Martignoni ignazio (11 Ergebnisse)
- Softcover
Anbieter: PBShop.store US, Wood Dale, USAPBShop.store US
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 24,24
Versand nach gratisVersand innerhalb von USAAnzahl: 15 verfügbar
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
Anbieter: PBShop.store UK, Fairford, Vereinigtes KönigreichPBShop.store UK
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Neu
EUR 22,14
EUR 4,80 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 15 verfügbar
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Hardcover
Anbieter: PBShop.store US, Wood Dale, USAPBShop.store US
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 31,16
Versand nach gratisVersand innerhalb von USAAnzahl: 15 verfügbar
HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Hardcover
Anbieter: PBShop.store UK, Fairford, Vereinigtes KönigreichPBShop.store UK
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Neu
EUR 27,98
EUR 4,80 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 15 verfügbar
HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Verlag: Presso i Figli di Carlantonio Ostinelli, Como 1826
- Hardcover
Anbieter: studio bibliografico pera s.a.s., LUCCA, Italienstudio bibliografico pera s.a.s.
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht - Befriedigend
EUR 40,00
EUR 40,00 VersandVersand von Italien nach USAAnzahl: 1 verfügbar
In den WarenkorbCopertina rigida. Zustand: buone. Cm.19x12. Pg.XXI, (3), 114, (4). Legatura in mz.pergamena con piatti marmorizzati. Piatti originali applicati alla coperta. Esemplare in barbe. Seconda edizione di uno studio di estetica dell'aristocratico lombardo Ignazio Martinenghi (Como, 1757- 1814). "Del bello e del sublime" uscì a Milano n…el 1810 e successivamente a Como nel 1826. Nel riprendere le linee della discussione settecentesca sugli omonimi temi, questo breve trattato le innesta nel dibattito sulle arti sviluppatosi in Italia nei primi decenni dell?Ottocento. Può essere affiancato, per alcuni contenuti e per il suo stile discorsivo, ad altri esempi più o meno coevi, come quello del ferrarese L. Cicognara ("Del bello. Ragionamenti", 1808, dedicato a Napoleone) o di G. Talia ("Saggio di estetica", 1822). Similmente, il suo successo può essere fatto corrispondere al bisogno di erudizione in campo artistico che contrassegnava il nuovo pubblico borghese in numerose regioni della penisola. Il principio della bellezza è individuato dal M. nell?armonia, concepita in base al criterio classicista della varietà ricondotta all?unità. Tale criterio è assunto a partire da un?ottica empiristica: la curiosità, il bisogno di fuggire la noia e la limitazione delle facoltà dell?uomo rendono piacevoli i rapporti percepiti nell?oggetto. Allineandosi alle tesi di F. Soave, il Martignoni riconosce il bello negli oggetti capaci di produrre non solo sensazioni piacevoli, ma piacevoli rappresentazioni (riservate alla vista e all?udito). Il gusto ha un ruolo centrale nella selezione dei tratti e delle forme presenti in natura, nel perseguimento di uno stile sia bello sia sublime" (Alessandro Arbo in "D.B.T.", vol.71). 200 gr.
Verlag: Si vende da Carl'Antonio Ostinelli Librajo in Como,, Milano, 1783
- Hardcover
Anbieter: Studio Bibliografico Benacense, riva del garda, ItalienStudio Bibliografico Benacense
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 148,50
EUR 44,00 VersandVersand von Italien nach USAAnzahl: 1 verfügbar
In den WarenkorbCm. 19, pp. 330 + (2) d'errata. Bel frontespizio interamente inciso (Cagnoni inc.). Legatura coeva in piena pelle, dorso (ben rifatto recentemente) con nervi e titoli in oro. Bell'esemplare, fresco e marginoso, stampato su carta pesante. Contiene i saggi sulle Belle Arti, sulla Poesia, sulla Musica e sul Disegno; poi i pensieri…sulla Felicità, sul Clima ed infine raccoglie i Versi sciolti. Rara raccolta originale delle opere del letterato comasco (1757-1814).
Weitere BilderVerlag: Si vende da Carl'Antonio Ostinelli Librajo in Como,, Milano, 1783
- Hardcover
Anbieter: Studio Bibliografico Benacense, riva del garda, ItalienStudio Bibliografico Benacense
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 187,00
EUR 44,00 VersandVersand von Italien nach USAAnzahl: 1 verfügbar
In den WarenkorbCm. 18,5, pp. 330 + (2) d'errata. Bel frontespizio interamente inciso (Cagnoni inc.). Graziosa legatura coeva in cart. rigido ricoperto in carta marmorizzata. Titoli ms. su tassello al dorso. Bell'esemplare, fresco e genuino, stampato su carta pesante. Contiene i saggi sulle Belle Arti, sulla Poesia, sulla Musica e sul Disegno;…poi i pensieri sulla Felicità, sul Clima ed infine raccoglie i Versi sciolti. Rara raccolta originale delle opere del letterato comasco (1757-1814).
Verlag: nella stamperia Ostinelli, 1793
- Softcover
- Erstausgabe
Anbieter: Libreria Antiquaria Pontremoli SRL, Milano, ItalienLibreria Antiquaria Pontremoli SRL
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 280,00
EUR 40,00 VersandVersand von Italien nach USAAnzahl: 1 verfügbar
In den WarenkorbComo, nella stamperia Ostinelli, 1793, Fra i trattati dell'erudito e musicologo di Gornate questo è uno dei più rari e meno noti. Si tratta di edizione originale con prefazione dell'autore datata 6.11.1792 e dedicata all'amico Saverio Bettinelli. in 8°, brossura muta colorata del tempo, pp. [2] 208, esemplare marginoso, bel fron…te con illustrazione allegorica del Cagnoni. brossura muta colorata del tempo.
Weitere BilderVerlag: Tipografia Mussi, Milano 1810
- Hardcover
- Erstausgabe
Anbieter: Rodger Friedman Rare Book Studio, ABAA, Tuxedo, USARodger Friedman Rare Book Studio, ABAA
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 1.063,88
EUR 6,89 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbZustand: Very Good. First edition. Octavo (23 cm); 142, [2] pages. Bound in nineteenth-century green straight-grain morocco, ruled in gilt on both boards within a surround of gilt-tooled scallop shells; spine highly decorated in gilt with delicate interlocking circles set off by Greek key horizontal borders. GIlt turn-ins; marbl…ed endleaves. Binder's ticket of Lodigliani. All edges gilt. Spine faded to brown, not affecting gilding. Five globular water spots, some with satellites, on upper board. Upper joint tender. Ownership inscription on front blank dated 1922. Few stray underlines in pencil. Intellectuals in the 18th century rediscovered the classical treatise, On the Sublime, attributed to Longinus, and made it a central text in their discussion of aesthetics. Edmund Burke's "Enquiry" (1757) and Kant's "Critique of Judgment" (1790) became the primary texts in an international discussion on categorizing "the beautiful," "the picturesque," and "the sublime." (The question remained vivid for English Romantics such as Coleridge, Wordsworth, and Shelley.) The text offered here is a sort of summary of the history of aesthetics, rather less dense than those of Kant and Schelling, with an ear toward aesthetics in the Italian literary tradition of Pindemonte, Alfieri, and Foscolo. The printer, Luigi Mussi, had worked as a typecutter in Bodoni's shop in Parma. He established his own business first in Parma, and later in Milan, disseminating the aesthetics of Bodoni designs in this and other works.
Weitere BilderVerlag: Si vende da Carl'Antonio Ostinelli Librajo in Como 1783
- Hardcover
Anbieter: Chaco 4ever Books, Montevideo, UruguayChaco 4ever Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut bis sehr gut
EUR 709,25
EUR 27,11 VersandVersand von Uruguay nach USAAnzahl: 1 verfügbar
In den WarenkorbEncuadernación de tapa dura. Zustand: Muy bien. In-8º. pp. 330 + (2) errata. Beautiful engraved frontispiece representing a nice view of lake of Como (by Cagnoni). Bound in old full marbled calf, rede edges, nice binding. Fine specimen, fresh and genuine, printed on heavy paper. It contains essays on Fine Arts, Poetry, Music and… Design; then the thoughts on Happiness, on the Climate and finally collects the loose Verses. MARTIGNONI, Ignazio, was born in Como on 15 June 1757, from the noble Giulio and from Fulvia de 'marchesi Millo from Casale Monferrato. From 1767 to 1775 he was a pupil of the local Gallio college, supported by the Somaschi fathers. He continued his education at the University of Pavia, where he graduated in civil and canon law in 1778. In the meantime, he nurtured the passion for drawing and cultivated literary studies, then collecting his first reflections and poetic compositions in a volume of various Operette (Milan 1783) dedicated to Count Giambattista Giovio. At the center of this work, which later the author himself defined as "youthful", we recognize the intention of formulating a discourse on the arts based on categories and topics inherited from French thought, from J.-B. Du Bos to Ch.-L. de Montesquieu, to Ch. Batteux, to the encyclopedists. Martignoni distinguishes between mechanical arts, dictated by needs, naive arts (which include poetry, painting, sculpture, the art of gesture, dance and music), arose from the need of the beloved, and arts considered useful and at the same time pleasant, like eloquence and architecture. The conjecture in the background consists in hypothesizing that, after having solved the problems of first necessity and established the pacts to guarantee common security, men would have begun to cultivate the pleasures of the naive arts. Precedence is attributed to song, dance and poetry, the latter inclined to present itself originally in the name of the traits of disorder, irregularity and enthusiasm. The essay on music (Operette various, now in modern art by A. Luppi, Como 1997) deepens this vision and highlights the assimilation of some thesis by J.-J. Rousseau (taken from the pamphlet that had animated the "querelle des Bouffons", but also from the encyclopedic articles and, most probably, from the Essai sur l'origine des langues). Taking up some classic anecdotes about the power of music to excite and calm passions, Martignoni attributes to the harmony and counterpoint the guilt of having spoiled the simple melody that had moved the soul of the ancients (to which, nevertheless, with an anachronism, some contrapuntal knowledge is attributed). The climatic differences are recalled to explain the way in which the song of the origins has gradually lost its energy and given way to the word: the result are languages with few "imitation accents" and few variations of tones in the Northern countries, while those of the southern countries (among which the example of Italy stands out, as well as that of ancient Greece) have remained more sonorous, "almost declamation". Both on the description of the powers of the melody (able not only to seduce the ear, but to involve the heart), and on the central theme of the imitation of passionate accents, the author continues to resort to Rousseauian arguments. A large digression on dance and pantomime also highlights the assimilation of the theses of the third part of the Réflexions critiques sur la poésie et sur la peinture (1719) by Du Bos. The analogy between the arts in antiquity is developed with a parallel between the ethos of the musical modes and that subtended to architectural ways. W6.
Verlag: Como, Stamperia Ostinelli. 1793
Anbieter: Daniel Thierstein, Bern, SchweizDaniel Thierstein
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht
EUR 123,77
EUR 35,00 VersandVersand von Schweiz nach USAAnzahl: 1 verfügbar
In den Warenkorb8°. Gestochener Titel, 208 S. Broschur mit Marmorpapierbezügen. Originalausgabe. - Martignoni (1757-1814) war Opernkomponist und Philosoph in Rousseaus Tradition. Er veröffentlichte mehrere Schriften zur Musiktheorie. Philosophische aesthetische Abhandlung über den Geschmack, die Fantasie, die Schönheit, die Grazie, die Imitatio…n, das Dekorative, das Gewöhnliche u.s.w. in der Kunst. - Broschur lädiert. Ecken eselsohrig. Sprache: italienisch.
