Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Zustand: Near Fine. 4th Edition. Author inscription to inside front, author signature to title page, else fine. BP/Maryland. Inscribed by Author(s).
Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Zustand: Very Good. Very Good condition. 3rd edition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
Verlag: Museum of Contemporary Art / Specific Object Chicago / New York, IL / NY 1969 / 2008, 1969
Anbieter: Specific Object / David Platzker, New York, NY, USA
[4] pp.; 30 x 30 cm.; black-and-white; edition size 20; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include: Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. The 2008 screenprinted gatefold cover, produced by Specific Object, is an exacting reproduction of original 1969 offset printed cover, which incorporates an installation image on the back cover, and extensive introductory text and additional texts on each participating artist. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Fine. Original 1969 vinyl LP housed in 2008 screenprinted facsimile album cover. Vinyl in good condition, jacket is New.
Verlag: Museum of Contemporary Art Chicago, IL, 1969
Anbieter: Specific Object / David Platzker, New York, NY, USA
[4] pp.; 30 x 30 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. Artist notes and texts on gatefold interior. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Good. Mild bump to top left corner of jacket and light surface wear to album covers and spine including scratching and scuffing. 2.5 cm. and 3 cm. of soiling to recto. Yellow spitting to verso. Yellowing and dust soiling to inside of album cover. Light scratching of record. This is a copy of the original album jacket and original vinyl LP.
Verlag: Museum of Contemporary Art Chicago, IL, 1969
Anbieter: Specific Object / David Platzker, New York, NY, USA
[4] pp.; 30 x 30 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. Artist notes and texts on gatefold interior. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Good. Mild bump to top left corner of jacket and light surface wear to album covers and spine. LP's vinyl is clean showing only light wear. LP has been played and tested and has no material defects. This is a copy of the original album jacket and original vinyl LP.