book of hours of the Virgin with text and illustrations engraved entirely throughout to a degree of harmony rarely achieved, considered a tiny masterpiece of 18th century Venetian book art. The elegant typography by Angela Baroni is matched by superb designs by Giambattista Piazetta (1682-1754) , one of the leading Venetian 18th century painters, and exquisitely engraved by his pupil, Giovanni Marco Pitteri (1703-67), famed for the density of his incised portraits. Morazzoni, pp115-117; see also: Carol E.Selby, 'A small masterpiece from the 18th century publishing world' (Detroit Institute of Arts,vol. 43, nos 3/4 (1964): "Pallucchini considered it best for the concentration of composition, force of inspiration and intensity and effectiveness of his chiaroscuro" (> Rodolfo Pallucchini (1908-89) , scholar of the Venetian renaissance, in Storico dell Arte Italiano).

Kruishoutem (Belgium), 1988, in-4°, 79 pp, with coloured ills. (Furniture design by Emile Veranneman, beautifully illustrated).

x p. ('Catalogue des livres nouveaux', 'Avertissement [au lecteur]'), 169 pages, with few ornamental woodcuts (not glasspaint-design); (3) p. 'Privilège du Roi'. - Early 19th century black-and-grey marbled stiff cardboard-binding with manuscript paper-spinelabel; 8vo.(ca. 17 x 11,5 cm). *** FIRST EDITION, WELL PRESERVED IN A SLIGHTLY LATER NEUTRAL LIBRARY-BINDING: titlepage bottom-right with round armorial stamp 'Koenigliche Museen'. titlep. verso with square stamp 'Aus der Graf v. Lepellschen Bibliothek' and larger round stamp 'Bibliothek der Königl. Acad. d. Künste zu Berlin'(Library of 'Königliche Akademie der Künste'); all stamps of late 18th or earlier nineteenth century. - Corners of the binding partly rubbed, thr ms-spinelabel - which lacks the upper right corner on ca. 0,5-3 cm seems to have been pasted over a previous one; foretitlepage with a stripe of dust at the bottom, its verso and the titlepage slightly foxy; else in best condition.