marlene chambers (24 Ergebnisse)

Zustand: Fine. Used book that is in almost brand-new condition.

1990. Mesoamerica, Art, Native Amerians. Denver Art Museum. 52p., very good paper/exhibition catalogue.

PAPERBACK. Paper edition. 80pp, numerous color illustrations, small quarto paper. Stanton Gallery exhibition catalog from 1981-1982. slight cover wear otherwise very good.

PAPERBACK. Zustand: Near Fine. First edition. 52pp, color illustrations. square octavo paperback.

Wraps (Paperback). Zustand: Near Fine. The Lucile & Donald Graham Collection. 48 saddle-stitched pages. Museum Catalogue.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 3.15.

Paperback. Zustand: Very Good. 20 pages, illustrated with colour plates. A Very Good copy.

424 S., 2 Bll. Mit zahlr. s/w u. farb. Abb. 4°, Orig.-Karton. Katalog zur Ausstellung vom 5. 7. 1997 - 31. 8. 1997 im Museum moderner Kunst Stiftung Ludwig Wien, 20er Haus. - Guter Zustand. 2500 gr.

Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: Fine Condition. 218 pages 206 illustrations in color. Foreword by Lewis I. Sharp, Director, Denver Art Museum. Published on the occasion of the exhibition from October 31, 2000-January 21, 2001. References Cited. Works Illustrated. Index. Book.

Zustand: Sehr gut. 424 S. : zahlr. Ill. ; 28 cm Kartoniert. Sehr gut erhalten. Sprache: Englisch Gewicht in Gramm: 2273.

Soft cover. Zustand: Very Good. "Denver Art Museum, Stanton Gallery, December 30, 1981-March 21, 1982." Description: 80 pages : illustrations (some colour) ; 26 cm.

Paperback. Zustand: Brand New. 320 pages. 11.50x9.00x1.00 inches. In Stock.

Hardcover. Zustand: Brand New. 320 pages. 12.20x9.40x1.20 inches. In Stock.

Zustand: New.

Softcover/Paperback. 424 S. Einband gering berieben u. bestaubt, gering eingerissen, Kanten etw. bestoßen, m. Lesespuren am Buchrücken NG01 3900776679 *.* Sprache: Englisch Gewicht in Gramm: 2410.

Taschenbuch. Zustand: Neu. Neuware - Unprecedented in size and scope, this special issue of Western Passages celebrates the full range of the western American art holdings at the Denver Art Museum. Published to mark the tenth anniversary of the museum's Petrie Institute of Western American Art, Elevating Western American Art: Developing an Institute in the Cultural Capital of the Rockies includes thirty essays by art historians from across the United States and Canada as well as a comprehensive history of the growth of Denver's impressive collection of art of the American West.More than twenty of the museum's undisputed masterworks are discussed in detail, from George Catlin's Cutting Ceremony and Charles Deas's Long Jakes to Frederic Remington's The Cheyenne and Charles Russell's In the Enemy's Country. Unique among its peers in being a dedicated western American art department within an encyclopedic museum, the Petrie Institute is able to draw on the resources of other museum departments to provide a broad context for its holdings. Essays by Denver Art Museum curators on objects that relate to western American art but are displayed and cared for in other museum departments - a portion of a New Mexican altarpiece, a magnificent Native American coat, a Japanese woodblock print depicting Yosemite - demonstrate both the inclusive nature of the Petrie Institute's approach and the fact that western American art stubbornly and gloriously refuses to be fenced in by traditional art historical boundaries. Special attention is paid, as well, to contemporary artists of western American art, whose work is generously represented in the book's more than 250 color illustrations.This highly collectible book - an essential addition to any art library - is a testament to the artists whose work it so handsomely portrays and to the many benefactors, staff, and supporters, over a period of more than a hundred years, who have made it possible for western American art to find a home at the Denver Art Museum.

Buch. Zustand: Neu. Neuware - Unprecedented in size and scope, this special issue of Western Passages celebrates the full range of the western American art holdings at the Denver Art Museum. Published to mark the tenth anniversary of the museum's Petrie Institute of Western American Art, Elevating Western American Art: Developing an Institute in the Cultural Capital of the Rockies includes thirty essays by art historians from across the United States and Canada as well as a comprehensive history of the growth of Denver's impressive collection of art of the American West.More than twenty of the museum's undisputed masterworks are discussed in detail, from George Catlin's Cutting Ceremony and Charles Deas's Long Jakes to Frederic Remington's The Cheyenne and Charles Russell's In the Enemy's Country. Unique among its peers in being a dedicated western American art department within an encyclopedic museum, the Petrie Institute is able to draw on the resources of other museum departments to provide a broad context for its holdings. Essays by Denver Art Museum curators on objects that relate to western American art but are displayed and cared for in other museum departments - a portion of a New Mexican altarpiece, a magnificent Native American coat, a Japanese woodblock print depicting Yosemite - demonstrate both the inclusive nature of the Petrie Institute's approach and the fact that western American art stubbornly and gloriously refuses to be fenced in by traditional art historical boundaries. Special attention is paid, as well, to contemporary artists of western American art, whose work is generously represented in the book's more than 250 color illustrations.This highly collectible book - an essential addition to any art library - is a testament to the artists whose work it so handsomely portrays and to the many benefactors, staff, and supporters, over a period of more than a hundred years, who have made it possible for western American art to find a home at the Denver Art Museum.

424 Seiten, zahlr. Ill. ; 28 cm Einband geringfügig gealtert, im Bereich des Hinterdeckels unwesentlich unfrisch. Schnitte leicht berieben bzw. mit Regalschmutz. Innen tadellos. Ein sauberes und solides Exemplar in insgesamt gutem Zustand. IS: 3900776679 ****An unsere Kunden in Deutschland: Versand nach Deutschland einmal in der Woche ab Freilassing mit der Deutschen Post.*** - Sprache: Deutsch Gewicht in Gramm: 2500 4°, Illustr. Original-KlappenBroschur.

4°, OBrosch. 1st ed. With numerous black-and-white and coloured plates. 255 p. English and original edition. Fine copy. Sprache: Deutsch Gewicht in Gramm: 0.

4°, 424 Seiten mit zahlr. s/w u. farb. Abb., ill. OKart., Einband mit minimalen Lagerspuren, sonst sehr gutes Exemplar. ISBN 3900776679.

Zustand: Sehr gut - gebraucht. Gebundene Ausgabe Sehr guter Zustand, ohne Namenseintrag 20.000 Meilen unter dem Meer. Ein Pop-up Spielbuch Zustand: 2, Sehr gut - gebraucht, Gebundene Ausgabe Hallmark Graphics Internationa Inc , 1969 , 20.000 Meilen unter dem Meer. Ein Pop-up Spielbuch, Jules Verne, Marlene Schneider, Gwen Gordon, Dave Chambers, B0BG181NXN, BU373328.

OPappband, Pop-Up-Buch. 1.Auflage. 11 Bl. : mit aufklappbaren Figuren ; 4 Einband vorwiegend sauber, im Rücken etwas lichtrandig gedunkelt, an Ecken und Kapitalen minimal berieben, Seiten sauber, ohne Einträge, hintere Einbandinnenseiten und einige Seiten zum Randbereich schwach braunfleckig, Papier der Einbandinnenseiten, sowie die Seiten herstellungs- oder lagerbedingt allgemein etwas wellig, Klappfiguren vollständig und unbeschädigt, 0 Sprache: Deutsch Gewicht in Gramm: 600.

Zustand: Gut. 255 Seiten gebraucht gut, Ränder und Ecken stellenweise bestoßen, Cover leicht berieben 200726747 Sprache: Deutsch Gewicht in Gramm: 1100 Softcover, Broschiert, 22cm * 28cm.

Hardcover/gebunden. Zustand: Sehr gut. unterer Buchrücken leicht berieben, sehr gut erhalten! In deutscher Sprache. n.pag. pages. 22 x 28 cm 1. Auflage/Lizenzausgabe der Graphics International Inc., New York.