Margaret einert (11 Ergebnisse)
- Softcover
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes KönigreichPBShop.store UK
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
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Zustand: New. In.
- Hardcover
Anbieter: PBShop.store US, Wood Dale, IL, USAPBShop.store US
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Hardcover
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes KönigreichPBShop.store UK
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Hardcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
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Zustand: New. In.
Verlag: Longmans, Green and Co
Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes KönigreichWeBuyBooks
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In den WarenkorbZustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Rare. Ex library copy with usual… stamps & stickers. Tan to page edges. A good reading copy.
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Taschenbuch. Zustand: Neu. Neuware.
- Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Buch. Zustand: Neu. Neuware - This book is a comprehensive guide to rhythmic dancing, including step-by-step instructions and illustrations. Written by Margaret Thérèse Einert, a renowned dance instructor, the book is perfect for dancers of all skill levels and backgrounds.This work has been selected by scholars as being cultura…lly important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Weitere BilderVerlag: Longmans, 1921
- Hardcover
- Erstausgabe
- Signiert
Anbieter: Antic Hay Books, Asbury Park, NJ, USAAntic Hay Books
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EUR 75,59
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In den WarenkorbEINERT, Margaret. THE RHYTHMIC DANCE BOOK. With Eight Illustrations. London: Longmans, Green and Company, 1921. 12mo., printed boards. First Edition. Signed presentation by Einert on front endpaper: "For Mrs. Morgan, With very many thanks from Margaret Einert. Majestic, 1922." Very Good (endpapers browning but presentation still… quite strong). $85.00.
Verlag: 12 December On letterhead of the Margaret Einert Rhythmic Dance School Crane Hall Hanover Street Liverpool, 1936
- Softcover
- Manuskript//Papierbasiertes Sammlerstück
Anbieter: Richard M. Ford Ltd, London, Vereinigtes KönigreichRichard M. Ford Ltd
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In den Warenkorb2pp, 4to. On two letterhead leaves with border in blue. The following endorsement printed at the foot of each leaf: 'ANNA PAVLOVA wrote after visiting the School: "It is with pleasure that I record the very good impression made on me both by the School and your method of training. I wish you the fullest success which I think you…r School deserves"'. Einert begins her letter: 'Miss Coury Dear: - | It is impossible to feel that I have really met you for the first time today, for I have spoken of you regularly for the last ten months, and given so many "messages from Auntie Margot" that I truly feel I have known you all this time! | This note is partly personal and partly "job" . . but in case the telephone address is that of your relations, I shall leave this at Blundellsands on my way over to Southport, for the other Kiddies Show, I am working today.' Beginning with the personal she writes: 'I adore this work and have felt we were working together all the time. Mr Webster asked me to meet you at the Savoy last June-July, but that very morning I was off to Switzerland', so it is only on the day of writing that 'the tremendous pleasure of working actually WITH you come along'. She feels that Coury has 'created that atmosphere of complete sympathy with the children which made the response natural, sincere and gentle. There wasnt a rough child among the 204!' She continues with reference to Coury's signing of 'all those pictures and books' ('you were a real dear'), and of her gift to Einert, before turning to 'work': 'we have the four "Colour Teams" with captains etc.; we have the first and second Club News, with your writings declaimed . . . we have all the under sevens as "Nero Members" who wear badges of the famous Nero, and enact his adventures . . and we dramatise every possible bit of your writings.' She continues with reference to a piece called 'The Three Witches', 'Club Keep-Fit Exercises, which are great fun when 124, (as at last meeting) do them together to a jolly tune, and the Nero Members have a definite series of Baloon [sic] Exercises which they do most beautifully with big coloured baloons'. She describes 'a Fun Club Meeting' and asks her to come to one. Coury appears to write children's stories for department stores in London, and Einert asks whether she might incorporate 'a fun club morning' in one of these: 'I am very often in Town, and would enjoy the chance. Before I came to Liverpool, I had a studio in Hampstead'. She has 'twenty one classes a week, for kiddies in different types of dancing and exercising, quite aside from Fun Club etc, so it seems as though my place were here at the present. Also I have crossed the Atlantic twenty two times and have many American games etc, which I have acquired while working in New York, and which are real "ice-breakers" for the kiddies until an atmosphere is created.' Also present is an unsigned carbon typescript of Coury's reply, 21 December 1936: 'It was quite obvious to me that you adored your work. You can have no idea of your influence over those children. The word magnetic is quite applicable [.] how original of you to make the children read the magazine at the Meetings! You are most certainly the living link between the magazine and the Club. [.] You would be a riot in London during the party season. [.] With regard to the Fairy Corner Club, I will mention you to the Managing Director of the White House, and suggest a party in the Spring. I should like to hold it at one of the leading hotels.'.
