Mascitti michele 1663 1760 (2 Ergebnisse)

Oblong folio. Early 20th century flexible marbled boards. 1f. (recto title in early manuscript facsimile, verso blank), 59, [i] (privilege) pp. Engraved. Boards worn, rubbed, bumped, and partially detached; spine lacking. Slightly worn; moderately browned; minor tears, stains, and soiling; occasional dampstaining; some signatures detached. Lacking title, dedication, pp. 5-6 (all supplied in manuscript facsimile), and separately-issued second violin part. First Edition. Lesure p. 422. RISM M1212 (1 copy only in both the U.S. and the U.K.). Mascitti settled in Paris in 1704, where all nine of his published collections were issued between that year and 1739. "[He] became a figurehead of Italian instrumental music in France and was regarded as the peer of Corelli [who had been his teacher in Rome] and Albinoni. . Mascitti enjoyed enormous popularity with the French public." TNG Vol. 11, p. 746. "The success of his sonatas in his own day is evidenced by their several reprints throughout the century . and the high praise for them to be found in the writings of Daquin, Le Blanc, and La Borde, among others." Newman: The Sonata in the Baroque Era, pp. 368-369. …

Oblong folio. Modern quarter gray paper with marbled boards, paper title label gilt to spine. 1f. (recto title, verso blank), 31, [i] (blank) pp. Engraved throughout. Occasional small stains and moderate soiling to blank margins. Second edition. BUC p. 659. RISM M1213 (2 copies in the US, at NYPL Lincoln Center and the Library of Congress, the first with plate number 124, the second without plate number, as in the present copy. Mascitti, originally from Naples, settled in Paris in 1704, where all nine of his published collections were issued between that year and 1739. "[He] became a figurehead of Italian instrumental music in France and was regarded as the peer of Corelli [who had been his teacher in Rome] and Albinoni. . Mascitti enjoyed enormous popularity with the French public." TNG Vol. 11, p. 746. "The success of his sonatas in his own day is evidenced by their several reprints throughout the century . and the high praise for them to be found in the writings of Daquin, Le Blanc, and la Borde, among others." Newman: The Sonata in the Baroque Era, pp. 368-369.…