Markham james a (8 Ergebnisse)

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- Softcover
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- Hardcover
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Drums of Morning : Inspirational Readings Chiefly from Modern Writers. [Day is al before thee; Where love is; Heirs of all the ages; Work, O beautiful my country; People; Victories of peace; These things shall be; Life kindleth life; Beauty everywhe
Neumann, Henry, 1882-1960. [assoc., Priscilla Gulbrie; Theodore Roosevelt, A E Houseman, Lizette Woodworth Reese, Katharine Lee Bates, Ralph Waldo Emerson, Howard Arnold Walter, Edwin Markham, Margaret Widdemer, James Weldon Johnson, Harry Kemp, et
Verlag: Boston : Little, Brown, and Company, 1928., 1928
- Hardcover
Anbieter: Joseph Valles - Books, Stockbridge, GA, USAJoseph Valles - Books
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In den WarenkorbHardcover. Zustand: Good. 242 pp. ; 20 cm. ; similar to OCLC: 3996250 ; Dewey: 821.8 ; tiny, contemporary, art deco book shop label of Priscilla Gulbrie's Book Shop, William Penn Place, Pittsburgh on back ep ; interesting collection of writings gathering into various sections: The Free Spirit, People, Work, etc ; wear to spine a…nd edges of covers ; G. Book.
Weitere BilderSprache: Englisch
Verlag: Ambit, 17 Priory Gardens, Highgate, London N6 5QY, 1982
- Softcover
- Erstausgabe
Anbieter: Orlando Booksellers, Lincoln, Vereinigtes KönigreichOrlando Booksellers
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In den WarenkorbOriginal Wraps. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First Edition. Ambit Number 91, published in 1982. Caribbean Special issue. Illustrated throughout in monochrome. Cover design by Alan Kitching. ***Very good in textured card monochrome-illustrated textured wrappers over thin white card covers. The edges… of the outer wrapper are slightly rubbed and there are a few light foxing marks. No bumps or creases. No tears. Internally near fine with no inscriptions. Pages clean. Paper stock just slightly tanned. Spine tight. ***245mm x 180mm. 96 pages. ***Contents - work by: Linton Kwesi Johnson; Sam Selvon; Edward Kamau Brathwaite; Ray Povey; Grace Nichols; Lynda Nkem Chinaka; Amryl Johnson; E. A. Markham; Elyse Dodgson and Company; S. E. Ashman; A. L. Hendriks; Michael Foreman; John Agard; Edgar White; Les Johnson; Andrew Salkey; Peter Fraser; James Berry; Errol Lloyd; Howard Fergus; Lynford French; Caryl Phillips; John La Rose; Charles Shearer; John Figueroa; David Nathaniel Haynes. ***'In the sixties AMBIT became well known for testing the boundaries and social conventions and published many anti-establishment pieces, including an issue with works written under the influence of drugs. Edwin Brock was poetry editor, and J. G. Ballard became fiction editor alongside, later, Geoff Nicholson. Henry Graham and Carol Ann Duffy joined Edwin Brock as poetry editors. Michael Foreman was art editor for 50 years. Across the magazine's history, Derek Birdsall (Omnific), Alan Kitching, John Morgan Studio and Stephen Barrett were notable designers.' (Wiki) ***'AMBIT started in '59; there were various impulses behind it. I'd been interested in the writer John Middleton Murray, who was married to Katharine Mansfield. He had run a magazine from about 1910 onwards for two or three years called Rhythm that attracted writers like D.H. Lawrence, and Katharine Mansfield of course. What was striking about it - you could look at it in the V&A library - was that Murray, who really knew nothing about art, had met a Scottish artist called Ferguson who was sending over from Paris artwork by "young" artists like Picasso, Miro, etc. They looked quite startling in this 1910 magazine. And the idea, that Murray never developed, of trying to produce a magazine that had literary and visual material really working together, came to me out of that. But the other initiatives were more simple. There weren't many magazines about then because the possibility of what everybody can do now -- produce a magazine from a 'desktop' in quite small numbers and for not very much money -- didn't exist. But electronic things were just starting to happen, and the first number of Ambit we partly set ourselves on a machine called a variotyper. It enabled us to paste down visual work of which we had some good drawings from an Australian artist, Oliffe Richmond, in this first number and enabled us to begin the notion of producing an arts magazine rather than the traditional poetry or Eng. Lit. magazine. I'd say there's still no magazine in the country that combines high class artwork, produced and found by Mike Foreman over the years, alongside writers who I think are exciting.' (Martin Bax interview with 3:AM magazine) ***An early 80s edition of the magazine in very good condition - this being a special Caribbean issue. Of interest to collectors of AMBIT and poetry magazines in general. An uncommon issue of the magazine. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. Michael Foreman, Errol Lloyd, Ray Povey et al (illustrator).

- Softcover
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Taschenbuch. Zustand: Neu. Neuware - With the high risk and cost in fielding High Energy Laser (HEL) weapon systems, the development process must include computer simulation models of weapon system performance from the engineering level up to predicting the military worth of employing specific systems in a combat scenario. This…research effort focuses on defining how to measure lethality for HEL weapons in an Advanced Tactical Laser (ATL) scenario. In order to create an effective measure for direct comparison between the emerging laser weapon system and existing conventionally delivered weapons, lase time in seconds is presented as a measure comparable to rounds required to cause the desired effect at the target. An examination of input parameters which influence the output power of the laser at the target and thus the required lase time is presented with particular attention being paid to atmospheric conditions and vulnerable bucket size.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

- Hardcover
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Buch. Zustand: Neu. Neuware.