Marya albrecht (1 Ergebnisse)
Piet Mondriaan & Bart van der Leck. De uitvinding van een nieuwe kunst. Laren 1916-1918.
(MONDRIAN, Piet) (72-44) - Hans Janssen & Marya Albrecht & Sjoerd Van Faassen & Cees Hilhorst & Jorinde Koenen & Lieke Wijnia & Paul Van Der Zande
- Softcover
Anbieter: Hatt Rare Books ILAB & CINOA, Hägersten, SchwedenHatt Rare Books ILAB & CINOA
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 23,17
EUR 20,00 VersandVersand von Schweden nach USAAnzahl: 1 verfügbar
In den WarenkorbSewn as issued, pictorial wrappers with flaps. Very fine / as new. Zwolle, Wbooks, 2017. 8vo. 168 pp. Richly illustrated in full-page colour. / Text in Dutch. "Piet Mondrian & Bart van der Leck. The invention of a New Art. Laren 1916-1918", in Dutch. - - - "It's highly likely that Piet Mondrian's abstraction would have looked di…fferent if he hadn't crossed paths with Bart van der Leck. They probably met in late 1915 or early 1916, and they hit it off immediately. The two artists saw each other often after Van der Leck moved from The Hague to the studio villa De Boschhoek in Laren on 13 April 1916. He lived there until May 1919, when he and his family relocated to a house on Eemnesserweg in Blaricum that he had designed with his brother. Mondrian and Van der Leck strongly influenced each other in the period 1916-17. In imitation of Mondrian, Van der Leck began simply entitling his paintings 'compositions' and gradually departed from figuration. Mondrian, meanwhile, was fascinated by Van der Leck's use of colour. Van der Leck had by then embraced abstraction in earnest, and in his attempt to capture the essence of painting, he had restricted his use of colour in 1915 to red, yellow and blue, supplemented by black and white. Mondrian regarded the primaries as the purest hues, and, inspired by Van der Leck, he began limiting himself to them too, though at first he toned them down by mixing them with white" (mondrianroute, online).
