Marcus lloyd (24 Ergebnisse)

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

paperback. Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Zustand: Good. THE SCRIPT! Reliable and presentable ACTING EDITION. Some shelf wear to the covers. A few markings by the former actor. Enjoy this script in useful condition for performance.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. pp. 104.

Paperback. Zustand: Brand New. 104 pages. 7.48x5.04x0.39 inches. In Stock.

Zustand: New. 2002. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 116 pages. 9.00x6.00x0.27 inches. In Stock.

Zustand: New. In English.

Paperback. Zustand: Brand New. 192 pages. 8.75x6.00x0.50 inches. In Stock.

Zustand: As New. - expédié soigneusement depuis la France dans enveloppe à bulles. 14x12x1cm. 2012. CD. As New.

Zustand: New. In English.

First Edition. Fourth printing. Hardcover. Features essays by Michael Almereyda, Lloyd Fonvielle, Kristine McKenna, Greil Marcus, and Amy Taubin. Includes 96 four color plates which means this version has an additional 8 photographs that didn't appear in the first printing. A fine in cloth boards in a fine dust jacket. As new and still in the publisher's shrinkwrap.…

Gebunden. Zustand: New.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition, first printing. Hardcover. Fine terra cotta colored cloth, with title stamped in black on spine; with photographically illustrated dust jacket. Photographs by William Eggleston, selected by Michael Almereyda (the director of the 2005 film "William Eggleston in the Real World.") Texts by Michael Almereyda, Lloyd Fonvielle, Greil Marcus and Amy Taubin. Interview with Eggleston by Kristine McKenna. Includes a list of plates. Designed by Michael Almereyda and Jack Woody. 144 pp., with 87 four-color plates finely printed on heavy matte paper. 13-3/4 x 12-1/4 inches. Published to coincide with a major retrospective exhibition, "William Eggleston: Democratic Camera - Photographs and Video, 1961-2008," at the Los Angeles County Museum of Art and traveling to other venues. This first edition was limited to 3,000 copies. New in publisher's shrink-wrap. From the publisher: "For Now is the result of filmmaker Michael Almereyda's year-long rummage through the Eggleston archives, a remarkable collection of heretofore unseen images spanning four decades of work by one of our seminal artists. Unusual in its concentration on family and friends, the book highlights an air of offhand intimacy, typical of Eggleston and typically surprising." From Michael Almereyda: "William Eggleston's photographs are always about looking. They distill a sense of heightened attention--alertness, anticipation, awe--from fragments of ordinary, unmanipulated reality. But the 'ordinary' in Eggleston is often charged with an air of mystery and menace, a Halloween atmosphere leaking into every season he records. A quality of vulnerability and play converges with unease, dread, the possibility of mayhem. This new book, William Eggleston: For Now, presents over 90 previously unpublished color photographs pulled from Eggleston's back files, spanning four decades of work. The title is meant as an open nod to the immediacy of pictures plucked from near-oblivion, a salute to their freshness, their nowness. The selection is tidier, more self-contained, than I first expected--a bouquet brought back from an archival jungle. Most of the pictures feature people, and many of the subjects are the photographer's blood relations and close friends. The emotional temperature is at once tender and aloof, extending to images of strangers in parking lots and suburban yards, which is aligned with Eggleston's enduring fascination with frayed commercial spaces, cars, signs, cracked sidewalks, light bulbs, bricks, clouds, with rural porches, broken fences, spilled trash, ditches, puddles, architectural gaps and divides--the spaces between spaces, the mundane, the makeshift, all the fragmentary raw proofs of civilization as a perishable human construction that, nevertheless, provide subject matter for vibrant photographs. When I reviewed a rough layout with Bill, he was pleased to see so many pictures he had clean forgotten about. He offered his approval alongside a bemused comment that the book comes close to being a family album.".…

First Edition. First edition and first printing. Hardcover. Number 63 of 100 copies. Features essays by Michael Almereyda, Lloyd Fonvielle, Kristine McKenna, Greil Marcus, and Amy Taubin. Includes 87 four color plates. A fine in cloth boards and in a fine dust jacket and in a fine slipcase. Signed by Eggleston on the colophon page. An as new copy that is still in the shrinkwrap slit open to verify signature. Signed.…

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Limited edition of 100 numbered copies (this being #44/100), signed in black ink on the colophon page by Eggleston. Hardcover. Fine terra cotta colored cloth, with title stamped in black on spine; with photographically illustrated dust jacket and slipcase. Photographs by William Eggleston, selected by Michael Almereyda (the director of the 2005 film "William Eggleston in the Real World.") Texts by Michael Almereyda, Lloyd Fonvielle, Greil Marcus and Amy Taubin. Interview with Eggleston by Kristine McKenna. Includes a list of plates. Designed by Michael Almereyda and Jack Woody. 144 pp., with 87 four-color plates finely printed on heavy matt paper. 13-3/4 x 12-1/4 inches. Published to coincide with a major retrospective exhibition, "William Eggleston: Democratic Camera - Photographs and Video, 1961-2008," at the Los Angeles County Museum of Art and traveling to other venues. New in New dust jacket and slipcase (in publisher's shrink-wrap). Opened only for signature. From the publisher: "For Now is the result of filmmaker Michael Almereyda's year-long rummage through the Eggleston archives, a remarkable collection of heretofore unseen images spanning four decades of work by one of our seminal artists. Unusual in its concentration on family and friends, the book highlights an air of offhand intimacy, typical of Eggleston and typically surprising." From Michael Almereyda: "William Eggleston's photographs are always about looking. They distill a sense of heightened attention--alertness, anticipation, awe--from fragments of ordinary, unmanipulated reality. But the 'ordinary' in Eggleston is often charged with an air of mystery and menace, a Halloween atmosphere leaking into every season he records. A quality of vulnerability and play converges with unease, dread, the possibility of mayhem. This new book, William Eggleston: For Now, presents over 90 previously unpublished color photographs pulled from Eggleston's back files, spanning four decades of work. The title is meant as an open nod to the immediacy of pictures plucked from near-oblivion, a salute to their freshness, their nowness. The selection is tidier, more self-contained, than I first expected--a bouquet brought back from an archival jungle. Most of the pictures feature people, and many of the subjects are the photographer's blood relations and close friends. The emotional temperature is at once tender and aloof, extending to images of strangers in parking lots and suburban yards, which is aligned with Eggleston's enduring fascination with frayed commercial spaces, cars, signs, cracked sidewalks, light bulbs, bricks, clouds, with rural porches, broken fences, spilled trash, ditches, puddles, architectural gaps and divides--the spaces between spaces, the mundane, the makeshift, all the fragmentary raw proofs of civilization as a perishable human construction that, nevertheless, provide subject matter for vibrant photographs. When I reviewed a rough layout with Bill, he was pleased to see so many pictures he had clean forgotten about. He offered his approval alongside a bemused comment that the book comes close to being a family album." Signed by Author.…

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Books: Eric L. Santner on Giorgio Agamben's 'The Kingdom and the Glory,'" by Eric L. Santner; "Film: P. Adams Sitney on Jerome Hiler's 'Words of Mercury,'" by P. Adams Sitney; "Film: J. Hoberman on Jafar Panahi's 'This Is Not a Film,'" by J. Hoberman; "Film: James Quandt on Pablo Larraín's 'Post Mortem,'" by James Quandt: "On Site: David Velasco on the Crystal Bridges Museum of American Art," by David Velasco; "Design: "Seth Siegelaub on Collecting Textiles," by Seth Siegelaub, introduction by Lauren O'Neill-Butler; "Media: Brian Droitcour on Artie Vierkant," by Brian Droitcour; "Top Ten," by Loretta Fahrenholz; "First Position: The Early Performance Work of Sturtevant," by Bruce Hainley; "Perfect Fit: John Chamberlain Remembered," by Lynne Cooke and Larry Bell; "Pandora's Black Box: Algorithms of Taste," by Michael Sanchez; "L'Homme Machine: The Art of Konrad Klapheck," by Dieter Roelstraete; "1000 Words: Boris Charmatz," by Catherine Wood; " "Close-Up: Restored to Power. Tony Pipolo on Abel Gance's 'Napoléon,'" by Tony Pipolo; "Openings: Rey Akdogan," by Alex Kitnick. Reviews by Anna Lovatt, Sarah K. Rich, Martha Buskirk, David Rimanelli, David Frankel, Robert Pincus-Witten, Frances Richard, Suzanne Hudson, Barry Schwabsky, Johanna Burton, Lauren O'Neill-Butler, Donald Kuspit, Joshua Decter, Michael Wilson, Lloyd Wise, Brian Sholis, Emily Hall, Agnieszka Gratza, Daniel Marcus, Jennifer King, Michelle Grabner, Nick Stillman, Franklin Melendez, Natilee Harren, Phyllis Tuchman, Rachel Withers, Sherman Sam, Lillian Davies, Guitemie Maldonado, Astrid Mania, Jens Asthoff, John Beeson, Noemi Smolik, Quinn Latimer, Marco Tagliafierro, Marco Meneguzzo, Hans den Hartog Jager, Jos Van den Bergh, Brigitte Huck, Markéta Stará, Marek Bartelik, Filipa Oliveira, and Daniel Quiles. Cover: Sturtevant.…

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Books: Eric L. Santner on Giorgio Agamben's 'The Kingdom and the Glory,'" by Eric L. Santner; "Film: P. Adams Sitney on Jerome Hiler's 'Words of Mercury,'" by P. Adams Sitney; "Film: J. Hoberman on Jafar Panahi's 'This Is Not a Film,'" by J. Hoberman; "Film: James Quandt on Pablo Larraín's 'Post Mortem,'" by James Quandt: "On Site: David Velasco on the Crystal Bridges Museum of American Art," by David Velasco; "Design: "Seth Siegelaub on Collecting Textiles," by Seth Siegelaub, introduction by Lauren O'Neill-Butler; "Media: Brian Droitcour on Artie Vierkant," by Brian Droitcour; "Top Ten," by Loretta Fahrenholz; "First Position: The Early Performance Work of Sturtevant," by Bruce Hainley; "Perfect Fit: John Chamberlain Remembered," by Lynne Cooke and Larry Bell; "Pandora's Black Box: Algorithms of Taste," by Michael Sanchez; "L'Homme Machine: The Art of Konrad Klapheck," by Dieter Roelstraete; "1000 Words: Boris Charmatz," by Catherine Wood; " "Close-Up: Restored to Power. Tony Pipolo on Abel Gance's 'Napoléon,'" by Tony Pipolo; "Openings: Rey Akdogan," by Alex Kitnick. Reviews by Anna Lovatt, Sarah K. Rich, Martha Buskirk, David Rimanelli, David Frankel, Robert Pincus-Witten, Frances Richard, Suzanne Hudson, Barry Schwabsky, Johanna Burton, Lauren O'Neill-Butler, Donald Kuspit, Joshua Decter, Michael Wilson, Lloyd Wise, Brian Sholis, Emily Hall, Agnieszka Gratza, Daniel Marcus, Jennifer King, Michelle Grabner, Nick Stillman, Franklin Melendez, Natilee Harren, Phyllis Tuchman, Rachel Withers, Sherman Sam, Lillian Davies, Guitemie Maldonado, Astrid Mania, Jens Asthoff, John Beeson, Noemi Smolik, Quinn Latimer, Marco Tagliafierro, Marco Meneguzzo, Hans den Hartog Jager, Jos Van den Bergh, Brigitte Huck, Markéta Stará, Marek Bartelik, Filipa Oliveira, and Daniel Quiles. Cover: Sturtevant.…