Maria malibran (23 Ergebnisse)

Zustand: New. In.

Zustand: New. In.

240x160mm, 152pages, Bon état. Envois Europe : TVA inclus dans montant final. Exceptions taxes postales locales à la charge de l'acheteur (~2 EUR). Si nécéssaire, contact via notre page d'accueil / Shipping to Europe : VAT included in total amount. Local postal fees apply to buyers in Europe (~2 EUR). Contact us via our homepage if needed.…

In-8 - br. 184 pp., fig.

In-8 - br. 176 pp., fig.

Zustand: New.

Zustand: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Taschenbuch. Zustand: Neu. Neuware - This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.…

Zustand: New.

Pas de couverture. Zustand: Très bon. MALIBRAN Maria. Le Lutin. Nocturne à deux voix égales de Mr. Théaulon. Musique de Mme. Malibran. Dédié à son ami Madame la Comtesse de Sparre. A Paris, Chez E. Troupenas, sans date (c.1830). In-folio 33,5x25,5cm. 2 pp. non chiffrée. PN 592. Piano et Voix. Vignette lithographiée de Deveria sur le titre. …

Pas de couverture. Zustand: Très bon. MALIBRAN Maria. Le Batelier. Nocturne à deux vois égales. Musique de Mme. Malibran. Dédiée à son amie la Comtesse de Sparre. A Paris, Chez E. Troupenas, sans date (c.1830). In-folio 33,5x25,5cm. 2 pp. non chiffrées. PN 589. Piano et Voix. Charmante vignette lithographiée de Deveria sur le titre.…

Pas de couverture. Zustand: Très bon. MALIBRAN Maria. La Voix qui dit : je t'aime. Romance. Paroles de Mr. Sylvain Blot. Musique de Mme. Malibran. A Paris, chez E. Troupenas, sans date (c.1830). In-folio 33,5x25,5cm. 2 pp. non chiffrées. PN 580. Piano et Voix. Grande Vignette lithographiée de Deveria sur le titre.…

Hardcover. Zustand: Fine. No Jacket. New York: Da Capo Press (1940). Fine HARDCOVER, no dj. Navy cloth, Gilt lettering. Discarded from university library. The Book looks As New. 11.25"x8.6". be62.

Zustand: Sehr gut. Buch mit CD+DVD, Deluxe-Ausgabe, Sonderausgabe Buch ist berieben. Leichte Lagerspuren! Sie erhalten eine Rechnung mit der darin ausgewiesenen MwSt. Sprache: Deutsch Gewicht in Gramm: 550.

Crucial letter in the life of Spanish opera singer Maria Malibran (1808-1836), born Maria Felicitas Garcia Sitches, in which she refuses to see her husband Eugène Malibran, dated 23 September, 1830. The legendary Maria Malibran was known equally for her unrivalled voice, passionate personality and rare beauty. See died young, at the age of 28. She had met and married the wealthy Eugene Malibran in New York in 1826 when she was performing in the service of her tyrannical father. It is believed that her father set up the marriage for his personal financial gain. But it turned out Malibran was not wealthy at all and declared bankruptcy soon after. Although they never divorced, Maria left her husband after a year and returned to Europe, writing and sending the present letter from Norwich in England. In Europe she found great success, fame and wealth. Chopin even named her the "Queen of Europe". When she wrote the present letter she had moved to London to perform and had begun a romance with Belgian violinist Chales-Aguste de Bériot. Eugène Malibarn, still her husband, got news of this and came over from America to claim his rights over her. Maria refused to see him, as she states in this letter, and moved to Brussels with her lover.The bickering 4 page letter is addressed to her brother-in-law, Mr. Colladon, but obviously aimed at her husband. She passionately responds to being accused by many of poor communication "Why is he complaining about my silence? Didn't I write first?". She concludes that she never wants to see Eugène again and that he can have the money as long as he stays "at a distance that demands a telescope".Minor wear on the extremities of the folds, otherwise in very good condition. Disbound. Gilt edges. Written in ink on paper. Pages: 4 pp.…

3 gest. S. Notenblatt im unteren Drittel geknickt, erstes Blatt mit Abriß dieses unteren Drittels (Noten- und Textverlust von einem System). Gering wasserrandig, oben knapp beschnitten. Nach dem Paiser Erstdruck zwei Jahre zuvor die zweite Ausgabe. - Mit hübscher Titelillustration (Trommler).

3 gest. S. Mit Eckabriß oben links, etwas stockfleckig. Erstausgabe.

Crucial letter in the life of Spanish opera singer Maria Malibran (1808-1836), born Maria Felicitas Garcia Sitches, in which she refuses to see her husband Eugène Malibran, dated 23 September, 1830. The legendary Maria Malibran was known equally for her unrivalled voice, passionate personality and rare beauty. See died young, at the age of 28. She had met and married the wealthy Eugene Malibran in New York in 1826 when she was performing in the service of her tyrannical father. It is believed that her father set up the marriage for his personal financial gain. But it turned out Malibran was not wealthy at all and declared bankruptcy soon after. Although they never divorced, Maria left her husband after a year and returned to Europe, writing and sending the present letter from Norwich in England. In Europe she found great success, fame and wealth. Chopin even named her the "Queen of Europe". When she wrote the present letter she had moved to London to perform and had begun a romance with Belgian violinist Chales-Aguste de Bériot. Eugène Malibarn, still her husband, got news of this and came over from America to claim his rights over her. Maria refused to see him, as she states in this letter, and moved to Brussels with her lover.The bickering 4 page letter is addressed to her brother-in-law, Mr. Colladon, but obviously aimed at her husband. She passionately responds to being accused by many of poor communication "Why is he complaining about my silence? Didn't I write first?". She concludes that she never wants to see Eugène again and that he can have the money as long as he stays "at a distance that demands a telescope".Minor wear on the extremities of the folds, otherwise in very good condition. Disbound. Gilt edges. Written in ink on paper. Pages: 4 pp.…

Ca. 32,5 x 25,6 cm. Berlin und Paris, um 1831-35. Pappband der Zeit mit Buntpapierbezug auf den Deckeln. Mit zusammen 5 gestochenen Titeln und einer lithographierten Vignette (beim Lied "Row, Boys!"). Gestochener Notentext. "Die Malibran" (1808-1836) war die erste große Sängerin in der Geschichte des Musiktheaters, die mit den Werken der italienischen Opernkomponisten ihrer Zeit, vor allem von Vincenzo Bellini, Gaetano Donizetti und Gioachino Rossini, europaweit Erfolge feierte. Bekannt geworden ist die Operndiva unter dem Namen ihres ersten Gatten Malibrán; ihre Stimme, ein Mezzosopran, rief überall Bewunderung hervor. Daneben war sie auch Komponistin, was dieser Band dokumentiert. Der einstigen Popularität zum Trotz, sind diese Drucke heute von größter Seltenheit. Enthalten: I. 10 Romances pour une voix avec accompagnement de piano-forte. Berlin, Schlesinger (PN 1741-50; wohl um 1833-35), daraus die Nummern 4, 5, 6, 7 und 9. Einzige Ausgabe. - Über den KVK nur ein vollständiges Exemplar mit allen 10 Nummern nachweisbar (Breslau, Universitätsbibliothek), daneben wenige der Einzelnummern in verschiedenen Bibliotheken. II. Das Rossini gewidmete Lied "Row, Boys!", Paris, Troupenas, (PN 588; wohl 1831). Mit lithografierter Kopfvignette von einer M.elle Formentin, die das besungene Segelschiff und seine rudernde Mannschaft zeigt. Über den KVK für uns nur ein Exemplar in nachweisbar (in Rom). Am Ende zusätzlich eingebunden: "Il Canto. Arietta N. 2" von M. G. Corticelli (Mailand, Ricordi, oohne Jahr, PN 7076). Einband berieben, Ecken bestoßen; mehrere Verlagsstempel an den Rändern, einzelne Ecken geknickt, leicht gebräunt, kaum fleckig.…

8vo. 1 p. Doppelblatt. Vous m'obligerez beaucoup en passant chez moi aujourd'hui de 4 à 6 h, j'en quelque chose à vous dire. []"María Malibran verliebte sich in den belgischen Geiger und Komponisten Charles-Auguste de Bériot (18021870) und lebte mit diesem sechs Jahre lang in wilder Ehe" zusammen, ehe sie ihn 1836 in Paris heiratete. 1833 ging aus ihrer Verbindung ein Sohn hervor, der spätere Pianist und Lehrer von Maurice Ravel, Charles-Wilfrid de Bériot (18331914). - Beiliegt eine Kopie eines Schreibens des Büros von Cecilia Bartoli, die die Echtheit bestätigt. …

E.Albumblatt (kl. 8° quer, 4 Zeilen in Tinte, unsigniert) Berlin, 15. mars 1861. Hotel de Brandebourg, Charlottenstraße.

Eigenhändiger Brief (1 S. 8°) in Tinte mit Unterschrift signiert - in Französisch an Cher M. Friedlaender (vtl. Max Friedlaender (1852?1934), deutscher Musikwissenschaftler).