masami teraoka (15 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Zustand: Fair. Verschmutzung / Wasserschaden; Abnutzung / Risse - leicht. Integrating traditional imagery and subject matter with pop art, Teraoka casts contemporary issues--from AIDS to computers, environmental degradation, and drive-by shootings--in historical guise. Humor and satire combine with a vibrant iconography drawn from Japanese and Western sources--catfish, trickster, fox, ghost, snake, ninja, samurai, geisha, Adam and Eve, punk rockers, and television. Teraoka's work moves from the indulgent pleasures of ukiyo, or the "floating world" of ancient theater and pleasure houses, to a chastened consciousness of death and evil with a majestic virtuosity unique in contemporary art.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. 4to. [24 pp.] Soft cover. Near Fine. Color plates. Features works by Masami Teraoka.

108 pp.; 21.6 x 19.6 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held February 17 - March 14, 1981. Texts by Laurence Dreiband, Peter Plagens, Michael Kurcfeld, and Walter Gabrielson. Artists include Laurence Dreiband, Walter Gabrielson, Peter Plagens, Lita Albuquerque, Peter Alexander, Martha Alf, Chuck Arnoldi, Don Bachardy, Joel Bass, Billy Al Bengston, Tony Berlant, Doug Bond, Paul Brach, William Brice, Jerrold Burchman, Carole Caroompas, Karen Carson, Judy Chicago, Max Cole, Ron Cooper, Mary Corse, Ron Davis, James DeFrance, Tony DeLap, Richard Diebenkorn, Laddie Dill, Paul Dillon, Dan Douke, Bruce Everett, Llyn Foulkes, Sam Francis, Joe Goode, Scott Grieger, D.J. Hall, Marvin Harden, Charles Christopher Hill, Patrick Hogan, Richard Joseph, Craig Kauffman, Claude Kent, Peter Liashkov, Ron Linden, Peter Lodato, John Mandel, Jay McCafferty, David Mocarski, Ed Moses, James Murray, John Okulick, Margit Omar, Edward Ruscha, Miriam Schapiro, Don Sorenson, Masami Teraoka, Joyce Treiman, James Valerio, Guy Williams, Tom Wudl, and Norman Zammitt. Includes images of artworks included in the exhibition as well as photographs of the artists. Good. 1.6 cm. and 6 mm. tears to bottom edges of spine with additional rubbing of spine edges. Rubbing and dust soiling of covers with 1 cm., 1 mm., and 4 mm. areas of soiling to recto. Loosening of glue binding along inside of front and back covers, text block still attached to spine.

First Edition. Softcover. First Edition. INSCRIBED on the half-title page by Masami Teraoka and Lynda Hess: "For Joan / Happy birthday! / Much love / Masami [and] Lynda / 1997." Published in conjunction with an exhibition held from June 30 through December 1, 1996, at the Arthur M. Sackler Gallery, Smithsonian Institute, in Washington DC. Near Fine in perfect-bound wrappers with French flaps. Front flap price-clipped. Signed.

Zustand: Good. 8vo. Oblong. Card, Very Good. Illustrated. Masami Teraoka One Man Show at Catharine Clark Gallery (SF).

Zustand: Very good.

Zustand: gut. 1996. Paintings By Masami Teraoka In englischer Sprache. pages.

First edition. Folio. [16 pp]. Near fine in stapled wrappers. Essay by Gerard Haggerty. Five full color reproductions.

First Edition. Softcover. First Edition. INSCRIBED by Masami Teraoka and Lynda Hess, who wrote the foreword, on the title page: "To Joan / Best wishes / Masami and Lynda." Laid in with the book are 22 slides of photographs of Teraoka pieces, with manuscript captions variously dating the pieces between 1986 and 1988, as well as a small flyer for a 1991 exhibition in Honolulu featuring Teraoka, with a Manuscript Letter Signed from Teraoka to curator Joan Hugo on the verso. Published in conjunction with an exhibition of Teraoka's work, a continuation of his AIDS series, at Pamela Auchincloss Gallery in New York, held from September 7 through October 13, 1990. Very Good plus in perfect-bound wrappers. Signed.

Hardcover. Zustand: Very Good +. 1st edition. Grand Central Press, 2016, oblong hardcover, 12.25" x 10.25" x 1.5", 400 pages with numerous color and b/w illustrations. SPECIAL EDITION in a clamshell box (fabric bound. inset detail image, embossed and silkscreened title with bone enclosures) Artist Masami Teraoka's art publication is a beautiful vivid collection of his work. A story without words, the book tells as story through his abundant and relevant imagery and offers audiences a compelling visual experience. --- --- Masami Teraoka (born 1936) is an American contemporary artist. His work includes Ukiyo-e-influenced woodcut prints and paintings in watercolor and oil. He is known for work that merges traditional Edo-style aesthetics with icons of American culture. Teraoka's combines merges traditional Edo-style aesthetics with icons of American culture. His early work consisted primarily of watercolor paintings and prints that mimicked the flat, bold qualities of ukiyo-e woodblock prints. These paintings, done after his arrival in the United States, often featured the collision of the two cultures. Series such as McDonald's Hamburgers Invading Japan and 31 Flavors Invading Japan characterize themes in the work in this time period. These pieces blended reality with fantasy, humor with commentary, history with the present. Teraoka's combines merges traditional Edo-style aesthetics with icons of American culture. His early work consisted primarily of watercolor paintings and prints that mimicked the flat, bold qualities of ukiyo-e woodblock prints. These paintings, done after his arrival in the United States, often featured the collision of the two cultures. Series such as McDonald's Hamburgers Invading Japan and 31 Flavors Invading Japan characterize themes in the work in this time period. These pieces blended reality with fantasy, humor with commentary, history with the present. In the 1980s, Teraoka shifted palette and scale to depict AIDS as a subject, transforming his ukiyo-e derived paintings into a darker realm. In 1989 during a trip to Australia, he realized that the general public as well as some medical practitioners did not fully understand the impact the virus could have on the Australian populace. He created watercolors based on traditional woodblock prints that depicted kitsune foxes who represent, in Japanese folklore, divine entities who operate as messengers. Teraoka was born in the town of Onomichi in Hiroshima Prefecture. He studied from 1954-59 at the Kwansei Gakuin University in Kobe, Japan where he received his B.A. in Aesthetics. He moved to the United States in 1961. From 1964 to 1968 he attended and graduated from the Otis Art Institute, now the Otis College of Art and Design in Los Angeles, where he received a B.F.A. and M.F.A. He received an honorary doctorate in the fine arts in 2016 from the Otis College of Art and Design. (from Wikipedia). Very Good, clamshell box with light shelf wear.

Zustand: Good. Promotional Dossier. 4to. Folder with artist profile, fact sheet, bibliography, a sheet of 16 color slides & price list of works in exhibition. Very Good +.