mariotti claudio (11 Ergebnisse)

Hardcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Edition 1997. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 1997. Ammareal gives back up to 15% of this item's net price to charity organizations.

Zustand: new.

1. 210 p. Very good condition. Minimum traces of storage or use. 9780471971085 Sprache: Englisch Gewicht in Gramm: 513 Hardcover: 15.6 x 1.7 x 23.3 cm.

Zustand: New. In.

Gebunden. Zustand: New. This handbook is a practical guide for the methods and procedures required in assessing the nature, degree and related risk of hydrocarbon pollution in contaminated sites. As such, it is the first of its kind which focuses on the techniques for investigatin.

Zustand: New. This is a handbook of techniques, designed for managers, for investigating and remediating oil-contaminated sites. All the main techniques are reviewed. Editor(s): Lecomte, Paul; Mariotti, Claudio. Num Pages: 210 pages, Illustrations. BIC Classification: RNH; RNP; TQK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 231 x 162 x 17. Weight in Grams: 466. . 1997. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 192 pages. 9.50x6.25x0.75 inches. In Stock.

Buch. Zustand: Neu. Neuware - Technologien, um mineralölverseuchte Gebiete zu untersuchen und die Probleme zu beseitigen, werden von den Autoren, allesamt Experten aus der Industrie, umfassend und kompetent behandelt. Sie als Manager erfahren, wie Sie bei der Planung mit Hydrologen, Geologen und Chemikern zusammenarbeiten können, um Ihr Vorgehen wissenschaftlich zu fundieren. Eine Zusammenstellung der chemischen und physikalischen Eigenschaften von Mineralölprodukten ist ebenfalls enthalten.

Zustand: Buone. italiano Condizioni dell'esterno: Discrete con difetti, segni d'uso Condizioni dell'interno: Buone.

Encuadernación de tapa blanda. Zustand: Regular. J. Eusevi, Hugo Csecs, Salva, y más (illustrator). 1ª Edición. "Más Allá" representó la primera revista argentina dedicada a la ciencia ficción y a la divulgación científica que pudo sostenerse en el tiempo a lo largo de sus 48 números ininterrumpidos y que gozó de una amplia comunidad de lectores y lectoras tanto en Argentina como en otros países de habla hispana. // Colección completa de la primera edición de la revista "Más Allá", en total 48 números, el primero lanzado en 1953, y el último en 1957// Tapa blanda. El estado general es bueno. Algunos tomos tienen faltantes en la portada o en la contraportada, cinta en el lomo y demas marcas. __________________________________________ "Más Allá" represented the first Argentine magazine dedicated to science fiction and scientific dissemination that managed to sustain itself over time, with a total of 48 uninterrupted issues. It enjoyed a broad community of readers both in Argentina and in other Spanish-speaking countries. Complete collection of the first edition of the magazine "Más Allá," totaling 48 issues, with the first launched in 1953 and the last in 1957. Softcover. The overall condition is good. Some volumes have missing parts on the front or back covers, tape on the spine, and other marks.

Poster / catalogue folded 4 times (unfolded 67,5 x 37 cm) of art works (offset + silk screen prints) published by Edizioni Exempla. - First edition. Artists: Superstudio, Jochen Gerz, Ufo, Saul Ostrow, Maurizio Nannucci, Timm Ulrichs, Pietro Grossi, Mario Diacono, John Furnival, Giuseppe Chiari, Adriano Spatola, Paolo Masi, Claudio Parmiggiani, Mario Mariotti, Auro Lecci, Marco Gastini, Vincenzo Agnetti, Giorgio Griffa, Auro Lecci, Jiri Kolar, Ben Vautier. "Edizioni Exempla have put aut their first set of works, a result of artists' teamwork, with the aim of extending their interests to the publishing field. The purpose is to establish a closer interaction between various experiences in the aesthetic contest. As the specific activities of each artist-promoter is closely related to this concept, it has been possible to define correctly che objectives of this initiative and to enhance the relationship between the various aspects and stages of experimental research, without rejecting a purpose of commercial diffusion. The more so because the artists, partners in this venture, previously in relationship on an individual basis, have now united in a common specific effort. So on the one hand a new wider space has developed for proposals from diverse experiences: visual arts, concrete poetry, music, architecture, theatre; on the other hand the necessity of activating the possible common language ties has been kept in mind.".